The Impertinent Lovers | |
---|---|
Written by | Francis Hawling |
Date premiered | 16 September 1723 [1] |
Place premiered | Theatre Royal, Drury Lane |
Original language | English |
Genre | Comedy |
The Impertinent Lovers: or, A Coquet at her Wit's End is a 1723 comedy play by the British writer Francis Hawling. It was submitted to Sir Richard Steele and three gentlemen as patentees and sold by J. Roberts in Warwick Lane, A. Dodd at the Peacock without Temple Bar, and the booksellers of London and Westminster. [2]
The original Drury Lane cast included Thomas Chapman as Meanwell, William Wilks as Freelove, Theophilus Cibber as Pert, John Harper as Blunt, Elizabeth Willis as Abigail. The play is set in Greenwich.
Richard Jones was an English composer and violinist.
The Drummer is a 1716 comedy play by the British writer Joseph Addison, also known as The Drummer, or, The Haunted House.
Sir Thomas Overbury is a 1723 tragedy by the British writer Richard Savage. It is based on the life of Thomas Overbury an associate of the Jacobean royal favourite Robert Carr whose apparent murder while incarcerated in the Tower of London provoked a trial and major scandal.
Tunbridge Walks is a 1703 comedy play by the English writer Thomas Baker. It starred the droll actor William Pinkethman in a leading role. It is also known by the longer title Tunbridge Walks, or the Yeoman of Kent.
Squire Trelooby is a 1704 farce by the writers William Congreve, John Vanbrugh and William Walsh. All were members of the Kit-Cat Club and another member Samuel Garth wrote a prologue. It was inspired by the French play Monsieur de Pourceaugnac by Molière.
The Siege of Damascus is a 1720 tragedy by the British writer John Hughes. It was inspired by Simon Ockley's 1708 study Conquest of Syria, and focuses specifically on the Siege of Damascus in 634.
Frederick, Duke of Brunswick-Lunenburgh is a 1729 historical tragedy by the British writer Eliza Haywood. It is based on the life medieval ruler Frederick I, Duke of Brunswick-Wolfenbüttel.
A Wife to be Let is a 1723 comedy play by the British writer Eliza Haywood. Better known for her novels, it was Haywood's first theatrical play.
The Play is the Plot is a 1718 comedy play by the British writer John Durant Breval.
The Fatal Constancy is a 1723 tragedy by the British writer Hildebrand Jacob. The original cast included Barton Booth as Omphales, John Mills as Zimon, Colley Cibber as Tryphon, Charles Williams as Ammon and Mary Porter as Hesione.
Mariamne is a 1723 tragedy play by the British writer Elijah Fenton. It is based on the biblical Mariamne, wife of Herod the Great of Judea. The following year Voltaire produced a French play of the same title.
Humphrey, Duke of Gloucester is a 1723 tragedy by the British writer Ambrose Philips. It is based on the life of Humphrey, Duke of Gloucester, youngest brother of Henry V.
Medea is a 1730 play by the British writer Charles Johnson. It is based on Medea from Greek mythology.
The Provoked Husband is a 1728 comedy play by the British writer and actor Colley Cibber, based on a fragment of play written by John Vanbrugh. It is also known by the longer title The Provok'd Husband: or, a Journey to London.
Love in a Forest is a 1723 comedy play by Charles Johnson. It is a substantial reworking of Shakespeare's As You Like It cutting out characters and passages, while borrowing from other Shakespeare plays amongst other things.
The Fatal Legacy is a 1723 tragedy by the British writer Jane Robe. It was inspired by Jean Racine's 1664 play La Thébaïde. It concerns the children of Oedipus in Ancient Thebes.
The False Friend is a 1702 comedy play by the English writer John Vanbrugh. It was inspired by Francisco de Rojas Zorrilla's Spanish play La traición busca el castigo.
She Would and She Would Not is a 1702 comedy play by the English actor-writer Colley Cibber.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
The Lying Lover; Or, The Lady's Friendship is a 1703 comedy play by the Irish writer Richard Steele. It was his second play, written while he was an army office doing garrison duty in Harwich during the War of the Spanish Succession. It is described as being both a restoration comedy and a sentimental comedy, and marked the transition between the two.