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Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Arthur "Duke" Reid CD was a Jamaican record producer, DJ and label owner.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Alton Nehemiah Ellis was a Jamaican singer-songwriter. One of the innovators of rocksteady, he was given the informal title "Godfather of Rocksteady". In 2006, he was inducted into the International Reggae And World Music Awards Hall Of Fame.
Who You Fighting For? is the fifteenth album by UB40 released on 18 July 2005. The album was nominated for the reggae album Grammy in 2006. It marks the return of the rootsier, political sound that the group cultivated during the early 1980s. It was the band's first release by Rhino Records in the US.
Derrick Morgan is a Jamaican musical artist who was popular in the 1960s and 1970s. He worked with Desmond Dekker, Bob Marley, and Jimmy Cliff in the rhythm and blues and ska genres, and he also performed rocksteady and skinhead reggae.
The Melodians are a rocksteady band formed in the Greenwich Town area of Kingston, Jamaica, in 1963, by Tony Brevett, Brent Dowe and Trevor McNaughton. Renford Cogle assisted with writing and arranging material.
Slim Smith was a ska, rocksteady and reggae singer. In their book Reggae: The Rough Guide (1997), Steve Barrow and Peter Dalton described Smith as "the greatest vocalist to emerge in the rocksteady era".
Jet Set Records is a French record label owned by Enzo Hamilton, which specialized in Jamaican music reissues. It was most active in the 1990s.
Justin Hinds was a Jamaican ska vocalist, with his backing singers the Dominoes.
John Kenneth Holt CD was a Jamaican reggae singer who first found fame as a member of The Paragons, before establishing himself as a solo artist.
Phyllis Dillon was a Jamaican rocksteady and reggae singer who recorded for Duke Reid's lucrative Treasure Isle record label in the late 1960s and early 1970s.
Lloyd Parks is a Jamaican reggae vocalist and bass player who has recorded and performed as a solo artist as well as part of Skin, Flesh & Bones, The Revolutionaries, The Professionals, and We the People Band.
Dandy Livingstone is a British-Jamaican ska, rocksteady, and reggae musician and producer, best known for his 1972 hit, "Suzanne Beware of the Devil", and for his song, "Rudy, A Message to You", which was later a cover hit for The Specials. "Suzanne Beware of the Devil", reached number 14 on the UK Singles Chart and number 78 in Australia. In the early 1960s, Livingstone recorded some of the bestselling UK-produced ska singles of the era.
Tommy Cowan CD is a producer and singer, initially working in reggae but later concentrating on gospel, who has been involved in the music business since the 1960s. He is also an ordained Gospel minister and a justice of the peace.
The Jamaica Independence Festival is a celebration of Jamaica's independence, a status gained in 1962.
Hopeton Lewis was a Jamaican born singer of rocksteady and reggae, an arranger, and radio music presenter.
Earl “Paul” Douglas is a Jamaican Grammy Award-winning drummer and percussionist, best known for his work as the drummer, percussionist and bandleader of Toots and the Maytals. His career spans more than five decades as one of reggae's most recorded drummers. Music journalist and reggae historian David Katz wrote, “dependable drummer Paul Douglas played on countless reggae hits."
Clifton "Jackie" Jackson is a Jamaican bass player, who was an important session musician on ska, rocksteady and reggae records in the 1960s and 1970s, and later a member of Toots and the Maytals.
Lynford "Hux" Brown was a Jamaican guitarist who featured on many successful rocksteady and reggae records in the 1960s and 1970s, and was later a member of Toots and the Maytals.
References
- 1 2 3 4 5 Black, Roy (2018) "The Music Diaries | Noris Weir And The Jamaicans Archived 25 November 2018 at the Wayback Machine ", Jamaica Gleaner , 25 November 2018. Retrieved 25 November 2018
- 1 2 O'Brien Chang, Kevin & Chen, Wayne (1998) Reggae Routes, Temple University Press, ISBN 978-1566396295, p. 111
- 1 2 3 Leggett, Steve "The Jamaicans Biography Archived 11 July 2016 at the Wayback Machine ", Allmusic. Retrieved 2 March 2014
- 1 2 3 Campbell, Howard (2016) "Boom times for the Jamaicans Archived 3 August 2016 at the Wayback Machine ", Jamaica Observer , 31 July 2016. Retrieved 4 August 2016
