Co-editors | Nat Hentoff & Martin Williams |
---|---|
Categories | Music magazine |
Frequency | Monthly |
Publisher | Leonard Feldman, Israel Young |
Founder | Nat Hentoff, Martin Williams, Hsio Wen Shih |
Founded | 1958 |
First issue | Nov. 1958 |
Final issue | Jan. 1961 |
Company | The Jazz Review, Inc. |
Country | U.S.A. |
Based in | New York City |
Language | English |
The Jazz Review was a jazz criticism magazine founded by Nat Hentoff and Martin Williams in New York City in 1958. It was published until 1961. Hentoff and Williams were co-editors throughout its brief existence (which lasted 22 issues).
Many issues of The Jazz Review are available at Jazz Studies Online, which assesses its quality as follows:
While all of the material is of high quality, several features are particularly distinctive: the regular reviews of musicians' work by other musicians; Hentoff's regular column "Jazz in Print", which deals with the politics of the music business as well as of the nation; and the incorporation of a wide range of musical styles and approaches to discussing jazz. [1]
A regular feature of The Jazz Review was "The Blues," a page of transcriptions of the lyrics from blues recordings by a variety of singers, e.g., in the seventh issue: [2]
In addition to the magazine's founders, the following writers contributed articles to The Jazz Review:
A later California-based magazine also titled The Jazz Review, edited by Ken Borgers and Bill Wasserzieher, appeared in 1991–1992, with cover stories on Dizzy Gillespie, Miles Davis, Charlie Haden, and other artists.
Rock and roll is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel, jump blues, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until 1954.
Billie Holiday was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made a significant contribution to jazz music and pop singing. Her vocal style, strongly influenced by jazz instrumentalists, inspired a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.
Dinah Washington was an American singer and pianist, one of the most popular black female recording artists of the 1950s. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.
Joe Williams was an American jazz singer. He sang with big bands, such as the Count Basie Orchestra and the Lionel Hampton Orchestra, and with small combos. He sang in two films with the Basie orchestra and sometimes worked as an actor.
Kind of Blue is the fifth studio album released on Columbia, and twenty-eighth overall, by the American jazz musician, trumpeter, composer, and bandleader Miles Davis. It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that same year by Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track – "Freddie Freeloader" – in place of Evans.
James Andrew Rushing was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948.
Nathan Irving Hentoff was an American historian, novelist, jazz and country music critic, and syndicated columnist for United Media. Hentoff was a columnist for The Village Voice from 1958 to 2009. Following his departure from The Village Voice, Hentoff became a senior fellow at the Cato Institute and continued writing his music column for The Wall Street Journal, which published his works until his death. He often wrote on First Amendment issues, vigorously defending the freedom of the press.
Ralph Joseph Gleason was an American music critic and columnist. He contributed for many years to the San Francisco Chronicle, was a founding editor of Rolling Stone magazine, and cofounder of the Monterey Jazz Festival. A pioneering jazz and rock critic, he helped the San Francisco Chronicle transition into the rock era.
Jackie Washington was a Canadian blues musician.
Otis Rush Jr. was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of other 1950s artists Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including Michael Bloomfield, Peter Green and Eric Clapton.
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.
Cadence: The Independent Journal of Creative Improvised Music is a quarterly review of jazz, blues and improvised music. The magazine covers a range of styles, from early jazz and blues to the avant-garde. Critic and historian Bob Rusch founded the magazine as a monthly in 1976 and served as publisher and coordinating editor through 2011. Musician David Haney became editor and publisher in 2012.
Misterioso is a 1958 live album by American jazz ensemble the Thelonious Monk Quartet. By the time of its recording, the pianist and bandleader Thelonious Monk had overcome an extended period of career difficulties and achieved stardom with his residency at New York's Five Spot Café, beginning in 1957. He returned there the following year for a second stint with his quartet, featuring drummer Roy Haynes, bassist Ahmed Abdul-Malik, and tenor saxophonist Johnny Griffin. Along with Thelonious in Action (1958), Misterioso captures portions of the ensemble's August 7 show at the venue.
Martin Tudor Hansford Williams was an American jazz critic and writer.
Although it is billed as a Duke Ellington and Johnny Hodges album, Side by Side is a 1959 album mostly under the leadership of Johnny Hodges, Duke Ellington's alto saxophonist for many years. Ellington only appears on three of this album's tracks. The album places Hodges at the fore, backing him with piano by Ellington or Billy Strayhorn and providing other accompaniment by jazz figures like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones. The album, a follow-up to Back to Back: Duke Ellington and Johnny Hodges Play the Blues, has remained perpetually in print.
Something Else!!!! is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958. According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music". It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation ; after this album, Coleman would omit the piano, creating a starker and more fluid sound.
Night Dreamer is the fourth album by American jazz saxophonist Wayne Shorter. It was released in November 1964 by Blue Note Records. With a quintet of trumpeter Lee Morgan, pianist McCoy Tyner, bassist Reggie Workman and drummer Elvin Jones performing six Shorter originals.
Valerie Sybil Wilmer is a British photographer and writer specialising in jazz, gospel, blues, and British African-Caribbean music and culture. Her notable books include Jazz People (1970) and As Serious As Your Life (1977), both first published by Allison and Busby. Wilmer's autobiography, Mama Said There'd Be Days Like This: My Life in the Jazz World, was published in 1989.
Women in jazz have contributed throughout the many eras of jazz history, both as performers and as composers, songwriters and bandleaders. While women such as Billie Holiday and Ella Fitzgerald were famous for their jazz singing, women have achieved much less recognition for their contributions as composers, bandleaders and instrumental performers. Other notable jazz women include piano player Lil Hardin Armstrong and jazz songwriters Irene Higginbotham and Dorothy Fields.
Portrait of Sheila is the 1963 debut album of American jazz singer Sheila Jordan, released by Blue Note Records. In the 1963 DownBeat magazine Critics Poll, she was ranked first in the vocal category for "Talent Deserving Wider Recognition". She did not record again as a leader for more than a dozen years.