"The Jazz Singer" | |
---|---|
Ford Startime episode | |
Episode no. | Season 1 Episode 2 |
Directed by | Ralph Nelson |
Written by | Oliver Crawford Ernest D. Glucksman Ralph Nelson Samson Raphaelson |
Featured music | Walter Scharf (musical director) |
Original air date | October 13, 1959 |
Guest appearances | |
Jerry Lewis Anna Maria Alberghetti | |
"The Jazz Singer" is a videotaped adaptation, starring Jerry Lewis, of Samson Raphaelson's 1925 play of the same title. It was broadcast on October 13, 1959, as the second episode of the American television anthology series Ford Startime on NBC. [1]
Cantor Rabinowitz is upset that his son Joey has left home to pursue a career as a singer/comedian after showing no interest in carrying on the family's tradition of being Cantors in the synagogue. After five generations of doing so, it appears that Joey is more interested in making jokes and singing jazz music.
After a few years on his own, Joey, who now calls himself Joey Robbins, gets an opportunity to perform on the television show with Ginny Gibbons. Unfortunately, his father falls ill during his rehearsal performance, and he runs to his side, putting show business aside for his family obligations.
The Jazz Singer was produced on color videotape [2] and aired as a one-hour episode of the short-lived TV series Lincoln-Mercury Startime (aka Ford Startime ). It was preserved on black & white kinescope film. [3] It has never been rebroadcast on NBC.
Eduard Franz, who played the role of the aged and ailing cantor battling his son, had played the same role in the 1952 theatrical film version of the story starring Danny Thomas.
The first official home video release, a DVD including both the kinescope and color videotape material from Lewis' personal holdings, was released on February 7, 2012. [4]
The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech. Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".
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