Juliane "Liane" Haid was an Austrian actress and singer. She has often been referred to as Austria's first movie star.
Ungeküsst soll man nicht schlafen gehn is a 1936 Austrian comedy film. The screenplay was written by Fritz Koselka, the title song was composed by Robert Stolz, and the film was directed by E. W. Emo. The film, shot in black and white, starred the three most popular German-speaking comedians of the time—Heinz Rühmann, Hans Moser, and Theo Lingen. The leading roles were played by Liane Haid and Annie Rosar.
The White Slave is a 1927 German silent drama film directed by Augusto Genina and starring Liane Haid, Vladimir Gajdarov and Harry Hardt. The film's sets were designed by Otto Erdmann and Hans Sohnle.
Fire of Love is a 1925 German silent film directed by Paul L. Stein and starring Liane Haid, Alfons Fryland, and Walter Rilla.
My Cousin from Warsaw is a 1931 German comedy film directed by Carl Boese and starring Liane Haid, Tala Birell, and Fritz Schulz. It was shot at the Babelsberg Studios in Berlin. The film's art director was Julius von Borsody. A separate French language version Ma cousine de Varsovie was also made, directed by Carmine Gallone. The film was based upon the play by Louis Verneuil.
Explosion is a 1923 German silent film directed by Karl Grune and starring Liane Haid and Carl de Vogt. It was shot at the Marienfelde Studios in Berlin.
Call at Midnight is a 1929 German silent film directed by Mario Bonnard and starring Marcella Albani, Ralph Arthur Roberts, and Curt Bois.
The Immortal Vagabond is a 1930 German musical film directed by Gustav Ucicky and Joe May and starring Liane Haid, Gustav Fröhlich and Hans Adalbert Schlettow. It is an operetta film, made by German's largest film company UFA. Interiors were shot at the Babelsberg Studios in Berlin. The film's sets were designed by Robert Herlth and Walter Röhrig. The film was remade in 1953.
Madame Wants No Children is a 1933 Austrian-German comedy film directed by Hans Steinhoff and starring Liane Haid, Georg Alexander and Lucie Mannheim. It is a remake of the 1926 silent film Madame Wants No Children. It was shot at the Sievering Studios in Vienna. The film's sets were designed by the art directors Otto Erdmann, Hans Sohnle and Emil Stepanek.
The Csardas Princess is a 1927 German-Hungarian silent romance film directed by Hanns Schwarz and starring Liane Haid, Imre Ráday and Ferenc Vendrey. It is based on the 1915 operetta The Csardas Princess, the title referring to the popular Hungarian Csárdás dance.
Twice Married is a 1930 German comedy film directed by E. W. Emo and starring Liane Haid, Ralph Arthur Roberts, and Lucie Englisch.
I Do Not Want to Know Who You Are is a 1932 German comedy film directed by Géza von Bolváry and starring Liane Haid, Gustav Fröhlich, and S.Z. Sakall.
With Heart and Hand for the Fatherland is a 1915 Austrian silent war drama film directed by Jacob Fleck and Luise Fleck and starring Hubert Marischka, Hermann Benke and Liane Haid. The composer Franz Lehár, better known for his operetta, created a score to accompany the film during screenings.
Summer Idyll is a 1916 Austrian silent drama film directed by Jacob Fleck and Luise Fleck and starring Liane Haid, Hermann Benke and Max Neufeld.
Doctor Ruhland is a 1920 Austrian silent film directed by Max Neufeld and starring Neufeld and Liane Haid.
The Story of a Maid is a 1921 Austrian-German silent drama film directed by Reinhold Schünzel and starring Liane Haid, Otto Tressler and Erika Glässner. It premiered at the Marmorhaus in Berlin.
The Films of Princess Fantoche is a 1921 Austrian silent film directed by Max Neufeld and starring Liane Haid and Hermann Benke.
Let the Little Ones Come to Me is a 1920 Austrian silent film directed by Max Neufeld and starring Neufeld. Liane Haid and Karl Ehmann.
Light of His Life is a 1921 Austrian silent film directed by Max Neufeld and starring Liane Haid, Eugen Neufeld and Karl Ehmann.
The Black Hand is a 1917 Austrian silent crime film directed by Liane Haid, Max Neufeld and Hermann Benke.
