Telefoni Bianchi films, also called deco films, were made by the Italian film industry in the 1930s and the 1940s in imitation of American comedies of the time in a sharp contrast to the other important style of the era, calligrafismo, which was highly artistic. The cinema of Telefoni Bianchi was born from the success of the Italian film comedy of the early 1930s; it was a lighter version, cleansed of any intellectualism or veiled social criticism.
The Nastro d'Argento is a film award assigned each year, since 1946, by Sindacato Nazionale dei Giornalisti Cinematografici Italiani, the association of Italian film critics.
Amedeo Nazzari was an Italian actor. Nazzari was one of the leading figures of Italian classic cinema, often considered a local variant of the Australian–American star Errol Flynn. Although he emerged as a star during the Fascist era, Nazzari's popularity continued well into the post-war years.
The Lady in White is a 1938 Italian "white-telephones" comedy film directed by Mario Mattoli and starring Elsa Merlini, Nino Besozzi and Enrico Viarisio. The film's sets were designed by the art director Piero Filippone. It was shot at the Farnesina Studios of Titanus in Rome.
Renato Cialente was an Italian stage and film actor. He appeared in 40 films between 1920 and 1943. His younger sister Fausta Cialente (1898–1994) was a novelist, journalist and political activist.
Nobody's Children is a 1951 French-Italian melodrama film directed by Raffaello Matarazzo and starring Amedeo Nazzari, Yvonne Sanson and Françoise Rosay. It is one of a series of melodramas co-starring Nazzari and Sanson, which were very popular at the box office. The owner of a marble quarry falls in love with the daughter with one of his employees, and they have a baby together. However his mother attempts to sabotage the relationship with tragic consequences.
Who is Without Sin is a 1952 Italian melodrama film by Raffaello Matarazzo and starring Yvonne Sanson, Amedeo Nazzari and Françoise Rosay. It is an adaptation of the novel Geneviève by Alphonse de Lamartine. It was part of a series of romantic melodramas that Nazzari and Sanson appeared in during the 1950s.
Paprika is a 1933 Italian "white-telephones" comedy film directed by Carl Boese and starring Vittorio De Sica. A German-language version Paprika and a French version Paprika were also made.
The Lucky Diamond is a 1933 Italian "white-telephones" comedy film directed by Carl Boese and starring Vittorio De Sica.
Mario Bonnard was an Italian actor and film director.
Ginevra degli Almieri is a 1935 Italian historical drama film directed by Guido Brignone, starring Elsa Merlini and Amedeo Nazzari. Merlini had spotted Nazzari during a stage play, and lobbied for his casting in his film debut. Nazzari went on to be a leading star of Italian cinema. It is set in Florence in the fifteenth century.
The Jester's Supper is a 1942 Italian historical film directed by Alessandro Blasetti and starring Amedeo Nazzari, Osvaldo Valenti and Clara Calamai. It was based on a play of the same title by Sem Benelli, which had later been turned into an opera by Umberto Giordano. Like the play, the film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent practical jokes.
The Queen of Navarre is a 1942 Italian "white-telephones" historical film directed by Carmine Gallone and starring Elsa Merlini, Gino Cervi and Renato Cialente. It was made at the Cinecittà Studios in Rome, based on a play by Eugène Scribe. The film portrays a series of intrigues at the Madrid court of Charles V in the Sixteenth century.
The Girl with the Bruise is a 1933 German-Italian comedy film directed by E. W. Emo and starring Hilda Springher, Sergio Tofano, and Renato Cialente. It is the Italian-language version of the German film And Who Is Kissing Me?.
Adam's Tree is a 1936 Italian White Telephone comedy film directed by Mario Bonnard and starring Elsa Merlini, Antonio Gandusio and Renato Cialente. The film's sets were designed by the art director Guido Fiorini.
The House of Shame is a 1938 Italian "white-telephones" comedy film directed by Max Neufeld and starring Amedeo Nazzari, Assia Noris and Alida Valli.
Then We'll Get a Divorce is a 1940 Italian "white-telephones" comedy film directed by Nunzio Malasomma and starring Amedeo Nazzari, Vivi Gioi and Lia Orlandini.
The Night of Tricks is a 1939 Italian "white-telephones" comedy film directed by Carlo Campogalliani and starring Amedeo Nazzari, Dria Paola and Maurizio D'Ancora.
Big Shoes is a 1940 Italian "white-telephones" comedy film directed by Dino Falconi and starring Amedeo Nazzari, Lilia Silvi and Elena Altieri. It is based on a play by Sándor Hunyady which had previously been turned into a 1939 Hungarian film Istvan Bors.
One Hundred Thousand Dollars is a 1940 Italian "white-telephones" comedy film directed by Mario Camerini and starring Assia Noris, Amedeo Nazzari and Lauro Gazzolo.
