Ultimi giorni di Pompei, Gli | |
---|---|
Directed by | |
Written by | Arrigo Frusta |
Based on | The Last Days of Pompeii 1834 novel by Edward Bulwer-Lytton |
Produced by | Arturo Ambrosio |
Starring | Fernanda Negri Pouget Eugenia Tettoni Fior |
Cinematography | Giuseppe Paolo Vitrotti |
Music by | Palmer Clark |
Distributed by | George Kleine Amusements |
Release date |
|
Running time | 56 minutes (VHS) 88 minutes (Kino DVD) |
Country | Italy |
Language | Silent |
Gli ultimi giorni di Pompei (English title: The Last Days of Pompeii) is a 1913 Italian black and white silent film directed by Eleuterio Rodolfi.
Based on Edward Bulwer-Lytton's 1834 novel of the same name, the film – one of two different adaptations of the same book in Italy that year – is set during the final days leading up to the Mount Vesuvius eruption in Pompeii in 79 AD.
In Pompeii 79AD, Glaucus and Jone are in love with each other. Arbaces, the Egyptian High Priest, is determined to conquer her. Glaucus buys the blind slave Nydia who is mishandled by her owner.
Nydia falls in love with him and asks Arbaces for his help. He gives her a potion to make Glaucus fall in love with him. In fact it is a poison which will destroy his mind. Arbaces' disciple Apoecides threatens to reveal publicly his wrongdoings. Arbaces kills him and accuses Glaucus of the crime. He locks Nydia in a cellar to prevent her from speaking.
Glaucus is condemned to be thrown to the lions. Nydia manages to escape and tells Glaucus' friend Claudius what happened. Claudius rushes to the Circus to accuse Arbaces, and the crowd decides that Arbaces and not Glaucus should be thrown to the lions.
Then, Vesuvius starts erupting, and a widespread panic ensues. Under the shock, Glaucus recovers his mind. Blind Nydia, the only one to find her way in the darkness caused by the rain of ashes, leads Glaucus and Jone to safety and finds peace by drowning herself. [1]
The film was produced by Società Anonima Ambrosio. The DVD release by Kino wrongfully credits Pasquali for the production; however, Pasquali was the one producing the other 1913 version of Last Days of Pompeii.
The direction was done by Eleuterio Rodolfi. Mario Caserini is sometimes co-credited, but the grounds for this are uncertain: The Italian Bianco e Nero magazine mentions only Rodolfi. [2]
The film was released in Italy on 24 August 1913, distributed by Giuseppe Barattolo. It was distributed in the US by the Kleine Optical Company under the name George Kleine Attractions.
The Last Days of Pompeii was the first film shown in the newly founded city of Tel Aviv, then in Ottoman Palestine. It inaugurated the Eden Cinema, the first one opened in Tel Aviv. (Reference in Morderchai Naor and Amit Levinson, "Who were the 66 Founders of Tel Aviv" מי היו 66 מייסדי תל אביב (in Hebrew), in "Early Tel Aviv, 1909-1934", תל אביב בראשיתה ed. Mordechai Naor, Published by Yad Yitzchak Ben Tzvi, Jerusalem, 1984).
Mount Vesuvius is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure.
Antonio Tabucchi was an Italian writer and academic who taught Portuguese language and literature at the University of Siena, Italy. Deeply in love with Portugal, he was an expert, critic and translator of the works of Fernando Pessoa from whom he drew the conceptions of saudade, of fiction and of the heteronyms. Tabucchi was first introduced to Pessoa's works in the 1960s when attending the Sorbonne. He was so charmed that when he returned to Italy, he took an introductory course in Portuguese for a better comprehension of the poet.
The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.
Jone, ossia L'ultimo giorno di Pompei is an opera in four acts by Errico Petrella. The Italian-language libretto was by Giovanni Peruzzini, after Edward Bulwer-Lytton's famous novel The Last Days of Pompeii.
The Last Days of Pompeii is an 1834 novel by Edward Bulwer-Lytton.
The Last Days of Pompei is a 1926 Italian historical silent drama film. The film was directed by Carmine Gallone and Amleto Palermi based on the 1834 novel The Last Days of Pompeii by Edward Bulwer-Lytton. Original release prints of the film were entirely colorized by the Pathechrome stencil color process.
María Corda was a Hungarian actress and a star of the silent film era in Germany and Austria.
The ancient Roman city of Pompeii has been frequently featured in literature and popular culture since its modern rediscovery. Pompeii was buried under 4 to 6 m of volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79.
Carmine Gallone was an early Italian film director, screenwriter, and film producer, who was also controversial for his works of pro-Fascist propaganda and historical revisionism. Considered one of Italian cinema's leading early directors, he directed over 120 films in his fifty-year career between 1913 and 1963.
The Last Days of Pompeo is a 1937 Italian "white-telephones" comedy film directed by Mario Mattoli and starring Enrico Viarisio, Roberta Mari and Camillo Pilotto. The film's title is an allusion to the novel The Last Days of Pompeii by Edward Bulwer-Lytton. It refers to a character in contemporary Italy named Pompeo.
The Last Days of Pompeii is a 1959 Eastmancolor sword and sandal action film starring Steve Reeves, Christine Kaufmann, and Fernando Rey and directed by Mario Bonnard and Sergio Leone. Bonnard, the original director, fell ill on the first day of shooting, so Leone and the scriptwriters finished the film.
The Last Days of Pompeii (1950) is a black and white French-Italian historical drama, directed by Marcel L'Herbier "in collaboration with" Paolo Moffa, who was also the director of production. It was adapted from Edward Bulwer-Lytton's novel The Last Days of Pompeii. The film has also been known as Sins of Pompeii.
Jaffa, also called Japho or Joppa in English, is an ancient Levantine port city founded by the Canaanites that is now part of southern Tel Aviv, Israel. Sitting atop a naturally elevated outcrop on the Mediterranean coastline, it was a strategic location that exchanged hands repeatedly in ancient Near East history, and was also contested during the Crusades, when it presided over the County of Jaffa and Ascalon.
Emilio Luigi Carlo Giuseppe Maria Ghione, known as Emilio Ghione, was an Italian silent film actor, director and screenwriter. Ghione was best known for writing, directing, and starring in the Za La Mort series of adventure films, in which Ghione played a likeable French Apache and 'honest outlaw'. Ghione directed, wrote, and acted in every genre of film, and directed some of the most famous stars of the time, including Francesca Bertini, Lina Cavalieri, Alberto Collo, and Hesperia. After his final film role in 1926, Ghione briefly performed on a theatrical tour of Italy. Ghione wrote three novels based around his Za La Mort character, an autobiography, and an essay on Italian Silent Cinema, before his death from tuberculosis in 1930.
Luigi Ceccarelli is an Italian composer.
L'ultimo giorno di Pompei is an opera in two acts composed by Giovanni Pacini to an Italian libretto by Andrea Leone Tottola. It premiered to great success at the Teatro San Carlo in Naples on 19 November 1825 followed by productions in the major opera houses of Italy, Austria, France, and Portugal. When Pacini's popularity declined in the mid-19th century, the opera was all but forgotten until 1996 when it received its first performance in modern times at the Festival della Valle d'Itria in Martina Franca. L'ultimo giorno di Pompei influenced either directly or indirectly several other 19th-century works, most notably Karl Bryullov's 1833 painting, The Last Day of Pompeii.
Luigi Maggi was an Italian actor and film director who worked prolifically during the silent era. Working for Ambrosio Film he co-directed the 1908 hit film The Last Days of Pompeii, which launched the historical epic as a popular Italian genre.
The Last Days of Pompeii is a 1908 Italian silent historical film directed by Arturo Ambrosio and Luigi Maggi and starring Lydia De Roberti and Umberto Mozzato. It was loosely based on the novel of the same title by Edward Bulwer-Lytton. The film was a success on its release, and its popularity is credited with starting a fashion for epic historical films.
Based on Edward Bulwer-Lytton's 1834 novel of the same name, the film - one of two different adaptations of the same book in Italy that year - is set during the final days leading up to the Mount Vesuvius eruption in Pompeii in 79 AD.
Mauro Cardi is an Italian composer.