The Last Mile is a short comedy-drama filmed play written by Terrence McNally and directed by Paul Bogart for Public television's Great Performances 20th Anniversary Special (1992). The 15-minute film aired on American Public television stations in October 1992. The play concerns the hopes and fears of a soprano making her Metropolitan Opera debut.
Backstage at the Metropolitan Opera House a soprano is preparing for her debut in the opera Tosca . The stage manager gives her encouraging advice. She is visited by her "tenor for the evening". Equally terrified and nervous yet excited, she thinks fondly of her brother, who died from AIDS. He appears to her in her dressing room as a ghostly apparition.
Directed by Paul Bogart, The Last Mile stars Bernadette Peters as the soprano, Nathan Lane as the stage manager, Tony Goldwyn as her brother, Paul Sorvino as the tenor, and Bill Irwin as the conductor. [1] [2] [3]
Daily Variety wrote that the play was "uneven", but that "Peters is a gem, with Bill Irwin terrif as a cynical conductor." [4] The USA Today reviewer wrote: "Another grande dame, Bernadette Peters, anchors the best piece, Terrence McNally's acerbic and sentimental backstage look at a soprano nervously awaiting her Metropolitan Opera debut as Tosca. Lurking in the wings: poignant awareness of that grand-opera tragedy of our time, the AIDS crisis." [5]
John Leonard, reviewing for the New York Magazine, wrote :"As we've come to expect from McNally, there are several twists, one of them involving AIDS." [1]
Lauritz Melchior was a Danish-American opera singer. He was the preeminent Wagnerian tenor of the 1920s, 1930s, and 1940s and has come to be considered the quintessence of his voice type. Late in his career, Melchior appeared in movie musicals and on radio and television. He also made numerous recordings.
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The Great Caruso is a 1951 biographical film produced by Metro-Goldwyn-Mayer and starring Mario Lanza as famous operatic tenor Enrico Caruso. The movie was directed by Richard Thorpe and produced by Joe Pasternak with Jesse L. Lasky as associate producer. The screenplay, by Sonya Levien and William Ludwig, was suggested by the biography Enrico Caruso His Life and Death by Dorothy Caruso, the tenor's widow. The original music was composed and arranged by Johnny Green and the cinematography by Joseph Ruttenberg. Costume design was by Helen Rose and Gile Steele.
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