Béla Ferenc Dezső Blaskó, known professionally as Bela Lugosi, was a Hungarian–American actor. He was best remembered for portraying Count Dracula in the 1931 horror film classic Dracula, Ygor in Son of Frankenstein (1939) and his roles in many other horror films from 1931 through 1956.
Dziga Vertov was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman.
Sunrise: A Song of Two Humans is a 1927 American synchronized sound romantic drama directed by German director F. W. Murnau and starring George O'Brien, Janet Gaynor, and Margaret Livingston. The film's plot follows a married farmer (O'Brien) who falls for a woman vacationing from the city (Livingston), who tries to convince him to murder his wife (Gaynor) in order to be with her. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Movietone sound-on-film process. The story was adapted by Carl Mayer from the short story "The Excursion to Tilsit", from the 1917 collection with the same title by Hermann Sudermann.
Amabel Ethelreid Normand, better known as Mabel Normand, was an American silent film actress, director and screenwriter. She was a popular star and collaborator of Mack Sennett in their Keystone Studios films, and at the height of her career in the late 1910s and early 1920s had her own film studio and production company, the Mabel Normand Feature Film Company. On screen, she appeared in twelve successful films with Charlie Chaplin and seventeen with Roscoe "Fatty" Arbuckle, sometimes writing and directing films featuring Chaplin as her leading man.
The Mountain Eagle is a 1926 silent film, and Alfred Hitchcock's second as director, following The Pleasure Garden. The film, a romantic drama set in Kentucky, is about a widower who jealously competes with his crippled son and a man he loathes over the affections of a schoolteacher. The film was mostly produced at the Emelka Film studios in Munich, Germany in autumn of 1925, with exterior scenes shot in the village of Obergurgl in the State of Tyrol, Austria. Production was plagued with problems, including the destruction of a village roof and Hitchcock experiencing altitude sickness. Due to producing the film in Germany, Hitchcock had more directorial freedom than he would have had in England, and he was influenced by German cinematic style and technique.
Pál Fejős, known professionally as Paul Fejos, was a Hungarian-American director of feature films and documentaries who worked in a number of countries including the United States. He also studied medicine in his youth and became a prominent anthropologist later in life. During World War I, Fejos worked as a medical orderly for the Imperial Austrian Army on the Italian front lines and also managed a theater that performed for troops. After the war, he returned to Budapest and eventually worked for the Orient-Film production company. He began to direct films in 1919 or 1920 for Mobil Studios in Hungary until he escaped in 1923 to flee the White Terror and the Horthy regime. He made his way to New York City and then eventually to Hollywood where he began production on his first American feature film, The Last Moment, in October 1927. The film proved to be popular, which allowed him to sign with Universal Studios. After a number of other successful films, Fejos left America in 1931 to direct sound films in France. In 1941, he stopped making films altogether and became the director of research and the acting head of the Viking Fund.
"Tears in rain" is a 42-word monologue, consisting of the last words of character Roy Batty in the 1982 Ridley Scott film Blade Runner. Written by David Peoples and altered by Hauer, the monologue is frequently quoted. Critic Mark Rowlands described it as "perhaps the most moving death soliloquy in cinematic history", and it is commonly viewed as the defining moment of Hauer's acting career.
Way Down East is a 1920 American silent romantic drama film directed by D. W. Griffith and starring Lillian Gish. It is one of four film adaptations of the melodramatic 19th century play of the same name by Lottie Blair Parker. There were two earlier silent versions and one sound version in 1935 starring Henry Fonda. Griffith's version is particularly remembered for its climax in which Gish's character is rescued from doom on an icy river.
The Last Performance is a 1929 American sound part-talkie film directed by Paul Fejos and starring Conrad Veidt and Mary Philbin. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system. The talking sequences were featured on the last reel.
The Man Who Laughs is a 1928 American synchronized sound romantic drama film directed by the German Expressionist filmmaker Paul Leni. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both sound-on-disc and sound-on-film processes. The film is an adaptation of Victor Hugo's 1869 novel of the same name, and stars Mary Philbin as the blind Dea and Conrad Veidt as Gwynplaine. The film is known for the grotesque grin on the character Gwynplaine's face, which often leads it to be classified as a horror film. Film critic Roger Ebert stated "The Man Who Laughs is a melodrama, at times even a swashbuckler, but so steeped in expressionist gloom that it plays like a horror film."
Borderline is a 1930 film, written and directed by Kenneth Macpherson and produced by the Pool Group in Territet, Switzerland. The silent film, with English inter-titles, is primarily noted for its handling of the contentious issue of inter-racial relationships, using avant-garde experimental film-making techniques, and is today very much part of the curriculum of the study of modern cinematography.
The Silent Scream, popularly released under the truncated title, Silent Scream, is a 1979 American slasher film directed by Denny Harris, and starring Rebecca Balding, Cameron Mitchell, Barbara Steele and Yvonne De Carlo. The film follows a college student who finds rooming in a hilltop boarding house where a homicidal killer is on the loose.
Georges Méliès (1861–1938) was a French filmmaker and magician generally regarded as the first person to recognize the potential of narrative film. He made about 520 films between 1896 and 1912, covering a range of genres including trick films, fantasies, comedies, advertisements, satires, costume dramas, literary adaptations, erotic films, melodramas, and imaginary voyages. His works are often considered as important precursors to modern narrative cinema, though some recent scholars have argued that Méliès's films are better understood as spectacular theatrical creations rooted in the 19th-century féerie tradition.
Lonesome is a 1928 American sound part-talkie comedy drama film directed by Paul Fejös, and starring Barbara Kent and Glenn Tryon. Although containing a few sequences with audible dialog, the majority of the film had a synchronized musical score with sound effects with English intertitles. The film was released in both sound-on-disc and sound-on-film formats. Its plot follows two working-class residents of New York City over a 24-hour-period, during which they have a chance meeting at Coney Island during the Independence Day weekend and swiftly fall in love with one another. It was produced and distributed by Universal Pictures.
Le Château hanté, released in the United States as The Devil's Castle and in Britain as The Haunted Castle, is an 1897 French silent trick film directed by Georges Méliès. It is a remake of a previous film by Méliès, The House of the Devil. The 1896 original, which was released in the United States as The Haunted Castle and in Britain as The Devil's Castle, is sometimes confused for the 1897 version. It was the first movie remake.
Lord Arthur Saville's Crime is a 1920 Hungarian silent crime film directed by Pál Fejös and starring Ödön Bárdi, Lajos Gellért and Margit Lux. It was also released as both Mark of the Phantom and Lidercnyomas. The film was based on the 1891 short story Lord Arthur Savile's Crime by Oscar Wilde. It was one of Pal Fejos' earliest films and is now considered lost. It was photographed by Jozsef Karban.
Pithavum Kanyakayum, officially titled in English as Daddy, You Bastard, is a 2013 Malayalam film directed by Rupesh Paul and N. K. Sajiv Menon. The story is about a middle-aged man who spends the night with a girl who happens to be his daughter's classmate. Short story writer Indu Menon has written the story while her husband, Rupesh Paul, has written the script and dialogue for the film. The cast include M. G. Sasi, director of the award-winning film Atayalangal, Krupa and Sasi Kalinga. The film premiered in the Marche du Film section of 2010 Cannes Film Festival. It released in theatres on 4 October 2013.
Le Déshabillage impossible, released in the United States as Going to Bed Under Difficulties and in the United Kingdom as An Increasing Wardrobe, is a 1900 French short silent comedy trick film, directed by Georges Méliès. In the film, a man attempts to undress so he can go to sleep.
Hamlet, released in the United States as Hamlet, Prince of Denmark, was a 1907 French short silent film directed by Georges Méliès, based on William Shakespeare's tragedy Hamlet. The film, now presumed lost, was the first cinematic version of any Shakespeare play to unfold across multiple scenes. In 175 meters of film, it presented a character study of the mentally troubled Prince Hamlet, as seen in glimpses of several famous moments from the play: his encounter with the gravediggers and the skull of Yorick; his meeting with his father's ghost; his betrothed Ophelia, seen in a ghostly vision of her flower-throwing frenzy just before her death; and his final duel with its fatal aftermath.
Shakespeare Writing "Julius Caesar", also known as La Rêve de Shakespeare, was a 1907 French short silent film directed by Georges Méliès.
