The Pullman Strike was two interrelated strikes in 1894 that shaped national labor policy in the United States during a period of deep economic depression. First came a strike by the American Railway Union (ARU) against the Pullman factory in Chicago in spring 1894. When it failed, the ARU launched a national boycott against all trains that carried Pullman passenger cars. The nationwide railroad boycott that lasted from May 11 to July 20, 1894 was a turning point for US labor law. It pitted the American Railway Union (ARU) against the Pullman Company, the main railroads, the main labor unions, and the federal government of the United States under President Grover Cleveland. The strike and boycott shut down much of the nation's freight and passenger traffic west of Detroit, Michigan. The conflict began in Chicago, on May 11 when nearly 4,000 factory employees of the Pullman Company began a wildcat strike in response to recent reductions in wages. Most of the factory workers who built Pullman cars lived in the "company town" of Pullman just outside of Chicago. Pullman was designed as a model community by its namesake founder and owner George Pullman. Jennie Curtis who lived in Pullman was president of seamstress union ARU LOCAL 269 gave a speech at the ARU convention urging people to strike.
The Pullman Company, founded by George Pullman, was a manufacturer of railroad cars in the mid-to-late 19th century through the first half of the 20th century, during the boom of railroads in the United States. Through rapid late-19th century development of mass production and takeover of rivals, the company developed a virtual monopoly on production and ownership of sleeping cars.
Founded in 1925, the Brotherhood of Sleeping Car Porters and Maids was the first labor organization led by African Americans to receive a charter in the American Federation of Labor (AFL). The BSCP gathered a membership of 18,000 passenger railway workers across Canada, Mexico, and the United States.
Pullman porters were men hired to work for the railroads as porters on sleeping cars. Starting shortly after the American Civil War, George Pullman sought out former slaves to work on his sleeper cars. Their job was to carry passengers’ baggage, shine shoes, set up and maintain the sleeping berths, and serve passengers. Pullman porters served American railroads from the late 1860s until the Pullman Company ceased its United States operations on December 31, 1968, though some sleeping-car porters continued working on cars operated by the railroads themselves and, beginning in 1971, Amtrak. The Pullman Company also operated sleeping cars in Mexico from the 1880s until November 13, 1970. The term "porter" has been superseded in modern American usage by "sleeping car attendant", with the former term being considered "somewhat derogatory".
Steve James is an American film producer and director of several documentaries, including Hoop Dreams (1994), Stevie (2002), The Interrupters (2011), Life Itself (2014), and Abacus: Small Enough to Jail (2016).
Kartemquin Films is a four-time Oscar-nominated 501(c)3 non-profit production company located in Chicago, Illinois, that produces a wide range of documentary films. It is the documentary filmmaking home of acclaimed producers such as Gordon Quinn, Steve James, Peter Gilbert, Maria Finitzo, Joanna Rudnick, Bing Liu, Aaron Wickenden, and Ashley O’Shay (Unapologetic).
The Midwest Film Festival is the USA's only film festival solely dedicated to Midwest films. Only films from the eight-state Midwest region of Illinois, Indiana, Iowa, Michigan, Minnesota, Missouri, Ohio and Wisconsin are considered for screening.
Gordon Quinn is artistic director and founding member of Kartemquin Films and a 2007 recipient of the MacArthur Award for Creative and Effective Institutions. Gordon Quinn has been making documentaries for over 45 years and has produced or directed over 30 films. His recent directing credits include Prisoner of Her Past and A Good Man. His producing credits include the films Hoop Dreams; In the Family;Vietnam, Long Time Coming; Golub: Late Works Are the Catastrophes; 5 Girls; Refrigerator Mothers; and Stevie. Most recently, Gordon executive produced Mapping Stem Cell Research: Terra Incognita and The New Americans, for which he directed the Palestinian segment. Currently, he is executive producing several new films for Kartemquin.
Inquiring Nuns is a 1968 Kartemquin Films production directed by Gordon Quinn and Gerald Temaner. The documentary film features Sisters Marie Arne and Mary Campion, two young Catholic nuns who visit a variety of Chicago locales to ask people the question, "Are you happy?" They meet a variety of individuals ranging from hippie musicians to intellectuals, whose responses are everything from the mundane to the spiritual. The film was directly influenced by Jean Rouch's Chronique d'un été, which Quinn and Temaner had watched at Doc Films while they were undergraduates at the University of Chicago. The film was shot on Kartemquin's "Camera #1," a custom-modified crystal sync Auricon with a used manual zoom lens Quinn purchased from Albert Maysles, and to which he added a World War II gunner handle bought from a pawn shop as an extra grip for steadiness.
Taylor Chain I & II are a pair of documentary films, produced by Kartemquin FIlms, that first examine a seven-week workers' strike at a Hammond, Indiana, chain manufacturing plant and then follow the collective bargaining process of the same plant one decade later. Originally released by Kartemquin as two separate short documentaries in 1980 and 1984, Taylor Chain I & II were released together to show how the decade-long labor movement was affected by the recession and anti-union legislation of the early 1980s.
The Australian Directors' Guild (ADG) is an industry guild representing the interests of film, television, commercials and digital media directors, including documentary makers and animators, throughout Australia. With its headquarters in Sydney, the ADG has branches in New South Wales, Queensland, South Australia, Victoria and Western Australia. As of 2022 the president of ADG is Rowan Woods.
Judy Hoffman is an American filmmaker and arts activist based in Chicago. She graduated from Northwestern University with a MFA and currently holds a faculty position at the University of Chicago. Hoffman has played a major role in the development of Kartemquin Films, a documentary filmmaking company founded in Chicago in 1966. Hoffman has worked with extensively with Kwakwaka’wakw, a First Nation in British Columbia, to produce films. Hoffman has brought activism to her films, and continues to show different facets of the city of Chicago.
Saving Mes Aynak is a 2014 independent documentary film, directed, produced, shot and edited by Brent E. Huffman. It was produced out of Kartemquin Films, the landmark Chicago-based documentary house, along with producer Zak Piper.
As Goes Janesville is a 2012 independent documentary film, produced by Kartemquin Films and 371 Productions. It explores the future of the American middle class by focusing on the stories of Janesville, WI.
The School Project is an independent cross-platform media project. It explores what a healthy public education system looks like through the lens of Chicago Public Schools. It focuses on issues including standardized testing, charter schools, privatization, and school closings. It is a collaboration between Kartemquin Films, Siskel/Jacobs Productions, Free Spirit Media, Kindling Group, Media Process Group, and several freelancers. Its media partners include Catalyst Chicago, Chicago Sun-Times, and WTTW/Channel 11.
Brent Edward Huffman is an American director, writer, and cinematographer of documentaries and television programs, including Saving Mes Aynak (2015). His work has been featured on Netflix, Discovery Channel, The National Geographic Channel, VICE, NBC, CNN, PBS, Time, The New York Times, Al Jazeera America and Al Jazeera English and premiered at International Documentary Film Festival Amsterdam (IDFA), and many other U.S. and international film festivals. He is also a professor at the Medill School of Journalism at Northwestern University where he teaches documentary production and theory.
Blood in the Snow Canadian Film Festival (BITS) is an annual film festival in Canada. It was founded by Kelly Micheal Stewart in 2012 as an offshoot of his then ongoing monthly film series entitled "Fright Nights at the Projection Booth" which were held at the former Projection Booth theater in Toronto, Ontario. With a considerable number of Canadian films all vying for a spot in the showcase, Stewart decided to put together the first edition of what would become a yearly film festival that replaced the monthly series. After a first edition entitled "Fright Nights :Blood in the Snow Canadian Film Festival weekend", Stewart shortened the name and re-imagined the construct of the festival, bringing on a programming team and sharpening its focus with the aim of promoting, spotlighting and helping to develop the independent contemporary genre filmmaking community across Canada. The festival has branched off in its efforts to become visible all year round with a public access television interview show and a podcast.
Peter Kuttner is a Chicago filmmaker, activist, and cameraman. He is known for his early socially-conscious documentary films that touch on topics such as opposition to United States involvement in the Vietnam War, gentrification of Chicago, racism, and social class. He produced many of these with the film collective Kartemquin Films, of which he was an original member. He is best known for his work on the film The End of the Nightstick (1993) with Cindi Moran and Eric Scholl, which documented police brutality in Chicago and torture allegations against commander Jon Burge. Kuttner has worked extensively in activism and community service, and was a founding member of activist group Rising Up Angry. Kuttner has worked with many collaborators including Kartemquin Collective founder Gordon Quinn, and filmmakers Haskell Wexler and Robert Kramer. He is also known for camera work on a number of major motion pictures including Man of Steel and Source Code.
Raising Bertie is a 2016 American documentary film directed by Margaret Byrne and produced by Ian Robertson Kibbe, Margaret Byrne, and Jon Stuyvesant. It was distributed by Kartemquin Films and aired in shortened form on the 30th season of PBS's documentary series POV on August 28, 2017.
Julia Bell Reichert was an American Academy Award-winning documentary filmmaker, activist, and feminist. She was a co-founder of New Day Films. Reichert's filmmaking career spanned over 50 years as a director and producer of documentaries.
