The Pullman Strike was two interrelated strikes in 1894 that shaped national labor policy in the United States during a period of deep economic depression. First came a strike by the American Railway Union (ARU) against the Pullman factory in Chicago in spring 1894. When it failed the ARU launched a national boycott against all trains that carried Pullman passenger cars. The nationwide railroad boycott that lasted from May 11 to July 20, 1894, was a turning point for US labor law. It pitted the American Railway Union (ARU) against the Pullman Company, the main railroads, the main labor unions, and the federal government of the United States under President Grover Cleveland. The strike and boycott shut down much of the nation's freight and passenger traffic west of Detroit, Michigan. The conflict began in Chicago, on May 11 when nearly 4,000 factory employees of the Pullman Company began a wildcat strike in response to recent reductions in wages. Most of the factory workers who built Pullman cars lived in the "company town" of Pullman just outside of Chicago. It was designed as a model community by its namesake founder and owner George Pullman.
The Pullman Company, founded by George Pullman, was a manufacturer of railroad cars in the mid-to-late 19th century through the first half of the 20th century, during the boom of railroads in the United States. Through rapid late-19th century development of mass production and takeover of rivals, the company developed a virtual monopoly on production and ownership of sleeper cars. During a severe economic downturn, the 1894 Pullman Strike by company workers proved a transforming moment in American labor history. At the company's peak in the early 20th century, its cars accommodated 26 million people a year, and it in effect operated "the largest hotel in the world". Its production workers initially lived in a planned worker community named Pullman, Chicago.
Founded in 1925, The Brotherhood of Sleeping Car Porters (BSCP) was the first labor organization led by African Americans to receive a charter in the American Federation of Labor (AFL). The BSCP gathered a membership of 18,000 passenger railway workers across Canada, Mexico, and the United States. Beginning after the American Civil War, the job of Pullman porter had become an important means of work in the black community in the United States. As a result of a decline in railway transportation in the 1960s, BSCP membership declined. It merged in 1978 with the Brotherhood of Railway and Airline Clerks (BRAC), now known as the Transportation Communications International Union.
Steve James is an American film producer and director of several documentaries, including Hoop Dreams (1994), Stevie (2002), and Abacus: Small Enough to Jail (2016).
Film in Kansas City possesses a rich heritage and a large film community. Kansas City, Missouri and the surrounding Kansas City Metropolitan Area have often been a locale for Hollywood productions and television programming.
Kartemquin Films is a four-time Oscar-nominated 501(c)3 non-profit production company located in Chicago, Illinois, that produces a wide range of documentary films. It is the documentary filmmaking home of acclaimed producers such as Gordon Quinn, Steve James, Peter Gilbert, Maria Finitzo, Joanna Rudnick, Bing Liu, Aaron Wickenden, and Ashley O’Shay (Unapologetic).
The Midwest Film Festival is the USA's only film festival solely dedicated to Midwest films. Only films from the eight-state Midwest region of Illinois, Indiana, Iowa, Michigan, Minnesota, Missouri, Ohio and Wisconsin are considered for screening.
Gordon Quinn is Artistic Director and founding member of Kartemquin Films and a 2007 recipient of the MacArthur Award for Creative and Effective Institutions. Gordon Quinn has been making documentaries for over 45 years and has produced or directed over 30 films. His recent directing credits include Prisoner of Her Past and A Good Man. His producing credits include the films Hoop Dreams; In the Family;Vietnam, Long Time Coming; Golub: Late Works Are the Catastrophes; 5 Girls; Refrigerator Mothers; and Stevie. Most recently, Gordon executive produced Mapping Stem Cell Research: Terra Incognita and The New Americans, for which he directed the Palestinian segment. Currently, he is executive producing several new films for Kartemquin.
Inquiring Nuns is a 1968 Kartemquin Films production directed by Gordon Quinn and Gerald Temaner. The documentary film features Sisters Marie Arne and Mary Campion, two young Catholic nuns who visit a variety of Chicago locales to ask people the question, "Are you happy?" They meet a variety of individuals ranging from hippie musicians to intellectuals, whose responses are everything from the mundane to the spiritual. The film was directly influenced by Jean Rouch's Chronique d'un été, which Quinn and Temaner had watched at Doc Films while they were undergraduates at the University of Chicago. The film was shot on Kartemquin's “Camera #1”, a custom-modified crystal sync Auricon with a used manual zoom lens Quinn purchased from Albert Maysles, and to which he added a World War II gunner handle bought from a pawn shop as an extra grip for steadiness.
Michael Dweck is an American visual artist and filmmaker. Best known for his narrative photography, Dweck's work "explores ongoing struggles between identity and adaptation in endangered societal enclaves." In 2003, he became the first living photographer to have a solo exhibition at Sotheby's, and in 2012, he was the first American photographer to exhibit his work in Cuba since the beginning of the United States embargo in 1960. He lives and works in New York City and in Montauk, New York.
Taylor Chain I & II are a pair of documentary films, produced by Kartemquin FIlms, that first examine a seven-week workers' strike at a Hammond, Indiana, chain manufacturing plant and then follow the collective bargaining process of the same plant one decade later. Originally released by Kartemquin as two separate short documentaries in 1980 and 1984, Taylor Chain I & II were released together to show how the decade-long labor movement was affected by the recession and anti-union legislation of the early 1980s.
Golub is a 1988 documentary film, produced by Kartemquin Films, that examines the life and work of controversial painter, Leon Golub. Inspired by war, political oppression and the fight for Free Speech, Golub and his paintings are famous for their depictions of extreme violence. Also featured prominently in the film is his wife, anti-war feminist and artist, Nancy Spero. The documentary tracks Golub from starting with a blank canvas to a touring North American exhibition and eventually to an exhibition in Northern Ireland.
The Australian Directors' Guild (ADG) is an industry guild representing the interests of film, television, commercials and digital media directors, including documentary makers and animators, throughout Australia. With its headquarters in Sydney, the ADG has branches in New South Wales, Queensland, South Australia, Victoria and Western Australia. As of 2022 the president of ADG is Rowan Woods.
Judy Hoffman is an American filmmaker and arts activist based in Chicago. She graduated from Northwestern University with a MFA and currently holds a faculty position at the University of Chicago. Hoffman has played a major role in the development of Kartemquin Films, a documentary filmmaking company founded in Chicago in 1966. Hoffman has worked with extensively with Kwakwaka’wakw, a First Nation in British Columbia, to produce films. Hoffman has brought activism to her films, and continues to show different facets of the city of Chicago.
Saving Mes Aynak is a 2014 independent documentary film, directed, produced, shot and edited by Brent E. Huffman. It was produced out of Kartemquin Films, the landmark Chicago-based documentary house, along with producer Zak Piper.
As Goes Janesville is a 2012 independent documentary film, produced by Kartemquin Films and 371 Productions. It explores the future of the American middle class by focusing on the stories of Janesville, WI.
The School Project is an independent cross-platform media project. It explores what a healthy public education system looks like through the lens of Chicago Public Schools. It focuses on issues including standardized testing, charter schools, privatization, and school closings. It is a collaboration between Kartemquin Films, Siskel/Jacobs Productions, Free Spirit Media, Kindling Group, Media Process Group, and several freelancers. Its media partners include Catalyst Chicago, Chicago Sun-Times, and WTTW/Channel 11.
Brent Edward Huffman is an American director, writer, and cinematographer of documentaries and television programs, including Saving Mes Aynak (2015). His work has been featured on Netflix, Discovery Channel, The National Geographic Channel, VICE, NBC, CNN, PBS, Time, The New York Times, Al Jazeera America and Al Jazeera English and premiered at International Documentary Film Festival Amsterdam (IDFA), and many other U.S. and international film festivals. He is also a professor at the Medill School of Journalism at Northwestern University where he teaches documentary production and theory.
Peter Kuttner is a Chicago filmmaker, activist, and cameraman. He is known for his early socially-conscious documentary films that touch on topics such as opposition to United States involvement in the Vietnam War, gentrification of Chicago, racism, and social class. He produced many of these with the film collective Kartemquin Films, of which he was an original member. He is best known for his work on the film The End of the Nightstick (1993) with Cindi Moran and Eric Scholl, which documented police brutality in Chicago and torture allegations against commander Jon Burge. Kuttner has worked extensively in activism and community service, and was a founding member of activist group Rising Up Angry. Kuttner has worked with many collaborators including Kartemquin Collective founder Gordon Quinn, and filmmakers Haskell Wexler and Robert Kramer. He is also known for camera work on a number of major motion pictures including Man of Steel and Source Code.
Raising Bertie is a 2016 American documentary film directed by Margaret Byrne and produced by Ian Robertson Kibbe, Margaret Byrne, and Jon Stuyvesant. It was distributed by Kartemquin Films and aired in shortened form on the 30th season of PBS's documentary series POV on August 28, 2017.
