Related Research Articles
Enemies of Women is a 1923 American silent romantic drama film directed by Alan Crosland and starring Lionel Barrymore, Alma Rubens, Gladys Hulette, Pedro de Cordoba, and Paul Panzer. The film was produced by William Randolph Hearst through his Cosmopolitan Productions. Pre-fame actresses Clara Bow and Margaret Dumont have uncredited bit roles.
Gladys Hulette was an American silent film actress from Arcade, New York, United States. Her career began in the early years of silent movies and continued until the mid-1930s. She first performed on stage at the age of three and on screen when she was seven years old. Hulette was also a talented artist. Her mother was an opera star.
A Midsummer Night's Dream is a 1909 American film directed by Charles Kent and J. Stuart Blackton, and starring Walter Ackerman and Charles Chapman. It was the first film adaptation of the eponymous play by William Shakespeare. The movie was made during summer 1909, but not released until December 25.
Alice's Adventures in Wonderland is a 10-minute black-and-white silent film made in the United States in 1910, and is based on Lewis Carroll's 1865 book of the same name.
Cappy Ricks is a 1921 American silent adventure film directed by Tom Forman and written by Peter B. Kyne, Albert S. Le Vino, Edward E. Rose, and Waldemar Young. The film stars Thomas Meighan, Charles S. Abbe, Agnes Ayres, Hugh Cameron, John St. Polis, Paul Everton and Eugenie Woodward. The film was released on August 21, 1921, by Paramount Pictures. On Broadway in the 1919 season, the play version starred William Courtenay and Tom Wise.
Prudence the Pirate is a lost 1916 American silent comedy-drama film directed by William Parke and starring Gladys Hulette. It was produced by Thanhouser Company's Gold Rooster Plays and released through Pathé Exchange.
Miss Nobody is a 1917 American silent drama film directed by William Parke and starring Gladys Hulette.
The Shine Girl is a lost 1916 American silent film drama directed by William Parke and starring Gladys Hulette. It was produced by the Thanhouser Company and was distributed by Pathé Exchange.
The Winchester Woman is a 1919 American silent crime film directed by Wesley Ruggles and starring Alice Joyce, Percy Marmont, and Robert Middlemass.
The Cigarette Girl is a 1917 American silent drama film directed by William Parke and starring Gladys Hulette, Warner Oland and William Parke Jr.
Over the Hill is a 1917 American silent drama film directed by William Parke and starring Gladys Hulette, J.H. Gilmour and Dan Mason.
The Secrets of Paris is a 1922 American silent drama film directed by Kenneth S. Webb and starring Lew Cody, Gladys Hulette, and Effie Shannon.
Life's Crossroads is a 1928 American silent drama film directed by Edgar Lewis and starring Gladys Hulette, Mahlon Hamilton and William Conklin. It is also known by the alternative title of The Silken Lady.
William Parke (1873–1941) was an American film director of the silent era.
The Streets of Illusion is a 1917 American silent drama film directed by William Parke and starring Gladys Hulette, J.H. Gilmour and Richard Barthelmess.
A Crooked Romance is a 1917 American silent drama film directed by William Parke and starring Gladys Hulette, Paul Clerget and William Parke Jr.
The Candy Girl is a 1917 American silent drama film directed by Eugene Moore and starring Gladys Hulette, William Parke Jr., and J.H. Gilmour.
Her New York is a 1917 American silent drama film directed by O. A. C. Lund and Eugene Moore and starring Gladys Hulette, William Parke Jr. and Riley Chamberlin.
The Silent Barrier is a 1920 American silent drama film directed by William Worthington and starring Sheldon Lewis, Corinne Barker and Gladys Hulette. It is based on the 1909 novel of the same title by the British writer Louis Tracy. Much of the film takes place in the resort town St. Moritz.
The Night Owl is a 1926 American silent action film directed by Harry Joe Brown and starring Reed Howes, Gladys Hulette and Joseph W. Girard.
References
- ↑ Guide to the Silent Years of American Cinema, p. 71
