The Leeds Look describes a modern architectural style using red brick and grey slate roofs used for public and commercial buildings in Leeds city centre. The first examples appeared in the 1980s with the goal of harmonising new buildings with older brick buildings surrounding them. The style is sufficiently widespread and recognisable that it forms a notable period in the Architecture of Leeds.
Leeds Civic Trust and the Leeds Society of Architects played a key role in the classification and discussion of the style. For example, their "The Leeds Look or Where is Architecture Going?" event in February 1990 documents that the term was widely understood among architects nationally as early as 1990.
In Leeds, the growth of the financial and business services sector from the mid-1980s onwards resulted in a boom in office developments in the city centre. Destruction of older buildings and insensitive development in the 1960s and 1970s caused the formation and development of Leeds Civic Trust, who successfully argued that the Leeds authority should endeavour to make new buildings be in keeping with the surroundings. [1] Planning in Leeds changed from grand schemes sweeping away old buildings to what the city architect John Thorp described as "urban dentistry": removing old buildings which were not worth saving, filling in gaps, bridging and crowning. [2] [3] [4] As many of the older industrial buildings were of brick with grey slate roofs, architects designed new ones in these traditional materials. Additions such as neo-historical detail of terracotta and stone associated with the city's Victorian and Edwardian eras were often approved by Leeds' planners. [1] This style was intended to derive from Leeds’ Victorian heritage and provide visual coherence with older buildings, [1] [5] and was especially used in the city centre and in developments around the waterfront. [6]
Dr Kevin Grady, the director of Leeds Civic Trust, described the Leeds Look as “an interim response in the 1980s for architecture that had a human scale and was pleasing on the eye following some of the mistakes of the 1960s and 70s.” [7] Westgate Point has been said to be the best example. [1]
Later developments of the style include Quarry House (1993) and Leeds Magistrates' Court (1994). Dr Grady described the Magistrates Court building as the highlight of the style; “I am sure in the future the courts will be a listed building. It is visually interesting, if a little eccentric, and is much better than the other buildings in this style that are rather bland.” [7]
In the late 1990s the style was being overtaken by more strikingly modern architecture such as Number 1, City Square. [7]
The style received praise for being in keeping with older buildings and its "stylish use of red brick" [6] but also criticism, such as from architectural critic Ken Powell who said that “this style has been imposed with monotonous thoroughness and a marked dearth of imagination” [8] . Others describe the style as a “bland reinterpretation of former warehouse style”. [9] It has been said that Leeds city planners became "almost infamous" for insisting that new schemes should interpret the style of its Victorian riverfront warehouses in this way. [9]
Particular criticism has been levelled at the Crowne Plaza Hotel on Wellington Street as being a “missed opportunity” [10] and “a bland exercise in facadism, complete with badly proportioned towers, archways and pediments, supposedly based upon earlier brick warehouses, architecture whose structural integrity it manages to both mimic and mock”. [9]
Although Birmingham in England has existed as a settlement for over a thousand years, today's city is overwhelmingly a product of the 18th, 19th, and 20th centuries, with little surviving from its early history. As it has expanded, it has acquired a variety of architectural styles. Buildings of most modern architectural styles in the United Kingdom are located in Birmingham. In recent years, Birmingham was one of the first cities to exhibit the blobitecture style with the construction of the Selfridges store at the Bullring Shopping Centre.
Tudor Revival architecture first manifested itself in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as Tudor architecture, in reality it usually took the style of English vernacular architecture of the Middle Ages that had survived into the Tudor period. The style later became an influence elsewhere, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate. In Singapore, then a British colony, architects such as R. A. J. Bidwell pioneered what became known as the Black and White House. The earliest examples of the style originate with the works of such eminent architects as Norman Shaw and George Devey, in what at the time was thought Neo-Tudor design.
Cuthbert Brodrick FRIBA was a British architect, whose most famous building is Leeds Town Hall.
Briggate is a pedestrianised principal shopping street in Leeds city centre, England. Historically it was the main street, leading north from Leeds Bridge, and housed markets, merchant's houses and other business premises. It contains many historic buildings, including the oldest in the city, and others from the 19th and early-20th century, including two theatres. It is noted for the yards between some older buildings with alleyways giving access and Victorian shopping arcades, which were restored in late 20th century. The street was pedestrianised in the early-21st century.
Quarry Hill is an area of central Leeds, West Yorkshire, England. It is bounded by the Leeds Inner Ring Road in the east and north and the Leeds – York / Hull railway in the south. The area falls within the City and Hunslet ward of Leeds City Council.
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Leeds Civic Trust is a voluntary organisation and registered charity established in Leeds, West Yorkshire, England in 1965. Affiliated to the national charity Civic Voice, its stated purpose is "to stimulate public interest in and care for the beauty, history, and character of the city and locality, to encourage high standards of design, architecture and town planning; [and] to encourage the development and improvement of features of general public amenity".
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