Lighthouse in Westkapelle | |
---|---|
Artist | Piet Mondrian |
Year | 1908 |
Medium | oil paint, canvas |
Dimensions | 71 cm (28 in) × 52 cm (20 in) |
Location | Kunstmuseum Den Haag |
Identifiers | RKDimages ID: 269788 |
The Lighthouse at Westkapelle is a painting by the Dutch artist Piet Mondrian in the Kunstmuseum Den Haag. [1]
The painting shows the Lighthouse at Westkapelle also called, in Dutch, the Westkapelle Hoog. During holidays in Zeeland, Mondrian made five drawings and paintings of this lightouse. As he did earlier with drawings of the movement of the river Gein, Mondrian investigated the possibilities of different media: from very detailed to very impressionistic. This version from 1908 is the most abstract, giving the appearance of having been completed in a few brief brushstrokes. In reality, Mondrian painted it over a longer period, possibly also after his return after holidays to Amsterdam. After his second stay in Zeeland, he indicated in a letter to the violinist Aletta de Iong aan ‘to make a little progress with some things from Zeeland, which I make entirely to my liking’. [2]
The work is signed at the bottom left with ‘P. MONDRIAAN’. It arrived in the collection of the Kunstmuseum in 1971, a bequest from the collector Sal Slijper. [3]
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
The Kunstmuseum Den Haag is an art museum in The Hague in the Netherlands, founded in 1866 as the Museum voor Moderne Kunst. Later, until 1998, it was known as Haags Gemeentemuseum, and until the end of September 2019 as Gemeentemuseum Den Haag. It has a collection of around 165,000 works, over many different forms of art. In particular, the Kunstmuseum is renowned for its large Mondrian collection, the largest in the world. Mondrian's last work, Victory Boogie-Woogie, is on display at the museum.
Victory Boogie Woogie is the last, unfinished work of the Dutch abstract painter Piet Mondrian, left incomplete when Mondrian died in New York in 1944. He was still working on it three days before dying. Since 1998 it has been in the collection of the Kunstmuseum, in The Hague. It has been said that "Mondrian's life and his affection for music are mirrored in the painting [and that it is] a testimony of the influence which New York had on Mondrian."
Pieter Cornelis Mondriaan, after 1906 known as Piet Mondrian, was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements.
Charley Toorop was a Dutch painter and lithographer. Her full name was Annie Caroline Pontifex Fernhout-Toorop.
Hendrikus "Henk" Chabot was a Dutch painter and sculptor.
Wim van Krimpen is a Dutch art historian, art dealer and gallery owner of Galerie Wim van Krimpen, and art gallery director. He was director at the Kunsthal in Rotterdam, the Fries Museum in Leeuwarden and the Kunstmuseum Den Haag in The Hague.
Agatha Wilhelmina Zethraeus (1872–1966) was a Dutch artist.
The Fotomuseum Den Haag is a photography museum in The Hague. The museum was founded in 2002. It was a spin-off of the nearby Kunstmuseum Den Haag, when then director Wim van Krimpen decided that the Kunstmuseum's collection of photography had become so rich that it deserved a separate location. It shares an entrance and space with the museum of contemporary art KM21.
The Red Cloud is an 1907 early painting by the Dutch artist Piet Mondrian. It was painted in 1907. Mondrian completed the painting while staying near Oele, in the east of the Netherlands. One art historian has noted that the "hard colour contrasts and charged, expressive brushwork" is part of Mondrian's evolution towards an abstract painter.
Evolution is an early painting by the Dutch artist Piet Mondrian. It was executed in 1911, after the artist had visited Paris. The painting represents a mid-point in Mondrian's journey from realistic landscapes to radical abstraction. Symbolic in form and with stylised lines, it was Mondrian's last painting where he painted a human form. Soon after Mondrian completed the painting, it was exhibited as part of the first Moderne Kunstring exhibition at the Stedelijk Museum in Amsterdam.
Composition with Yellow Lines is an 1933 abstract painting on canvas by Dutch artist Piet Mondrian. While following the grid like structures of his other abstract paintings, it is unusual in omitting the use of any black lines. Indeed, Mondrian's earlier writings on art had stated that any lines in his paintings had to be black; colour was reserved for the filled in rectangles. The painting is equally unusual in that none of the lines meet. He did not paint any further paintings with this design element until his move to New York in 1940.
When One Grows Old is an 1881 Oil-on-canvas painting by Dutch artist Jozef Israëls. The subject of the painting is an old woman warming herself by a fireplace.
Ein Zentrum is a painting by the Russian abstract artist Wassily Kandinsky. It was painted in 1922 or 1923, around 12 years after Kandinsky has established the Der Blaue Reiter movement. It hangs in the Kunstmuseum, in Den Haag, Netherlands.
The Card Players is a 1916/7 painting by the Dutch artist Theo van Doesburg.
A Farmhouse Behind A Fence is a 1904 painting by the Dutch artist Piet Mondrian. It was completed early in his career, in 1904, when "the artist abruptly broke from his former life and went into rural seclusion in Brabant, a province in southern Netherlands." He painted numerous canvases on a rural theme: "in his initial public appearances as a professional artist Mondrian was more concerned with supplying a product that would sell than defining his own personal style."
By the Sea is an oil on cardboard painting by Dutch artist Piet Mondrian created in 1909. Currently owned by the Yale University Art Gallery, the painting depicts a seascape from a vacationing spot in Domburg, Zeeland, Netherlands. With its vibrant colors, the painting presents an intermediate phase of Mondrian's painting career from Hague School Realism to Neoplasticism.
Allotments near The Hague is a painting by the Dutch artist Jacob Maris. It was executed around 1878, using oil on canvas, and is 62.5 by 54 centimetres. It depicts a then still undeveloped part of The Hague near Scheveningen. Painted in the style of The Hague School, the work is in the collection of the Kunstmuseum Den Haag.
Composition with Large Red Plane, Yellow, Black, Grey and Blue is an abstract painting from 1921 by the Dutch artist Piet Mondriaan. The painting is part of the Kunstmuseum collection in The Hague.
Counter-Composition of Dissonances XVI is a painting by the Dutch artist, Theo van Doesburg. It hangs in the Kunstmuseum Den Haag in Den Haag.