The Lord of the G-Strings: The Femaleship of the String | |
---|---|
Based on | The Lord of the Rings by J. R. R. Tolkien |
Written by | Terry M. West |
Directed by | Terry M. West |
Starring |
|
Theme music composer | Josh Robinson |
Country of origin | United States |
Original language | English |
Production | |
Producers |
|
Cinematography | John Paul Fedele |
Running time | 90 minutes |
Production company | E.I. Independent Cinema |
Original release | |
Release | 2003 |
The Lord of the G-Strings: The Femaleship of the String is a 2003 American made for cable erotic film written and directed by Terry M. West. A parodic film, [1] [2] [3] [4] it is based on the novel The Lord of the Rings by J. R. R. Tolkien. [5] [6] The film revolves around Dildo Saggins, a Throbbit, and other characters inspired by The Fellowship of the Ring : Queen Araporn, Ballem, etc; the plot mirrors the original story accordingly. [6]
The cast includes Misty Mundae in the lead role. [7]
Although admitting that the film, a "picaresque road movie", does "yields easily to the requirements of pornographic narrative" and includes "interminable footage of amateurs tramping in the wood", [6] Ernest Mathijs found the production was not without merit. [6] The film was also mentioned as an example of a type "post-modern cult" [...] "embracing the viewers as savvy and discriminating insiders". [8]
A review on the German website badmovies.de praised the production and its humour. [9] A review at Flipside stated that the film was "just as dimwitted and juvenile as most of Seduction Cinema's other Hollywood movie parodies filled with girl-on-girl sex and rampant nudit. But like The Erotic Witch Project and Play-Mate of the Apes , has enough goofy charm to keep it from the trash heap where Seduction titles like The Sexy 6th Sense and Mummy Raider reside." [10] A review by Vince Leo was more negative, stating that "It's all so silly, shot in the backwoods of New Jersey, and enhanced with some low-tech special effects, it has all of the look and feel of a bunch of Ren Faire enthusiasts and tech geeks getting together with a portable video camera (although this is shot on film) and making a spoof as a lark." and lamenting the film "lack[ed] quality sex scenes". [11]
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.
The Lord of the Rings is an epic high fantasy novel by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit, but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.
Bag End is the underground dwelling of the Hobbits Bilbo and Frodo Baggins in J. R. R. Tolkien's fantasy novels The Hobbit and The Lord of the Rings. From there, both Bilbo and Frodo set out on their adventures, and both return there, for a while. As such, Bag End represents the familiar, safe, comfortable place which is the antithesis of the dangerous places that they visit. It forms one end of the main story arcs in the novels, and since the Hobbits return there, it also forms an end point in the story circle in each case.
Éowyn is a fictional character in J. R. R. Tolkien's The Lord of the Rings. She is a noblewoman of Rohan who describes herself as a shieldmaiden.
In the fantasy of J. R. R. Tolkien, the Dwarves are a race inhabiting Middle-earth, the central continent of Arda in an imagined mythological past. They are based on the dwarfs of Germanic myths who were small humanoids that lived in mountains, practising mining, metallurgy, blacksmithing and jewellery. Tolkien described them as tough, warlike, and lovers of stone and craftsmanship.
Brian David Sibley is an English writer. He is author of over 100 hours of radio drama and has written and presented hundreds of radio documentaries, features and weekly programmes. Among his adaptations is the 1981 version of The Lord of the Rings for radio. A columnist and author, he is widely known as the author of many film "making of" books, including those for the Harry Potter series, and The Lord of the Rings and The Hobbit trilogies.
The Lord of the Rings is a 1978 animated epic fantasy film directed by Ralph Bakshi from a screenplay by Chris Conkling and Peter S. Beagle. It is based on the novel of the same name by J. R. R. Tolkien, adapting from the volumes The Fellowship of the Ring and The Two Towers. Set in Middle-earth, the film follows a group of fantasy races—Hobbits, Men, an Elf, a Dwarf and a wizard—who form a fellowship to destroy a magical ring made by the Dark Lord Sauron, the main antagonist.
Among the motion pictures of Middle-earth in various formats, The Lord of the Rings is a trilogy of epic fantasy adventure films directed by Peter Jackson, based on the novel The Lord of the Rings by English author J. R. R. Tolkien. The films are titled identically to the three volumes of the novel: The Fellowship of the Ring (2001), The Two Towers (2002), and The Return of the King (2003). Produced and distributed by New Line Cinema with the co-production of WingNut Films, the films feature an ensemble cast including Elijah Wood, Ian McKellen, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Andy Serkis, and Sean Bean.
The Opening of Misty Beethoven is an American pornographic comedy film released in 1976. It was produced with a relatively high budget and filmed on elaborate locations in Paris, New York City and Rome with a musical score, and owes much to its director Radley Metzger. According to author Toni Bentley, The Opening of Misty Beethoven is considered the "crown jewel" of the Golden Age of Porn (1969–1984).
The works of J. R. R. Tolkien have served as the inspiration to painters, musicians, film-makers and writers, to such an extent that he is sometimes seen as the "father" of the entire genre of high fantasy.
Do not laugh! But once upon a time I had a mind to make a body of more or less connected legend, ranging from the large and cosmogonic to the level of romantic fairy-story... The cycles should be linked to a majestic whole, and yet leave scope for other minds and hands, wielding paint and music and drama. Absurd.
The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore between 2000 and 2004 to support Peter Jackson's film trilogy based on J. R. R. Tolkien's fantasy novel of the same name. It is notable in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring musical themes used.
Erin Brown is an American actress. She has starred in over fifty low-budget films as Misty Mundae.
Gollum is a monster with a distinctive style of speech in J. R. R. Tolkien's fantasy world of Middle-earth. He was introduced in the 1937 fantasy novel The Hobbit, and became important in its sequel, The Lord of the Rings. Gollum was a Stoor Hobbit of the River-folk who lived near the Gladden Fields. In The Lord of the Rings, it is stated that he was originally known as Sméagol, corrupted by the One Ring, and later named Gollum after his habit of making "a horrible swallowing noise in his throat".
In J. R. R. Tolkien's fictional world of Middle-earth, Mordor is the realm and base of the evil lord Sauron. It lay to the east of Gondor and the great river Anduin, and to the south of Mirkwood. Mount Doom, a volcano in Mordor, was the goal of the Fellowship of the Ring in the quest to destroy the One Ring. Mordor was surrounded by three mountain ranges, to the north, the west, and the south. These both protected the land from invasion and kept those living in Mordor from escaping.
In the fictional world of J. R. R. Tolkien, Moria, also named Khazad-dûm, is an ancient subterranean complex in Middle-earth, comprising a vast labyrinthine network of tunnels, chambers, mines and halls under the Misty Mountains, with doors on both the western and the eastern sides of the mountain range. Moria is introduced in Tolkien's novel The Hobbit, and is a major scene of action in The Lord of the Rings.
"A Map of Middle-earth" is either of two colour posters by different artists, Barbara Remington and Pauline Baynes. Adapted from Tolkien's maps, they depict the north-western region of the fictional continent of Middle-earth. They were published in 1965 and 1970 by the American and British publishers of J. R. R. Tolkien's book The Lord of the Rings. The poster map by Baynes has been described as "iconic".
Ernest Mathijs is a professor at the University of British Columbia, where he teaches film. He has published several books on cult films.
Play-mate of the Apes is a 2002 American direct-to-DVD erotic film directed by John Bacchus. A softcore pornographic film, it is a parody of the Planet of the Apes media franchise films and was released seven months after the Tim Burton-directed 2001 remake of the first film. The film features Misty Mundae in the lead role.
Audience studies is a discipline and field of study, a sub-set of media studies, that investigates the processes of media audiences using different methodologies to test and develop theories of audiences' processes of reception. Much of the field borrows concepts from literary theory and research approaches from cultural studies. The primary media of study are film and television and the field intersects in many ways, including its methods used and its focus on everyday media audiences, with fan studies. Audience studies emerged as a field in the early 20th century as a form of market research, but slowly, with the rise of film studies, became popular in an academic context.