Related Research Articles
Udo Kierspe, known professionally as Udo Kier, is a German actor. Known primarily as a character actor, Kier has appeared in more than 220 films in both leading and supporting roles throughout Europe and the Americas. He has collaborated with acclaimed filmmakers such as Lars von Trier, Gus Van Sant, Werner Herzog, Rainer Werner Fassbinder, Walerian Borowczyk, Kleber Mendonça Filho, Dario Argento, Charles Matton, Guy Maddin, Alexander Payne, and Paul Morrissey.
The Eleven Schill Officers is a 1926 German silent historical film directed by Rudolf Meinert and starring Meinert, Gustav Adolf Semler, Grete Reinwald, and Leopold von Ledebur. The film depicts the failed 1809 uprising of Prussian soldiers led by Ferdinand von Schill against the occupying French during the Napoleonic War. The film received poor reviews from critics, but earned enough at the box office to offset its production costs.
The Hangman is a 1928 German silent film directed by Theodor Sparkuhl and Adolf Trotz and starring Andrée Lafayette, Bernhard Goetzke and Fritz Kampers.
Eva and the Grasshopper is a 1927 German silent drama film directed by Georg Asagaroff and Wladyslaw Starewicz and starring Camilla Horn, Gustav Fröhlich, and Warwick Ward. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski.
When the Mother and the Daughter is a 1928 German silent film directed by Carl Boese and starring Fritz Spira, Trude Hesterberg, and Vera Schmiterlöw.
Hanna in Society is a 1940 Swedish comedy film directed by Gunnar Olsson and starring Rut Holm, Carl Barcklind and Elsa Carlsson.
Maytime or As Once in May is a 1926 German silent romance film directed by Willi Wolff and starring Adolf Klein, Ellen Richter, and Paul Heidemann.
Storm Tide is a 1927 German silent film directed by Willy Reiber and starring Dorothea Wieck, Helen von Münchofen and Oscar Marion.
The Customs Judge is a 1929 German silent film directed by Carl Heinz Wolff and starring Margarete Schlegel, Gerd Briese and Margarete Kupfer.
When the White Lilacs Bloom Again is a 1929 German silent romance film directed by Robert Wohlmuth and starring Georg Henrich, Vera Schmiterlöw and Walter Grüters. It takes its title from a popular song of the era. A 1953 film was made using the same name.
Of Life and Death is a 1930 German thriller film directed by Edmund Heuberger and starring Eddie Polo, Rina Marsa and Lotte Stein. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Gustav A. Knauer and Willy Schiller. It was distributed by the German branch of Universal Pictures.
When the Soldiers is a 1931 German comedy film directed by Jacob Fleck and Luise Fleck and starring Otto Wallburg, Gretl Theimer and Ida Wüst.
The Eternal Struggle is a 1921 German silent drama film directed by Paul L. Stein and starring Lotte Neumann, Alfons Fryland, and Harry Hardt.
Grandstand for General Staff is a 1932 German comedy film directed by Eugen Thiele and starring Iván Petrovich, Elga Brink, and Betty Bird.
The Last Witness is a 1921 German silent film directed by Adolf Gärtner and starring Albert Bassermann, Elsa Bassermann and Olga Engl. It was shot in 1919, but not released until April 1921.
Off the Rails is a 1921 German silent drama film directed by William Karfiol and starring Wilhelm Diegelmann, Ernst Hofmann and Erra Bognar. The film's sets were designed by the art director Eduard Nickler. It premiered at the Marmorhaus in Berlin.
Sons of the Night is a 1921 German silent film directed by Manfred Noa and starring Tzwetta Tzatschewa, Hans Albers and Ludwig Rex. It premiered at the Marmorhaus in Berlin, and was released in two parts.
The Chain Clinks is a 1923 German silent film directed by Paul L. Stein and starring Ressel Orla, Alfons Fryland, and Grete Diercks.
Fräulein Mama is a 1926 German silent film directed by Géza von Bolváry and starring Grete Reinwald, Walter Janssen, and Ferdinand von Alten.
Franz Stein (1880–1958) was a German cinematographer and film actor. During the silent era he shot a number of films, many of them for National Film. After 1925 his film appearances were exclusively as an actor.
References
- ↑ Krautz p.123
