| The Lost House | |
|---|---|
 | |
| Directed by | Harry Piel |
| Written by | Lothar Knud Frederik |
| Produced by | Harry Piel |
| Starring | Harry Piel |
| Cinematography | Georg Muschner |
Production company | Harry Piel Film |
Release date |
|
| Country | Germany |
| Languages |
|
The Lost House (German : Das verschwundene Haus) is a 1922 German silent adventure film directed by and starring Harry Piel. [1]
In alphabetical order
Heinrich Piel, known professionally as Harry Piel, was a prolific German actor, film director, screenwriter, and film producer who was involved in over 150 films.
Hugo Fischer-Köppe was an early German film actor.
Johnny Steals Europe is a 1932 German comedy crime film directed by Harry Piel and Andrew Marton and starring Piel, Dary Holm and Alfred Abel. The film was based on a novel by Werner Scheff. It was shot at the Staaken Studios in Berlin and on location on the French Riviera. Released by the German branch of Universal Pictures, it premiered on 15 June 1932.
Rivals is a 1923 German-British silent adventure film directed by Harry Piel and starring Piel, Inge Helgard and Adolf Klein. It premiered in Berlin on 23 February 1923.
Panic is a 1928 German silent crime film directed by Harry Piel and starring Piel, Dary Holm and Eugen Burg. It was shot at the Weissensee Studios in Berlin. The film's sets were designed by the art director Erich Czerwonski. It premiered at the Ufa-Palast am Zoo on 23 February 1928.
Taxi at Midnight is a 1929 German silent thriller film directed by Harry Piel and starring Piel, Betty Bird and Philipp Manning. It was shot at the Staaken and Grunewald Studios in Berlin. The film's art direction was by Fritz Maurischat and Max Knaake.
Man Against Man is a 1928 German silent thriller film directed by Harry Piel and starring Piel, Dary Holm and Fritz Beckmann.
Georg Muschner was a German cinematographer. He worked on over sixty productions during his career in the Weimar Republic, Austria, and Nazi Germany. Muschner originally worked as a portrait photographer, before entering the film industry during the silent era. He worked on several Harry Piel films, including His Greatest Bluff. During the 1930s he often worked with the director Johann Alexander Hübler-Kahla.
Adventure on the Night Express is a 1925 German silent thriller film directed by Harry Piel and starring Piel, Dary Holm and José Davert. The film's sets were designed by the art directors Fritz Kraenke and Kurt Richter.
A Dangerous Game is a 1924 German silent adventure film directed by Harry Piel and starring Piel, Hermann Leffler and Claire Rommer. It is the sequel to The Fake Emir.
The Man in the Saddle is a 1945 German film directed by and starring Harry Piel.
His Best Friend is a 1929 German silent action film directed by and starring Harry Piel and also featuring Dary Holm and Grit Haid. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Robert Neppach.
The Black Pierrot is a 1926 German silent film directed by and starring Harry Piel.
The Bear of the Baskervilles is a 1916 German silent film directed by Harry Piel.
The Sultan of Johore is a 1917 German silent film directed by Harry Piel.
The Adventures of Captain Hansen is a 1917 German silent film directed by Harry Piel.
Fritz Kraenke (1890–1947) was a German art director. He worked on the sets of more than thirty films during the silent era.
Eyes Open, Harry! is a 1926 German silent thriller film directed by and starring Harry Piel. It was shot at the Staaken Studios in Berlin. The film's sets were designed by Willi Herrmann.
Night of Mystery is a 1927 German silent thriller film directed by Harry Piel and starring Harry Piel, Dary Holm, and Josef Peterhans. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Willi Herrmann.
Swifter Than Death is a 1925 French-Germany silent action film directed by Gérard Bourgeois and Harry Piel and starring Piel, Dary Holm, Denise Legeay and José Davert. It was shot at the Cité Elgé Studios in Paris and on location in Munich and the Côte d'Azur. The film's sets were designed by the art director Fritz Kraenke.
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