The Younger Brother | |
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Written by | Delarivier Manley |
Date premiered | March 1696 |
Place premiered | Theatre Royal, Drury Lane, London |
Original language | English |
Genre | Comedy |
The Lost Lover; or The Jealous Husband: A Comedy, Delarivier Manley's first published play, was performed in March 1696 at Theatre Royal, Drury Lane. The performance ran only three nights. [1]
The original cast included Benjamin Johnson, John Verbruggen, Hildebrand Horden, George Powell, Colley Cibber, William Pinkethman, Joseph Haines, Mary Kent, Jane Rogers, Frances Maria Knight, Susanna Verbruggen and Margaret Mills. [2]
As listed in the original script: Men
Women
This article contains information about the literary events and publications of 1696.
Susanna Verbruggen, aka Susanna Mountfort, was an English actress working in London.
Mary Kent was an English actress, whose career lasted from 1692 to 1718. Her dates of birth and death are not known. She was the wife of Drury Lane actor Thomas Kent.
Delarivier "Delia" Manley was an English author, playwright, and political pamphleteer. Manley is sometimes referred to, with Aphra Behn and Eliza Haywood, as one of "the fair triumvirate of wit", which is a later attribution.
The Squire of Alsatia is a 1688 comedy play by the English writer Thomas Shadwell. Alsatia was a nickname for the Whitefriars area of London, deriving from Alsace in northeastern France. A restoration comedy, it was performed at the Drury Lane Theatre by the United Company following John Crowne's Darius, King of Persia. One of the best-remembered roles, that of the shrewish Mrs. Termagant was first performed by Elizabeth Boutell. The play was revived numerous times during the eighteenth century.
The Adventures of Rivella (1714) is the last novel written by eighteenth century English author Delarivier Manley. The work is a semi-autobiographical account of Manley's life seen through the fictional character of Rivella. Delarivier Manley's final novel, which was later edited and published by Edmund Curll, is centred around her life before, during, and after her treacherous marriage. The events and incidents incurred by the fictional character Rivella are narrated to the reader through a conversational dialogue between two male protagonists, being Sir Lovemore and Sir D'Aumont. The narrative tells that the young chevalier D'Aumont has left France in search of sexual partnership with Rivella and instead finds the rejected lover, Sir Charles Lovemore who does not assist the Frenchman in arranging contact with Rivella, but tells her life story instead, both as it relates in public gossip and her personal writings.
The Younger Brother, or, The Amorous Jilt is a comedy written by Aphra Behn. The play was first performed and published posthumously in 1696, but was probably written in the late 1680s.
The Biter is a 1704 play by the English writer Nicholas Rowe. Rowe was better known for his tragedies but chose to try his hand at comedy. Performed at the Lincoln's Inn Fields Theatre, it was not a great success and lasted for about six performances. It was overshadowed by the more popular The Careless Husband by Colley Cibber, which appeared at the Drury Lane Theatre. It was Rowe's only play in a contemporary setting, and he rapidly turned back to historical tragedies beginning with Ulysses (1705). Some sources reported Rowe defiantly and loudly laughing at the jokes during a performance, even while nobody else did.
The Innocent Mistress is a comedy written by Mary Pix, first performed in 1697.
Lucius or Lucius, the First Christian King of Britain is a 1717 tragedy by the British writer Delarivier Manley. It is based on the life of Lucius of Britain, the second century ruler of Britain traditionally considered to have introduced Christianity to Britain. It was Manley's final play to be staged.
The Married Beau or The Curious Impertinent is a 1694 comedy play by the English writer John Crowne. It is inspired by a passage from Miguel de Cervantes's Don Quixote. Incidental music was composed by Henry Purcell.
Elizabeth Bowman was an English stage actress of the seventeenth and early eighteenth century. The daughter of Sir Francis Watson, 1st Baronet she was adopted by the actor manager Thomas Betterton. In 1692, she married John Bowman and began acting at Drury Lane the following year as Mrs Bowman. She was a member of the United Company until 1695 then joined Betterton's breakaway at the Lincoln's Inn Fields Theatre.
Sir Anthony Love; Or, The Rambling Lady is a 1690 comedy play by the Irish writer Thomas Southerne. It was originally staged by the United Company at the Theatre Royal, Drury Lane with a cast that included Susanna Mountfort in a breeches role as Sir Anthony Love, William Mountfort as Valentine, Joseph Williams as Ilford, William Bowen as Sir Gentle Golding, Anthony Leigh as An Abbe, John Hodgson as Count Canaile, Samuel Sandford as Count Verole, George Bright as Waitwell, Colley Cibber as Servant to Sir Gentle, Charlotte Butler as Floriante, Anne Bracegirdle as Charlote and Frances Maria Knight as Volante. The play's incidental music was composed by Henry Purcell.
Love Makes A Man; Or, The Fop's Fortune is a comedy play by the English writer Colley Cibber written and first performed in 1700, and first published in 1701. It borrows elements from two Jacobean plays The Elder Brother and The Custom of the Country by John Fletcher.
John Hodgson was an English stage actor of the late seventeenth century. He joined the United Company in 1688 and his first recorded appearance was in The Treacherous Brothers at Drury Lane in 1690. In 1695 he was one of several actors who broke away to join Thomas Betterton's new company at Lincoln's Inn Fields. His name is sometimes written as Hudson. He was married to the singer Mary Hodgson.
The Comical Revenge; Or, Love In A Tub is a 1664 comedy play by the English writer George Etherege. First staged by the Duke's Company, it premiered at the Lincoln's Inn Fields Theatre. It is one of the earliest Restoration Comedies. The play holds importance for the literary historian for Etherege's employment of two separate language styles. The style employed in the verbal sparring between Sir Frederick and the Widow would set the standard for the language of the Restoration comedy. The subtitle refers to the comical subplot which deals with the locking up of Dufoy, servant of Sir Frederick, in a tub by the chambermaids Betty and Lettice.
The Virtuous Wife; Or, Good Luck At Last is a 1679 comedy play by the English writer Thomas D'Urfey. It was originally performed by the Duke's Company at the Dorset Garden Theatre in London.
The Maid's Last Prayer: Or, Any Rather Than Fail is a 1693 comedy play by the Irish writer Thomas Southerne. It was first staged at the Theatre Royal, Drury Lane by the United Company.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
The Lying Lover; Or, The Lady's Friendship is a 1703 comedy play by the Irish writer Richard Steele. It was his second play, written while he was an army office doing garrison duty in Harwich during the War of the Spanish Succession. It is described as being both a restoration comedy and a sentimental comedy, and marked the transition between the two.