The Love Waltz | |
---|---|
Directed by | Carl Winston |
Written by | |
Produced by | Erich Pommer |
Starring | |
Cinematography | |
Music by | Werner R. Heymann |
Production company | |
Distributed by | British International Pictures |
Release date |
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Running time | 98 minutes |
Country | Germany |
Language | English |
The Love Waltz is a 1930 German English language musical film directed by Carl Winston and starring Lilian Harvey, Georg Alexander and John Batten. It is the English-language version of Waltz of Love (1930) which also starred Harvey.
Following the introduction of sound films, a large number of multi-language versions (MLVs) were made by UFA to allow its films to reach the lucrative British and American markets. The film was produced by Erich Pommer who took an interest in MLVs. [1] The film was part of a transitional stage in the development of MLVs as they moved from direct translations into more varied products tailored to individual markets.
Erich Pommer was a German-born film producer and executive. Pommer was perhaps the most powerful person in the German and European film industries in the 1920s and early 1930s.
Invitation to the Waltz is a 1935 British historical musical film directed by Paul Merzbach and starring Lilian Harvey, Wendy Toye and Carl Esmond. It was based on a play by Eric Maschwitz.
Monte Carlo Madness is a 1932 German musical comedy film directed by Hanns Schwarz and starring Sari Maritza, Hans Albers and Charles Redgie. It was an English-language version of the 1931 German film Bombs on Monte Carlo, which was based on the 1930 novel Bombs on Monte Carlo by Fritz Reck-Malleczewen. The screenplay concerns a captain who falls in love with a Queen in Monte Carlo. It cost 375,000 ℛ︁ℳ︁ to produce.
The Three from the Filling Station is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch, Heinz Rühmann, and Oskar Karlweis. Produced by Erich Pommer, the film was a major success for the UFA studio, outgrossing even The Blue Angel. Several songs composed by Werner R. Heymann and performed by the Comedian Harmonists have remained popular up to today. The film also had a heavy influence on Hollywood musicals during the 1930s.
Jenny Jugo was an Austrian actress. She appeared in more than fifty films between 1925 and 1950.
Felsom Film was a film production company which operated in Weimar Germany between 1922 and 1933. It was founded and run by producers Hermann Fellner and Josef Somlo. The company's name is a blend of their surnames.
Peter the Pirate, also known in English as The Sea Wolves, is a 1925 German silent historical adventure film directed by Arthur Robison and starring Paul Richter, Aud Egede-Nissen, and Rudolf Klein-Rogge. It was based on the 1925 novel by Wilhelm Hegeler. Leni Riefenstahl was offered the role of female lead by producer Erich Pommer, but after doing a screen test she eventually turned it down.
Erich Karl Heinrich Kettelhut was a German production designer, art director and set decorator. Kettelhut is considered one of the most important artists in the history of early German cinema, mainly for his set direction for Die Nibelungen (1924) and his design and visual effects for Metropolis (1927). His early career was defined by a working relationship with fellow designers Otto Hunte and Karl Vollbrecht, the trio working on many of Fritz Lang's early German films. Despite being best known for his iconic visuals on several of the most important films of German Expressionist cinema, he is also noted for a career spanning into the 1960s and his work on more light-hearted films and musicals.
Melody of the Heart is a 1929 German musical film directed by Hanns Schwarz and starring Dita Parlo, Willy Fritsch and Gerő Mály.
Darling of the Gods is a 1930 German musical drama film directed by Hanns Schwarz and starring Emil Jannings, Renate Müller and Olga Chekhova. Jannings had recently returned from Hollywood where the arrival of sound films had harmed his career. The film was made at the Babelsburg studios, and based on the play Die Tokaier by Hans Müller. It was made by Erich Pommer's production unit, part of the German Major film studio UFA. It premiered at the Gloria-Palast in Berlin on 13 October 1930.
Whitechapel is a 1920 German silent crime film directed by Ewald André Dupont and starring Guido Herzfeld, Hans Mierendorff, and Otto Gebühr. The film was set around a variety theatre in London's East End suburb of Whitechapel.
Alkohol ('Alcohol') is a 1919 German silent drama film directed by Ewald André Dupont and Alfred Lind and starring Wilhelm Diegelmann, Ernst Rückert, and Georg H. Schnell. The film was begun by Lind but finished by Dupont. It was his first major melodrama, and represented a breakthrough in his career. The film's theme and setting foreshadow much of his later work. It was one in a series of "Enlightenment films" examining social issues, which were produced around the time. It premiered at the Marmorhaus in Berlin.
The Marathon Runner is a 1933 German sports film directed by Ewald André Dupont and starring Brigitte Helm, Hans Brausewetter and Ursula Grabley. It was based on a 1928 novel by Werner Scheff, adapted by screenwriter Thea von Harbou. The film focuses on a love triangle between three German athletes competing at the 1932 Olympic Games in Los Angeles. It was shot at the Johannisthal Studios in Berlin with sets designed by the art directors Ernő Metzner and Erich Zander. The German premiere took place at the Ufa-Palast am Zoo. It was the last film Dupont made in Germany, before escaping into exile following the rise to power of the Nazis.
Let's Live Tonight is a 1935 American musical comedy film directed by Victor Schertzinger and starring Lilian Harvey, Tullio Carminati and Janet Beecher. The film was made as part of an unsuccessful attempt to establish Harvey, who was a top box office draw in Germany, as a major star in Hollywood. Harvey was under contract to Fox Film, but was loaned out to Columbia Pictures for the production. After making it, Harvey returned to Europe, first to Britain to appear in Invitation to the Waltz and then to Germany, where she starred in Black Roses, which relaunched her German career.
Early to Bed is a 1933 British-German romantic comedy film directed by Ludwig Berger and starring Heather Angel, Fernand Gravey and Edmund Gwenn.
Waltz of Love is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch and Georg Alexander. It was shot at the Babelsberg Studios in Berlin with sets designed by the art director Erich Kettelhut. It premiered at the Gloria-Palast in Berlin on 7 February 1930. A separate English language version The Love Waltz was also produced.
Black Roses is a 1935 German historical drama film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Willy Birgel. A separate English-language version Black Roses was also made with Harvey reprising her role opposite Esmond Knight. She also starred in a French version. The film was Harvey's comeback in German cinema, following her attempt to at Hollywood and then British films. One source suggested that Harvey paid for the English version of the film to be made out of her own money, as she still hoped to break into the English-speaking market.
Quick is a 1932 German comedy film directed by Robert Siodmak and starring Lilian Harvey, Hans Albers and Paul Hörbiger. A separate French-language version was made, also directed by Siodmak and starring Harvey. The film is based on a play by Félix Gandéra. It was made by Germany's largest company UFA at the Babelsberg Studios, with sets by art director Erich Kettelhut. It premiered at the Ufa-Palast am Zoo. A separate French-language film Quick featuring Harvey was also produced.
The Empress and I is a 1933 German musical comedy film directed by Friedrich Hollaender and starring Lilian Harvey, Mady Christians and Conrad Veidt. It is also known by the alternative title of The Only Girl. The film was produced as a multi-language version. Moi et l'impératrice a separate French-language version was released as well as The Only Girl in English. The multilingual Harvey played the same role in all three films.
The Only Girl is a 1933 British-German musical film directed by Friedrich Hollaender and starring Lilian Harvey, Charles Boyer, and Mady Christians. It is the English-language version of The Empress and I which also starred Harvey and Christians. It was the last in a series of MLV co-productions between UFA and Gainsborough Pictures. It was released in the United States in 1934 by Fox Film.