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Invitation to the Waltz is a 1935 British historical musical film directed by Paul Merzbach and starring Lilian Harvey, Wendy Toye and Carl Esmond. It was based on a play by Eric Maschwitz.
Monte Carlo Madness is a 1932 German musical comedy film directed by Hanns Schwarz and starring Sari Maritza, Hans Albers and Charles Redgie. It was an English-language version of the 1931 German film Bombs on Monte Carlo, which was based on the 1930 novel Bombs on Monte Carlo by Fritz Reck-Malleczewen. The screenplay concerns a captain who falls in love with a Queen in Monte Carlo. It cost 375,000 ℛℳ to produce.
The Three from the Filling Station is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch, Heinz Rühmann, and Oskar Karlweis. Produced by Erich Pommer, the film was a major success for the UFA studio, outgrossing even The Blue Angel. Several songs composed by Werner R. Heymann and performed by the Comedian Harmonists have remained popular up to today. The film also had a heavy influence on Hollywood musicals during the 1930s.
Jenny Jugo was an Austrian actress. She appeared in more than fifty films between 1925 and 1950.
Peter the Pirate, also known in English as The Sea Wolves, is a 1925 German silent historical adventure film directed by Arthur Robison and starring Paul Richter, Aud Egede-Nissen, and Rudolf Klein-Rogge. It was based on a novel by Wilhelm Hegeler. Leni Riefenstahl was offered the role of female lead by producer Erich Pommer, but after doing a screen test she eventually turned it down.
Erich Karl Heinrich Kettelhut was a German production designer, art director and set decorator. Kettelhut is considered one of the most important artists in the history of early German cinema, mainly for his set direction for Die Nibelungen (1924) and his design and visual effects for Metropolis (1927). His early career was defined by a working relationship with fellow designers Otto Hunte and Karl Vollbrecht, the trio working on many of Fritz Lang's early German films. Despite being best known for his iconic visuals on several of the most important films of German Expressionist cinema, he is also noted for a career spanning into the 1960s and his work on more light-hearted films and musicals.
Melody of the Heart is a 1929 German musical film directed by Hanns Schwarz and starring Dita Parlo, Willy Fritsch and Gerő Mály.
Darling of the Gods is a 1930 German musical drama film directed by Hanns Schwarz and starring Emil Jannings, Renate Müller and Olga Tschechowa. Jannings had recently returned from Hollywood where the arrival of sound films had harmed his career. The film was made at the Babelsburg studios, and based on the play Die Tokaier by Hans Müller. It was made by Erich Pommer's production unit, part of the German Major film studio UFA. It premiered at the Gloria-Palast in Berlin on 13 October 1930.
Whitechapel is a 1920 German silent crime film directed by Ewald André Dupont and starring Guido Herzfeld, Hans Mierendorff, and Otto Gebühr. The film was set around a variety theatre in London's East End suburb of Whitechapel.
Alkohol is a 1919 German silent drama film directed by Ewald André Dupont and Alfred Lind and starring Wilhelm Diegelmann, Ernst Rückert, and Georg H. Schnell. The film was begun by Lind but finished by Dupont. It was his first major melodrama, and represented a breakthrough in his career. The film's theme and setting foreshadow much of his later work. It was one in a series of "Enlightenment films" examining social issues, which were produced around the time. It premiered at the Marmorhaus in Berlin.
Let's Live Tonight is a 1935 American musical comedy film directed by Victor Schertzinger and starring Lilian Harvey, Tullio Carminati and Janet Beecher. The film was made as part of an unsuccessful attempt to establish Harvey, who was a top box office draw in Germany, as a major star in Hollywood. Harvey was under contract to Fox Film, but was loaned out to Columbia Pictures for the production. After making it, Harvey returned to Europe, first to Britain to appear in Invitation to the Waltz and then to Germany, where she starred in Black Roses, which relaunched her German career.
A Waltz Dream is a 1925 German silent drama film directed by Ludwig Berger and starring Willy Fritsch, Mady Christians and Xenia Desni. It was based on the 1907 operetta Ein Walzertraum composed by Oscar Straus. It was influential on the development of later Viennese operetta films. Unlike many of UFA's ambitious productions of the 1920s, A Waltz Dream managed to recover its production cost in the domestic market alone.
Early to Bed is a 1933 British-German romantic comedy film directed by Ludwig Berger and starring Heather Angel, Fernand Gravey and Edmund Gwenn.
Waltz of Love is a 1930 German musical film directed by Wilhelm Thiele and starring Lilian Harvey, Willy Fritsch and Georg Alexander. It premiered at the Gloria-Palast in Berlin on 7 February 1930. A separate English language version The Love Waltz was also produced.
Eberhard Klagemann was a German film producer. During the 1930s, he worked for UFA as an assistant producer under Erich Pommer and later for 20th Century Fox's German subsidiary. Following the Second World War, Klagemann was issued a license to make films by Pommer, now Film Control Officer for the Allied occupiers of Germany. Pommer judged that he along with several other old colleagues had avoided becoming too closely involved with the Nazi regime: "Certainly all of them have been proven to be no Nazis. Eberhard Klagemann seems to have been cleverly able to also stay away from the Nazis. He surely is an opportunist and therefore should be handled with care. Too bad, because he knows more about our business than all the others".
Black Roses is a 1935 German historical drama film directed by Paul Martin and starring Lilian Harvey, Willy Fritsch and Willy Birgel. A separate English-language version Black Roses was also made with Harvey reprising her role opposite Esmond Knight. She also starred in a French version. The film was Harvey's comeback in German cinema, following her attempt to at Hollywood and then British films. One source suggested that Harvey paid for the English version of the film to be made out of her own money, as she still hoped to break into the English-speaking market.
Quick is a 1932 German comedy film directed by Robert Siodmak and starring Lilian Harvey, Hans Albers and Paul Hörbiger. A separate French-language version was made, also directed by Siodmak and starring Harvey. The film is based on a play by Félix Gandéra. It was made by Germany's largest company UFA at the Babelsberg Studios, with sets by art director Erich Kettelhut. It premiered at the Ufa-Palast am Zoo. A separate French-language film Quick featuring Harvey was also produced.
The Empress and I is a 1933 German musical comedy film directed by Friedrich Hollaender and starring Lilian Harvey, Mady Christians and Conrad Veidt. It is also known by the alternative title of The Only Girl. The film was produced as a multi-language version. Moi et l'impératrice a separate French-language version was released as well as The Only Girl in English. The multilingual Harvey played the same role in all three films.
The Only Girl is a 1933 British-German musical film directed by Friedrich Hollaender and starring Lilian Harvey, Charles Boyer, and Mady Christians. It is the English-language version of The Empress and I which also starred Harvey and Christians. It was the last in a series of MLV co-productions between UFA and Gainsborough Pictures. It was released in the United States in 1934 by Fox Film.
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- ↑ Bergfelder & Cargnelli p. 49
