The Love of the Nightingale

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The Love of the Nightingale is a play by Timberlake Wertenbaker, commissioned for the Royal Shakespeare Company and first performed in 1988 at The Other Place, Stratford. [1] It is an adaptation of the Ancient Greek legend of the rape of Philomela by her brother-in-law Tereus, and the gruesome revenge undertaken by Philomela and her sister Procne. The play takes a feminist look at the ancient tale.

Contents

Synopsis

The King of Athens, Pandion I, fights a war with Thebes over land. The King of Thrace, Tereus, helps out Pandion, and in return, Pandion allows Tereus to marry Procne, one of his two daughters. Procne obeys reluctantly. She is not attracted to her taciturn soldier of a husband, and she dreads being parted from her beloved and spirited sister Philomele. When she reaches Thrace, she struggles to adjust to life, as the women assigned to her have none of the cultural interests she has grown up with in Athens. She asks Tereus to return to Athens and bring her sister, Philomele, to come and see her, as she is the only one who understands her.

Tereus travels to Athens and takes Philomele on his ship. From an early stage, there are danger signals that Tereus is sexually attracted to his sister-in-law. Though Philomele herself is initially unaware of his interest, both her older servant and chaperone Niobe and the sailors can see the warning signs. After a while, Tereus starts finding ways to slow down their journey, to give him more time to try to seduce Philomele. As she finally realizes his intentions, she desperately reaches out to the Captain of the ship, a quiet, gentle man, in hopes of escape. But when Tereus finds them together, he angrily kills the Captain. In order to make her weak and vulnerable, Tereus now informs Philomele untruthfully that Procne has died during his absence. When Philomele continues to resist his advances, he rapes her. Later, due to her determination to rebel and inform her sister, who she has worked out by now is not dead, he cuts out her tongue.

On his return home, Tereus informs Procne that Philomele was drowned on the journey. Five years pass.

Philomele has in fact been living in isolation for 5 years, and has seen nobody except the king (who initially visited her occasionally), Niobe and Niobe's servant. Niobe takes her to the annual Bachann/Dionysian festival, which is the only day of the year in which the women can drink and run wild. Using large dolls she has made, Philomele performs a re-enactment of the rape in order to inform Procne that she is alive and of what Tereus has done. In revenge, Procne kills her own young son with Tereus, Itys. As Tereus begins to chase the women, his intent being to kill them, the gods turn Procne into a swallow, Tereus into a hoopoe and Philomele into a nightingale.

Productions

In 2012, Progress Theatre put on a youth production of the play. [2] Several songs were written specifically for the production. The production was most praised for the way it involved youths in the conversation on rape culture and allowed them to explore adult themes that are conventionally tabooed. A 2014 production by Constellation Theatre Company of Washington DC featured an original musical score by Tom Teasley, which has been recorded and issued on CD.

In 2021, Theatreworks (Melbourne) put on a production of the play. The audience was seated in small groups in Perspex boxes around a central stage, due to the COVID-19 restrictions in place in Melbourne at the time. [3] [4]

Adaptations

The 2007 opera of the same name by Australian composer Richard Mills is based on this play.

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In Greek mythology, Itys is a minor mythological character, the son of Tereus, a king of Thrace, by his Athenian wife Procne. Itys was murdered by his own mother and served to be consumed during dinner by his father, as part of a revenge plan against Tereus over him assaulting and raping Philomela, Procne's sister. His immediate family were all transformed into birds afterwards, and in some versions Itys too joins them in the avian kingdom. Itys' story survives in several accounts, the most extensive and famous among them being Ovid's Metamorphoses. His myth had been known since at least the sixth century BC.

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Procne or Progne is a minor figure in Greek mythology. She was an Athenian princess as the elder daughter of a king of Athens named Pandion. Procne was married to the king of Thrace, Tereus, who instead lusted after her sister Philomela. Tereus forced himself on Philomela and locked her away. When Procne discovered her sister and her gruesome fate, she took revenge against her husband by murdering their only child, a young boy named Itys. Procne's story serves as an origin myth for the nightingale.

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<span class="mw-page-title-main">Chelidon (mythology)</span> Greek mythological figure

In Greek mythology, Chelidon is a minor figure, a noblewoman from either the city of Miletus or Colophon in an Anatolian variant of the story of Philomela, though she might have had an independent origin in Attica.

<i>Procne and Itys</i> (sculpture) Sculpture from the Acropolis of Athens

The statue of Procne and Itys is a Greek marble sculpture of the fifth century BC which once adorned the Acropolis of Athens, created by sculptor Alcamenes. The statue depicts the Athenian princess Procne about to strike her own son Itys dead as revenge against her husband Tereus. It was discovered near the temple of Athena-Nike during the early nineteenth century, and it is now exhibited in the Acropolis Museum of Athens, in Greece.

References

  1. Bush, Sophie (University of Sheffield) (Autumn 2009). "The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker". Forum (9). University of Edinburgh.
  2. The Love of the Nightingale, Progress Theatre
  3. Woodhead, Cameron (2021-01-07). "For the Love of the Nightingale by Theatre Works is savage yet timely". The Age. Retrieved 2023-09-22.
  4. "The Love of the Nightingale". Jaya Berged. 2021-02-01. Retrieved 2023-09-22.