The Love of the Nightingale is a play by Timberlake Wertenbaker, commissioned for the Royal Shakespeare Company and first performed in 1988 at The Other Place, Stratford. [1] It is an adaptation of the Ancient Greek legend of the rape of Philomela by her brother-in-law Tereus, and the gruesome revenge undertaken by Philomela and her sister Procne. The play takes a feminist look at the ancient tale.
The King of Athens, Pandion I, fights a war with Thebes over land. The King of Thrace, Tereus, helps out Pandion, and in return, Pandion allows Tereus to marry Procne, one of his two daughters. Procne obeys reluctantly. She is not attracted to her taciturn soldier of a husband, and she dreads being parted from her beloved and spirited sister Philomele. When she reaches Thrace, she struggles to adjust to life, as the women assigned to her have none of the cultural interests she has grown up with in Athens. She asks Tereus to return to Athens and bring her sister, Philomele, to come and see her, as she is the only one who understands her.
Tereus travels to Athens and takes Philomele on his ship. From an early stage, there are danger signals that Tereus is sexually attracted to his sister-in-law. Though Philomele herself is initially unaware of his interest, both her older servant and chaperone Niobe and the sailors can see the warning signs. After a while, Tereus starts finding ways to slow down their journey, to give him more time to try to seduce Philomele. As she finally realizes his intentions, she desperately reaches out to the Captain of the ship, a quiet, gentle man, in hopes of escape. But when Tereus finds them together, he angrily kills the Captain. In order to make her weak and vulnerable, Tereus now informs Philomele untruthfully that Procne has died during his absence. When Philomele continues to resist his advances, he rapes her. Later, due to her determination to rebel and inform her sister, who she has worked out by now is not dead, he cuts out her tongue.
On his return home, Tereus informs Procne that Philomele was drowned on the journey. Five years pass.
Philomele has in fact been living in isolation for 5 years, and has seen nobody except the king (who initially visited her occasionally), Niobe and Niobe's servant. Niobe takes her to the annual Bachann/Dionysian festival, which is the only day of the year in which the women can drink and run wild. Using large dolls she has made, Philomele performs a re-enactment of the rape in order to inform Procne that she is alive and of what Tereus has done. In revenge, Procne kills her own young son with Tereus, Itys. As Tereus begins to chase the women, his intent being to kill them, the gods turn Procne into a swallow, Tereus into a hoopoe and Philomele into a nightingale.
In 2012, Progress Theatre put on a youth production of the play. [2] Several songs were written specifically for the production. The production was most praised for the way it involved youths in the conversation on rape culture and allowed them to explore adult themes that are conventionally tabooed. A 2014 production by Constellation Theatre Company of Washington DC featured an original musical score by Tom Teasley, which has been recorded and issued on CD.
In 2021, Theatreworks (Melbourne) put on a production of the play. The audience was seated in small groups in Perspex boxes around a central stage, due to the COVID-19 restrictions in place in Melbourne at the time. [3] [4]
The 2007 opera of the same name by Australian composer Richard Mills is based on this play.
Thrace is a geographical and historical region in Southeast Europe. Bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east, it comprises present-day southeastern Bulgaria, northeastern Greece, and the European part of Turkey, roughly the Roman Province of Thrace. Lands also inhabited by ancient Thracians extended in the north to modern-day Northern Bulgaria and Romania and to the west into Macedonia.
Titus Andronicus is a tragedy by William Shakespeare, believed to have been written between 1588 and 1593. It is thought to be Shakespeare's first tragedy and is often seen as his attempt to emulate the violent and bloody revenge plays of his contemporaries, which were extremely popular with audiences throughout the 16th century.
Aëdon was in Greek mythology, the daughter of Pandareus of Ephesus. According to Homer, she was the wife of Zethus, and the mother of Itylus. Aëdon features in two different stories, one set in Thebes and one set in Western Asia Minor, both of which contain filicide and explain the origin of the nightingale, a bird in constant mourning.
In some stories from Greek mythology, Itylus or Itylos was the son of Aedon, who was the daughter of Pandareus of Ephesus and the wife of King Zethus of Thebes.
In Greek mythology, Tereus was a Thracian king, the son of Ares and the naiad Bistonis. He was the brother of Dryas. Tereus was the husband of the Athenian princess Procne and the father of Itys.
Philomela or Philomel is a minor figure in Greek mythology who is frequently invoked as a direct and figurative symbol in literary and artistic works in the Western canon.
In Greek mythology, Itys is a minor mythological character, the son of Tereus, a king of Thrace, by his Athenian wife Procne. Itys was murdered by his own mother and served to be consumed during dinner by his father, as part of a revenge plan against Tereus over him assaulting and raping Philomela, Procne's sister. His immediate family were all transformed into birds afterwards, and in some versions Itys too joins them in the avian kingdom. Itys' story survives in several accounts, the most extensive and famous among them being Ovid's Metamorphoses. His myth had been known since at least the sixth century BC.
The Rape of Lucrece (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, The Rape of Lucrece has a serious tone throughout.
In Greek mythology, Pandion I was a legendary King of Athens, the son and heir to Erichthonius of Athens and his wife, the naiad Praxithea. Through his father, he was the grandson of the god Hephaestus.
Timberlake Wertenbaker is a British-based playwright, screenplay writer, and translator who has written plays for the Royal Court, the Royal Shakespeare Company and others. She has been described in The Washington Post as "the doyenne of political theatre of the 1980s and 1990s".
Daulis, at a later time Daulia (Δαυλία), and also Daulium or Daulion (Δαύλιον), was a town of ancient Phocis, near the frontiers of Boeotia, and on the road from Orchomenus and Chaeroneia to Delphi.
In Greek mythology, Harpalyce is a name attributed to four women.
The Love of the Nightingale is an opera in two acts by Richard Mills. The libretto by Timberlake Wertenbaker is based on her play of the same name. It is an adaptation of the ancient Greek legend of the rape of Philomela by her brother-in-law Tereus, and the gruesome revenge undertaken by Philomela and her sister Procne.
Tereus is a lost Greek play by the Athenian poet Sophocles. Although fragments have long been known, the discovery of a synopsis among the Oxyrhynchus Papyri has allowed an attempt at a reconstruction. Although the date that the play was first produced is not known, it is known that it was produced before 414 BCE, because the Greek comedic playwright Aristophanes referenced Tereus in his play The Birds, which was first performed in 414. Thomas B. L. Webster dates the play to near but before 431 BCE, based on circumstantial evidence from a comment Thucydides made in 431 about the need to distinguish between Tereus and the King of Thrace, Teres, which Webster believes was made necessary by the popularity of Sophocles play around this time causing confusion between the two names. Based on references in The Birds it is also known that another Greek playwright, Philocles, had also written a play on the subject of Tereus, and there is evidence both from The Birds and from a scholiast that Sophocles' play came first.
Procne or Progne is a minor figure in Greek mythology. She was an Athenian princess as the elder daughter of a king of Athens named Pandion. Procne was married to the king of Thrace, Tereus, who instead lusted after her sister Philomela. Tereus forced himself on Philomela and locked her away. When Procne discovered her sister and her gruesome fate, she took revenge against her husband by murdering their only child, a young boy named Itys. Procne's story serves as an origin myth for the nightingale.
Pandion was the eponymous hero of the Attic tribe Pandionis, which was created as part of the tribal reforms of Cleisthenes at the end of the sixth century BC. He is usually assumed to be one of the two legendary kings of Athens, Pandion I or Pandion II.
In Greek mythology, Pandion may refer to the following characters:
Rape in Greek mythology is a common motif. The struggle to escape from sexual pursuit is one of the most popular motifs of classical mythology. In the poem Ode on a Grecian Urn, Keats writes:
In Greek mythology, Chelidon is a minor figure, a noblewoman from either the city of Miletus or Colophon in an Anatolian variant of the story of Philomela, though she might have had an independent origin in Attica.
The statue of Procne and Itys is a Greek marble sculpture of the fifth century BC which once adorned the Acropolis of Athens, created by sculptor Alcamenes. The statue depicts the Athenian princess Procne about to strike her own son Itys dead as revenge against her husband Tereus. It was discovered near the temple of Athena-Nike during the early nineteenth century, and it is now exhibited in the Acropolis Museum of Athens, in Greece.