The Lovers | |
---|---|
Directed by | Giacomo Gentilomo |
Written by | Gaspare Cataldo Giacomo Gentilomo F. Saranzi |
Starring | Gino Bechi |
Cinematography | Anchise Brizzi |
Music by | Ezio Carabella |
Release date |
|
Running time | 90 minutes |
Country | Italy |
Language | Italian |
The Lovers (Italian : Amanti in fuga) is a 1946 Italian historical melodrama film directed by Giacomo Gentilomo. It was entered into the 1946 Cannes Film Festival. [1]
My Voyage to Italy is a personal documentary by acclaimed Italian-American director Martin Scorsese. The film is a voyage through Italian cinema history, marking influential films for Scorsese and particularly covering the Italian neorealism period.
Terminal Station is a 1953 romantic drama film directed and produced by Vittorio De Sica and starring Jennifer Jones, Montgomery Clift, and Richard Beymer in his debut role. It tells the story of the love affair between a married American woman and an Italian intellectual. The title refers to the Roma Termini railway station in Rome, where the film takes place. The film was entered into the 1953 Cannes Film Festival.
House of Strangers is a 1949 American black-and-white drama film directed by Joseph L. Mankiewicz and starring Edward G. Robinson, Susan Hayward, and Richard Conte. The screenplay by Philip Yordan and Mankiewicz is the first of three film versions of Jerome Weidman's novel I'll Never Go There Any More, the others being the Spencer Tracy western Broken Lance (1954) and The Big Show (1961).
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The Working Class Goes to Heaven, released in the US as Lulu the Tool, is a 1971 Italian satirical political drama film directed by Elio Petri. It depicts a factory worker's realisation of his own condition as a simple tool in the process of production. The film was awarded the Grand Prix du Festival International du Film at the 25th Cannes Film Festival, sharing it with Francesco Rosi's The Mattei Affair.
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Maddalena is a 1954 French-Italian melodrama film directed by Augusto Genina and starring Märta Torén, Gino Cervi and Charles Vanel. It was entered into the 1954 Cannes Film Festival. It was shot in Technicolor. The film's sets were designed by the art director Ottavio Scotti.
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