Julius Henry "Groucho" Marx was an American comedian, actor, writer, and singer who performed in film and vaudeville and on television, radio, and the stage. He was a master of quick wit and is considered one of America's greatest comedians.
The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in 14 motion pictures from 1905 to 1949. Five of the Marx Brothers' fourteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them, Duck Soup (1933) and A Night at the Opera (1935), in the top fifteen. They are widely considered by critics, scholars and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years... 100 Stars list of the 25 greatest male stars of Classical Hollywood cinema, the only performers to be included collectively.
Animal Crackers is a 1930 American pre-Code Marx Brothers comedy film directed by Victor Heerman. The film stars the Marx Brothers,, with Lillian Roth and Margaret Dumont, based on the Marxes Broadway musical of the same name. Mayhem and zaniness ensue during a weekend party in honor of famed African explorer Captain Jeffrey T. Spaulding. A critical and commercial success upon its initial release, Animal Crackers was shot at Paramount's Astoria Studios in Astoria, Queens, the second film the Brothers would make in New York City.
Duck Soup is a 1933 American pre-Code musical black comedy film written by Bert Kalmar and Harry Ruby, with additional dialogue by Arthur Sheekman and Nat Perrin, directed by Leo McCarey. Released by Paramount Pictures on November 17, 1933, it stars the Marx Brothers and also features Margaret Dumont, Louis Calhern, Raquel Torres and Edgar Kennedy. Duck Soup was the last of the five Marx Brothers films released by Paramount Pictures. Groucho portrays the newly installed president of the fictional country of Freedonia. Zeppo is his secretary, while Chico and Harpo are spies for the neighboring country of Sylvania. Relations between Groucho and the Sylvanian ambassador deteriorate during the film, and the two countries go to war at the conclusion.
Arthur "Harpo" Marx was an American comedian, actor, mime artist, and harpist, and the second-oldest of the Marx Brothers. In contrast to the mainly verbal comedy of his brothers Groucho and Chico, Harpo's comic style was visual, being an example of vaudeville, clown and pantomime traditions. He wore a curly reddish blond wig and was silent in all his movie appearances, instead blowing a horn or whistling to communicate. Marx frequently employed props such as a horn cane constructed from a lead pipe, tape, and a bulbhorn.
Leonard Joseph "Chico" Marx was an American comedian, actor and pianist. He was the oldest brother in the Marx Brothers comedy troupe, alongside his brothers Arthur ("Harpo"), Julius ("Groucho"), Milton ("Gummo") and Herbert ("Zeppo"). His persona in the act was that of a charming, uneducated but crafty con artist, seemingly of rural Italian origin, who wore shabby clothes and sported a curly-haired wig and Tyrolean hat. On screen, Chico is often in alliance with Harpo, usually as partners in crime, and is also frequently seen trying to con or outfox Groucho. Leonard was the oldest of the Marx Brothers to live past early childhood, the first-born being Manfred Marx who had died in infancy. In addition to his work as a performer, he played an important role in the management and development of the act in its early years.
Herbert Manfred "Zeppo" Marx was an American comedic actor. He was the youngest and last survivor of the five Marx Brothers. He appeared in the first five Marx Brothers feature films from 1929 to 1933, and then left the act for careers as an engineer and theatrical agent.
Susan Alva Fleming was an American actress and the wife of comic actor Harpo Marx and sister in law to Groucho, Chico, Zeppo and Gummo. Fleming was known as the "Girl with the Million Dollar Legs" for a role she played in the W. C. Fields film Million Dollar Legs (1932). Her big stage break, which led to her Hollywood career, was as a Ziegfeld girl, performing in Rio Rita.
Rankin/Bass Animated Entertainment was an American production company located in New York City, and known for its seasonal television specials, usually done in stop motion animation. Rankin/Bass's stop-motion productions are recognizable by their visual style of doll-like characters with spheroid body parts and ubiquitous powdery snow using an animation technique called Animagic.
At the Circus is a 1939 comedy film starring the Marx Brothers released by Metro-Goldwyn-Mayer in which they help save a circus from bankruptcy. The film contains Groucho Marx's classic rendition of "Lydia the Tattooed Lady". The supporting cast includes Florence Rice, Kenny Baker, Margaret Dumont, and Eve Arden. The songs, including "Lydia the Tattooed Lady", "Two Blind Loves", and "Step Up and Take a Bow", were written by the team of Harold Arlen and Yip Harburg, who'd recently furnished the songs from another MGM film that same year, The Wizard of Oz.
The Cocoanuts is a 1929 pre-Code musical comedy film starring the Marx Brothers. Produced for Paramount Pictures by Walter Wanger, who is not credited, the film also stars Mary Eaton, Oscar Shaw, Margaret Dumont and Kay Francis. The first sound film to credit more than one director, it was adapted to the screen by Morrie Ryskind from the George S. Kaufman Broadway musical play. Five of the film's tunes were composed by Irving Berlin, including "When My Dreams Come True", sung by Oscar Shaw and Mary Eaton.
Monkey Business is a 1931 American pre-Code comedy film. It is the third of the Marx Brothers' released movies, and the first with an original screenplay rather than an adaptation of one of their Broadway shows. The film also features Thelma Todd, Harry Woods and Ruth Hall. It is directed by Norman Z. McLeod with screenplay by S. J. Perelman and Will B. Johnstone. Much of the story takes place on an ocean liner crossing the Atlantic Ocean.
Mushi Production or Mushi Pro for short, is a Japanese animation studio headquartered in Fujimidai, Nerima, Tokyo, Japan. It previously had a headquarters elsewhere in Nerima.
Flywheel, Shyster, and Flywheel is a situation comedy radio show starring two of the Marx Brothers, Groucho and Chico, and written primarily by Nat Perrin and Arthur Sheekman. The series was originally broadcast in the United States on the National Broadcasting Company's Blue Network, beginning on November 28, 1932, and ending on May 22, 1933. Sponsored by the Standard Oil Companies of New Jersey, Pennsylvania and Louisiana and the Colonial Beacon Oil Company, it was the Monday night installment of the Five-Star Theater, an old-time radio variety series that offered a different program each weeknight. Episodes were broadcast live from NBC's WJZ station in New York City and later from a sound stage at RKO Pictures in Los Angeles, California, before returning to WJZ for the final episodes.
I'll Say She Is (1924) is a musical comedy revue written by brothers Will B. Johnstone and Tom Johnstone (music). It was the Broadway debut of the Marx Brothers. The initial production premiered in June 1923 at Walnut Street Theatre in Philadelphia, Pennsylvania before its national tour.
Bruce Stark was an American artist noted for his caricatures of entertainment and sports figures.
The Hillcrest Round Table, or "Comedian's Round Table", was a group of Jewish comedians who met daily at a particular round table at the Men's Grill of the Hillcrest Country Club in Los Angeles. The group included :
Hillcrest Country Club is a private country club located on the west side of Los Angeles, California. Founded in 1920, it is a historically Jewish country club and was established at a time when Jewish members were excluded from other elite social clubs in the city.
The Cocoanuts is a musical with music and lyrics by Irving Berlin and a book by George S. Kaufman, with additional text by Morrie Ryskind.
American-Jewish comedy is, in part, a continuation of the traditional role of humor in Jewish culture among historical and contemporary American performers. It has appealed to both Jewish and wider mainstream audiences. At various times in American history, the field of comedy has been dominated by Jewish comedians.
