| The Mad Night | |
|---|---|
 | |
| Directed by | Robert Bibal |
| Written by | Félix Gandéra André Mouëzy-Éon (play) |
| Produced by | Léon Poirier |
| Cinematography | Robert Batton Georges Million |
| Music by | Marcel Pollet |
Production company | Films Léon Poirier |
Release date |
|
Running time | 84 minutes |
| Country | France |
| Language | French |
The Mad Night (French: La folle nuit) is a 1932 French comedy film directed by Robert Bibal. [1]
The film's sets were designed by the art director Robert-Jules Garnier.
The Comic Strip are a group of British comedians who came to prominence in the 1980s. They are known for their television series The Comic Strip Presents..., which was labelled as a pioneering example of the alternative comedy scene. The core members are Adrian Edmondson, Dawn French, Rik Mayall, Nigel Planer, Peter Richardson and Jennifer Saunders, with appearances by Keith Allen, Robbie Coltrane, Alexei Sayle and others.
Charles McGraw was an American stage, film and television actor whose career spanned more than three decades.
Yellowbeard is a 1983 American comedy film directed by Mel Damski and written by Graham Chapman, Peter Cook, Bernard McKenna, and David Sherlock, with an ensemble cast featuring Chapman, Cook, Peter Boyle, Cheech & Chong, Martin Hewitt, Michael Hordern, Eric Idle, Madeline Kahn, James Mason, and John Cleese, and the final cinematic appearances of Marty Feldman, Spike Milligan, and Peter Bull.
Christina Rene Hendricks is an American actress and former model. With an extensive career on screen and stage, she has received various accolades, including six Primetime Emmy Award nominations, two Screen Actors Guild Awards, and two Critics' Choice Awards for Best Supporting Actress in a Drama Series. She is known for her role as Joan Harris in the critically acclaimed AMC drama series Mad Men. In 2010, a poll of female readers taken by Esquire magazine named her "the sexiest woman in the world". She was also voted "Best Looking Woman in America".
Tender Is the Night is a 1962 American film directed by Henry King and starring Jennifer Jones and Jason Robards, Jr. King's last film, it is based on the 1934 novel of the same name by F. Scott Fitzgerald.
Her Awakening is a 1911 American short silent drama film starring Mabel Normand and directed by D. W. Griffith. Normand portrays a vivaciously effervescent young woman ashamed to introduce her poorly dressed mother to her elegant suitor. This early drama helped launch Normand's career and is believed to have been her second film and first substantial role. The supporting cast features Harry Hyde, Kate Bruce, Donald Crisp and Robert Harron.
The Farm of Seven Sins is a 1949 French historical drama film directed by Jean Devaivre and starring Jacques Dumesnil, Claude Génia and Aimé Clariond.
The Night of Queen Isabeau is a 1920 German silent historical drama film directed by Robert Wiene and starring Fern Andra, Fritz Kortner, Hans Heinrich von Twardowski and Elsa Wagner. The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau. It was shot at the Babelsberg Studios in Berlin. The film is now considered a lost film, but contemporary reviews praised Wiene's direction. The story revolves around insanity, a common theme in his films.
The Red Head is a 1932 French drama film directed by Julien Duvivier and starring Harry Baur, Robert Lynen and Louis Gauthier. It is a remake of Duvivier's 1925 silent film The Red Head.
Night in December is a 1940 French drama film directed by Curtis Bernhardt and starring Pierre Blanchar, Renée Saint-Cyr and Gilbert Gil. It was shot at the Billancourt Studios in Paris. The film's sets were designed by the art directors Henri Ménessier and Jean d'Eaubonne. It was Bernhardt's last French film before he left the country for America. It was given a re-release by DisCina in 1949.
Sailor's Song is a 1932 French comedy film directed by Carmine Gallone and starring Albert Préjean, Jim Gérald and Lolita Benavente. The film's sets were designed by the art director Serge Piménoff.
The Night Is Ours is a 1930 German drama film directed by Roger Lion, Carl Froelich and Henry Roussel and starring Marie Bell, Henry Roussel and Jean Murat. It was made in Berlin as the French-language version of the 1929 German film The Night Belongs to Us. It was shot at the Tempelhof Studios of UFA.
Caught in the Act is a 1931 German comedy film directed by Hanns Schwarz and Georges Tréville and starring Blanche Montel, Henri Garat, and Ralph Arthur Roberts. It was produced by UFA, as the French-language version of the studio's film Burglars. Such multiple-language versions were common in the early years of sound before dubbing became widespread.
Black and White is a 1931 French comedy film directed by Marc Allégret and Robert Florey and starring Raimu, André Alerme and Louis Baron fils. Described as a "feeble racist comedy" it was the feature screen debut to the comedian Fernandel. It is an adaptation of the 1922 play of the same title by Sacha Guitry, who wrote the screenplay.
André Paulvé was a French film producer. He established his own production and distribution company DisCina with Michel Safra in 1938. During the German Occupation of France after 1940 he based himself at Nice in the Unoccupied Zone. He was a pioneer in co-productions with Italy, establishing a link with the Cinecitta Studios in Rome.
Oh, What a Night! is a 1926 American silent comedy film directed by Lloyd Ingraham and starring Raymond McKee, Edna Murphy, and Charles K. French.
Marcel Pérès (1898–1974) was a French film actor who acted prolifically during his long career. He was a character actor often playing smaller, supporting roles.
Francinex was a French film production and distribution company active from the 1930s to the 1960s. It had its roots in Italian production interests before the Second World War, who were able to continue during the conflict due to film agreements between Mussolini's Italy and Vichy France. The company was part of the Filmsonor-Cinedis group, but then passed under the direct control of the Italian producer Angelo Rizzoli in 1951. It was involved in many post-war co-productions with Italy including the popular Don Camillo series as well as the Fellini films Boccaccio '70 (1962) and 8½ (1963).
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