The Merry Widow is an operetta by Franz Lehár.
The Merry Widow may also refer to:
Ballet
Films
A fugitive is a person fleeing from arrest.
Pygmalion or Pigmalion may refer to:
Camille may refer to:
Franz Lehár was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is The Merry Widow.
The can-can is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s, continuing in popularity in French cabaret to this day. Originally danced by couples, it is now traditionally associated with a chorus line of female dancers. The main features of the dance are the vigorous manipulation of skirts and petticoats, along with high kicks, splits, and cartwheels.
The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, L'attaché d'ambassade by Henri Meilhac.
The Land of Smiles is a 1929 romantic operetta in three acts by Franz Lehár. The German language libretto was by Ludwig Herzer and Fritz Löhner-Beda. The performance duration is about 100 minutes.
In women's clothing, a corselet or corselette is a type of foundation garment, sharing elements of both bras and girdles. It extends from straps over the shoulders down the torso, and stops around the top of the legs. It may incorporate lace in front or in back. As an undergarment, a corselet can be open-style or panty-style.
Cinderella is a classic fairy tale.
A serenade, in its most general sense, is a musical composition and/or performance intended to honour an individual. It may also refer to:
Bluebeard is the title character in a 1697 fairy tale by Charles Perrault.
The Last Waltz is the 1976 final concert by The Band and a 1978 film documenting the concert.
The Merry Widow is a 1925 American silent romantic drama/black comedy film directed and written by Erich von Stroheim. Released by Metro-Goldwyn-Mayer, the film stars Mae Murray, John Gilbert, Roy D'Arcy, and Tully Marshall, with pre-fame uncredited appearances by Joan Crawford and Clark Gable.
Marta Eggerth was a Hungarian actress and singer from "The Silver Age of Operetta". Many of the 20th century's most famous operetta composers, including Franz Lehár, Fritz Kreisler, Robert Stolz, Oscar Straus, and Paul Abraham, composed works especially for her.
The Merry Widow is a 1934 film adaptation of the 1905 operetta of the same name by Franz Lehár. The film was directed and produced by Ernst Lubitsch starring Maurice Chevalier and Jeanette MacDonald with a supporting cast featuring Edward Everett Horton, Una Merkel, Sterling Holloway, Donald Meek, Jason Robards Sr. and Akim Tamiroff. A French-language version was produced at the same time and released in France the same year as La Veuve joyeuse with some but not all of the same cast. Lorenz Hart and Gus Kahn wrote new English lyrics for some Lehar songs under the musical direction of Herbert Stothart.
The Merry Widow is a 1962 Austrian-French musical film directed by Werner Jacobs and starring Peter Alexander, Karin Hübner and Gunther Philipp. It is based on the 1905 operetta The Merry Widow by Franz Lehár.
Operetta films are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas.
Josef Zygmunt Szulc was a composer and conductor. He also used the pseudonym Jan Sulima.
Mademoiselle Modiste is a 1926 silent romance produced by and starring Corinne Griffith and distributed by First National Pictures. Robert Z. Leonard directed Griffith in a story based on a popular 1905 Victor Herbert operetta on Broadway, Mlle. Modiste, with a libretto by Henry Martyn Blossom, which was similar to the MGM film The Merry Widow. It is now considered a lost film.
The Merry Farmer may refer to: