The Middle Passage (film)

Last updated
The Middle Passage
Passage du milieu.jpg
French Passage du milieu
Directed by Guy Deslauriers
Screenplay by Patrick Chamoiseau
Story byClaude Chonville
Produced byYasmina Ho-You-Fat
Starring Maka Kotto
CinematographyJacques Boumendil
Edited byAïlo Auguste
Music by Amos Coulanges
Distributed byLes films du Raffia
Release dates
  • September 9, 2000 (2000-09-09)(Toronto International Film Festival)
  • February 14, 2001 (2001-02-14)
Running time
85 minutes
Countries Martinique, Senegal, France
LanguageFrench

The Middle Passage (French : Passage du milieu) is a 2000 docudrama film directed by Guy Deslauriers about the trans-Atlantic voyage of black slaves from the West Coast of Africa to the Caribbean, a part of the triangular slave trade route called the Middle Passage. It portrays the transportation of slaves from Senegal to the sugar plantations of Martinique and the miserable and often fatal conditions on board the slave ship. The script is by Patrick Chamoiseau based on a scenario by Claude Chonville. [1] [2] It was a Martinique-Senegal-France co-production and was screened at the 2000 Toronto International Film Festival. [3]

Contents

The film has no dialogue, only a voice-over, spoken by Maka Kotto. [2] [3] Visually, it presents disconnected, slow-motion views of the slaves to evoke both their suffering and the resistance it produced, the source of the blues [2] and of West Indian identity. [4] When it was generally released in February 2001, the reviewer for La Libération said that it successfully occupied a territory "somewhere between the fiction of phantoms and the documentary of fantasies". [5] The reviewer for Le Monde judged it "a brave but ultimately unsuccessful attempt" to fill the "[cinematic] void" on this subject. [6]

See also

Related Research Articles

<span class="mw-page-title-main">History of Senegal</span>

The history of Senegal is commonly divided into a number of periods, encompassing the prehistoric era, the precolonial period, colonialism, and the contemporary era.

<span class="mw-page-title-main">Alain Finkielkraut</span> French philosopher (born 1949)

Alain Luc Finkielkraut is a French essayist, radio producer, and public intellectual. Since 1986, he has been the host of Répliques, a talk show broadcast weekly on France Culture. He was elected a Fellow of the Académie Française in 2014.

<span class="mw-page-title-main">Patrick Chamoiseau</span> Martiniquais writer (born 1953)

Patrick Chamoiseau is a French author from Martinique known for his work in the créolité movement. His work spans a variety of forms and genres, including novels, essays, children's books, screenplays, theatre and comics. His novel Texaco was awarded the Prix Goncourt in 1992.

<span class="mw-page-title-main">Alain Tanner</span> Swiss film director (1929–2022)

Alain Tanner was a Swiss film director.

<span class="mw-page-title-main">Édouard Glissant</span> French writer, poet, philosopher and literary critic

Édouard Glissant was a French writer, poet, philosopher, and literary critic from Martinique. He is an influential figure in Caribbean thought and cultural commentary and Francophone literature.

The Franco-Trarzan War of 1825 was a conflict between the forces of the new emir of Trarza, Muhammad al Habib, and France, ruled at the time by Charles X and the ultra comte de Villèle. In 1825, Muhammad attempted to establish control over the French-protected Waalo Kingdom, then located south of the Senegal River, by marrying the heiress to the kingdom. The French responded by sending a large expeditionary force that crushed Muhammad's army. The war incited the French to expand to the north of the Senegal River.

<span class="mw-page-title-main">Danielle Arbid</span> French film director

Danielle Arbid is a French filmmaker of Lebanese origin who has been directing films since 1997.

<span class="mw-page-title-main">Laurent Cantet</span> French director, cinematographer and screenwriter (1961–2024)

Laurent Cantet was a French director, cinematographer and screenwriter. His film Entre les murs won the top prize at the Cannes Film Festival in 2008.

In December 1984, Haidallah was deposed by Colonel Maaouya Ould Sid'Ahmed Taya, who, while retaining tight military control, relaxed the political climate. Ould Taya moderated Mauritania's previous pro-Algerian stance, and re-established ties with Morocco during the late 1980s. He deepened these ties during the late 1990s and early 2000s as part of Mauritania's drive to attract support from Western states and Western-aligned Arab states. Mauritania has not rescinded its recognition of Polisario's Western Saharan exile government and remains on good terms with Algeria. Its position on the Western Sahara conflict has been, since the 1980s, one of strict neutrality.

<span class="mw-page-title-main">Michel Brault</span> Canadian filmmaker

Michel Brault, OQ was a Canadian cinematographer, cameraman, film director, screenwriter, and film producer. He was a leading figure of Direct Cinema, characteristic of the French branch of the National Film Board of Canada in the 1960s. Brault was a pioneer of the hand-held camera aesthetic.

<span class="mw-page-title-main">Raymond Depardon</span> French photographer, photojournalist and documentary filmmaker

Raymond Depardon is a French photographer, photojournalist and documentary filmmaker.

<span class="mw-page-title-main">Dominique Cabrera</span> French film director

Dominique Cabrera is a French film director. She has taught filmmaking at La Fémis and at Harvard University. Her film Nadia et les hippopotames was screened in the Un Certain Regard section at the 1999 Cannes Film Festival. Additionally, her work has screened in the Berlinale, the Toronto International Film Festival, the Vienna International Film Festival, the Locarno Film Festival, the Rotterdam Film Festival, and in the New York Film Festival, among others.

<span class="mw-page-title-main">Charles de Meaux</span> French film director and contemporary artist

Charles de Meaux is a French film director and contemporary artist. His work combines fine arts and cinema.

<span class="mw-page-title-main">Jules Carde</span>

Jules Gaston Henri Carde was a French colonial administrator who served as Governor General of French West Africa and then Governor General of Algeria.

<span class="mw-page-title-main">Pierre Anctil</span> Canadian historian

Pierre Anctil is a Canadian historian. He is specialist of the Jewish community of Montreal, of Yiddish literature and of the poetic work of Jacob-Isaac Segal. He also published on the history of immigration to Canada. He translated a dozen Yiddish books into French.

<span class="mw-page-title-main">Fabienne Kanor</span>

Fabienne Kanor is a French journalist, novelist and filmmaker of Martinique origin. She is a winner of the Prix Carbet de la Caraïbe et du Tout-Monde.

<span class="mw-page-title-main">Mohamed Mbougar Sarr</span> Senegalese writer

Mohamed Mbougar Sarr is a Senegalese writer. Raised in Diourbel, Senegal and later studying in France, Sarr is the author of four novels as well as a number of award-winning short stories. He won the 2021 Prix Goncourt for his novel The Most Secret Memory of Men, becoming the first Sub-Saharan African to do so.

<span class="mw-page-title-main">Alain Gomis</span> French-Senegalese film director (born 1972)

Alain Gomis is a French-Senegalese film director and screenwriter. His 2017 film Félicité was selected as the Senegalese entry for the Best Foreign Language Film at the 90th Academy Awards, making the December shortlist.

<span class="mw-page-title-main">Olivier Barlet</span> French journalist, translator, film critic and researcher

Olivier Barlet is a French journalist, translator, film critic and researcher on African cinema and its diasporas.

References

  1. "Le Passage du milieu: entre hommage et justice", Afrik.com, 23 February 2001 (in French)
  2. 1 2 3 Philippe Azoury, "Contre le black-out", La Libération , 14 February 2001 (in French)
  3. 1 2 Peter Howell, "Film festival returns to African roots", Toronto Star , August 20, 2000.
  4. "Mahogany March - Carte blanche à Leonora Miano au musée Dapper" Archived 2013-11-11 at the Wayback Machine , RFI, 30 January 2012, revised 20 February 2012 (in French)
  5. Azoury: "Passage du milieu se situe donc quelque part entre la fiction fantomatique et le documentaire fantasmatique. Ce qui lui va plutôt bien."
  6. Thomas Sotinel, "Ressusciter les images de la traite négrière", Le Monde , 14 February 2001 (in French): "Une tentative courageuse mais inaboutie ... de combler ce vide".