The Milk and Honey Band

Last updated

The Milk And Honey Band are an English rock band formed by singer, songwriter and multi-instrumentalist Robert White (ex-Ring, Levitation and Zag And The Coloured Beads).

Contents

Sound

The music of The Milk And Honey Band is a mixture of pastoral English psychedelic rock, accessible acoustic pop songwriting and space rock, with plentiful use of acoustic guitars and banked vocal harmonies plus extended melodic lead guitar and atmospheric production. XTC's Andy Partridge (the owner of their current record label) has described them as "a bit like The Moody Blues but with more energy and better songs. Or at times like a blissful Who.". [1] Various reviewers have made comparisons to Crowded House, David Gray, Elliott Smith, Ron Sexsmith, The Beatles, The Beach Boys, XTC, Teenage Fanclub, The La's and Nick Drake.

A high proportion of the band's music has been recorded alone by its leader Robert White, who is an accomplished multi-instrumentalist and producer. The band's first album was effectively a Robert White solo recording, while subsequent albums have seen the band grow to a three-piece and eventually a five-piece with varying involvement from other members.

History

Roots in London psychedelia (early 1980s to 1993)

Robert White began his musical career in the south London free festival scene of the 1980s. Working in the psychedelic/experimental genre, he sang backing vocals and played bass guitar and keyboards for various bands, including Zag And The Coloured Beads, Ring, and "jazz punk" band Peru. Many bands in this grouping - such as the Purple People Eaters, The Dave Howard Singers and Cardiacs - interacted and shared members. Another member of Zag And The Coloured Beads was guitarist/bass player Michael Tubb – both he and Ring guitarist Christian Hayes would work with White on future projects.

In 1990, White and Hayes both joined the hotly tipped Levitation, an indie-psychedelic rock band which also featured former House Of Love guitarist Terry Bickers, bass player Joe Allen, violinist Johnny T and drummer David Francolini. White was the band’s keyboard player, third guitarist and main harmony singer: within its collective songwriting format, he also wrote a high proportion of the band’s material.

Levitation recorded three albums and several EPs, and gained a lot of press attention. Severe tensions within the band, however, ensured that it was a relatively short-lived unit. Both Johnny T and Joe Allen left after the first single (the latter was replaced by Laurence O'Keefe), and the mercurial frontman Bickers split very publicly with the band in 1993, to be briefly replaced by Steve Ludwin. By the end of 1994, Levitation had split up and its members went their separate ways (although Hayes, Francolini and O'Keefe would reunite four years later as Dark Star).

Early Milk And Honey Band (1994: Round The Sun)

The Milk And Honey Band began life as a Robert White solo project. It was recorded in between commitments with Levitation - in part, as an antidote to the frustrations of life in that band.

For the initial recordings, White sang lead vocals and played all instruments (drums, guitars, keyboards, bass guitar, mandolin and percussion) and also handled engineering and production. These tracks made up the project’s first album Round The Sun, which was released on Rough Trade Records in 1994. This album was more lo-fi than subsequent recordings, and featured musical elements that would be phased out of later Milk And Honey Band material. Several tracks had light classical or light-instrumental elements (emphasizing a nostalgic tone similar to that sometimes used in progressive rock) or a heavier dark-psychedelia approach.

Building a full band (1996–2000)

Following the collapse of Levitation, White relocated to Brighton and pursued a steady career in commercial music production, while simultaneously building up a stock of Milk And Honey Band songs for future release. In 1996, he presented Rough Trade with material for a new album but found that the label was unable to release it. [2]

Opting to put together a full band, White recruited Richard Yale (bass, acoustic guitar, keyboards and backing vocals) and his former Zag And The Coloured Beads bandmate Michael Tubb (electric and acoustic guitars, keyboards and backing vocals). Both Tubb and Yale have stayed with The Milk and Honey Band ever since.

Regarding the band’s working arrangements, White has commented "I do write the majority of the tunes, but without Richard and Michael's help this group...well, it wouldn't be a group for starters. They keep me sane and generally massage my ego just enough to keep me buoyed without adding too much to the 'ego mountain that is Robert'. It's a bit like the old it's-my-ball-and-I-say-when-you-can-play-with-it syndrome, but as I happen to be the one lucky enough to have a studio at home then most of the recording/rehearsing activities of The Milk & Honey Band happen here." [3]

Return to action (2001 to 2003: Boy From The Moon)

Attempts to sign the band to major labels proved unsuccessful due to the latter's insistence on attempting to reshape and direct the band (on one occasion, even attempting to demote White from the position of lead singer). In order to maintain control, White retreated and chose to write and record songs to his own schedule. [2]

The next sign of Milk And Honey Band activity was in 2001 with the release of the Boy From The Moon album on the small Manchester independent label Uglyman Records. A much more polished effort than its predecessor, the record was atmospheric and detailed with a more spacious production sound. Uglyman's resources were limited and the record had difficulty in reaching a wide audience. However, one copy of the album reached XTC singer Andy Partridge, who was setting up his own record label and invited The Milk and Honey Band to sign to it. [2]

Ape Records years (2004 to 2010)

The Milk And Honey Band signed a distribution deal with Partridge’s label, Ape Records, in 2004 and released a third album The Secret Life Of The Milk And Honey Band. This was in many ways a continuation of the work on the previous album. It contained four reissued songs from Boy From The Moon – the title track, "Sold My Star", "Satellite" and "Junior" (the last of which was retitled "Message")

The band later released two download-only albums via Ape. These were compilations of both previously released and unreleased material. *Crumbs!* Volume One included more Boy From The Moon tracks ("Touched The Sun", "Wonderful", "Can’t Sleep", and an a cappella version of "Sold My Star") as did *Crumbs!* Volume Two ("500 Miles", "You’re The One", "Saved Again" and an acoustic version of "San Francisco").

The Milk And Honey Band played their first low-key acoustic concerts in Brighton in 2004. The band later added two extra members for live concerts - Dan Burke on keyboards, guitar and backing vocals and Christian Parsons (Polak, Astrid Williamson) on drums.

In March 2009, the band released their fourth full album, Dog Eared Moonlight, on Ape Records. At around the same time, Burke and Parsons were confirmed as full members of the band, although much of the music on the album had been recorded by Robert White on his own.

In November 2010, Ape Records released a download-only album "In Colour", comprising twelve tracks recorded at the same time as "Dog Eared Moonlight". Three hundred physical copies of the album were also produced and made available. "In Colour" featured a more integrated full-band approach than Dog Eared Moonlight.

Current activity & Robert White solo work

Since the release of "In Colour", the Milk And Honey Band has been inactive (although no split has been confirmed, and the band has often had quiet periods). In the meantime, Robert White has begun releasing work under his own name.

In December 2010, a Robert White cover version of the Sea Nymphs song "Lily White's Party" (recorded in collaboration with Andy Partridge) appeared on Leader Of The Starry Skies: A Tribute To Tim Smith, Songbook 1 , a fundraising compilation album to benefit the hospitalised Cardiacs/Sea Nymphs leader Tim Smith.

On 13 February 2013, Robert White released a solo cover version of the Gillian Welch song "Everything Is Free" as a video-only single. [4]

In July 2020, Robert White announced the impending release of a new band album on social media. The album "Songs from Truleigh Hill" was released on CD, download and ultra-clear vinyl on the independent label Onomatopoeia Records in February 2021.

Discography

Albums

Singles/EPs

Compilations

Members

Related Research Articles

Crash Test Dummies Canadian band

The Crash Test Dummies is a Canadian rock band from Winnipeg, Manitoba.

<i>Oranges & Lemons</i> (album) 1989 studio album by XTC

Oranges & Lemons is the eleventh studio album and the second double album by the English band XTC, released 27 February 1989 on Virgin Records. It is the follow-up to 1986's Skylarking. The title was chosen in reference to the band's poor financial standing at the time, while the music is characterised as a 1980s update of 1960s psychedelia. It received critical acclaim and became the band's highest-charting album since 1982's English Settlement, rising to number 28 in the UK and number 44 in the US.

Levitation (band) English psychedelic rock band

Levitation were an English psychedelic rock band, formed in 1990 in London. The band consisted of frontman Terry Bickers, drummer David Francolini, guitarist Christian Hayes, bassist Laurence O'Keefe and keyboardist Robert White.

<i>English Settlement</i> 1982 studio album by XTC

English Settlement is the fifth studio album and first double album by the English rock band XTC, released 12 February 1982 on Virgin Records. It marked a turn towards the more pastoral pop songs that would dominate later XTC releases, with an emphasis on acoustic guitar, 12-string electric guitar and fretless bass. In some countries, the album was released as a single LP with five tracks deleted. The title refers to the Uffington White Horse depicted on the cover, to the "settlement" of viewpoints, and to the Englishness that the band felt they "settled" into the record.

<i>Nonsuch</i> (album) 1992 studio album by XTC

Nonsuch is the 12th studio album by the English band XTC, released 27 April 1992 on Virgin Records. The follow-up to Oranges & Lemons (1989), Nonsuch is a relatively less immediate and more restrained sounding album, carrying the band's psychedelic influences into new musical styles, displaying a particular interest in orchestral arrangements. The LP received critical acclaim, charted at number 28 in the UK Albums Chart, and number 97 on the US Billboard 200, as well as topping Rolling Stone's College album chart.

<i>Mummer</i> (album) 1983 studio album by XTC

Mummer is the sixth studio album by the English rock band XTC, released on 30 August 1983. It reached No. 51 on the UK album chart and No. 145 on the U.S. Billboard album charts. The album title refers to a Mummers play. A working title considered for the album was Fruit Fallen From God's Garden.

<i>Apple Venus Volume 1</i> 1999 studio album by XTC

Apple Venus Volume 1 is the 13th studio album by the English rock band XTC, released in February 1999. It was the first on the band's own Idea Records label through Cooking Vinyl and distributed in the United States by TVT Records. The album relies heavily on strings, acoustic guitars and keyboards, expanding upon the more orchestral approach developed on the group's previous LP Nonsuch (1992). Apple Venus Volume 1 was met with critical acclaim and moderate sales, peaking at number 42 on the UK Albums Chart and number 106 on the US Billboard 200.

<i>The Big Express</i> 1984 studio album by XTC

The Big Express is the seventh studio album by English rock band XTC, released on 15 October 1984 by Virgin Records. It is an autobiographical concept album inspired by the band's hometown of Swindon and its railway system, the Swindon Works. In comparison to its predecessor Mummer (1983), which had a modest, pastoral approach to production, the album features a bright, uptempo sound marked by studio experimentation and denser arrangements, setting a template that they further developed on subsequent albums.

<i>Wasp Star (Apple Venus Volume 2)</i> 2000 studio album by XTC

Wasp Star is the 14th studio album by the English rock band XTC, released 23 May 2000 on Cooking Vinyl/Idea Records. It is the follow-up to 1999's Apple Venus Volume 1 and contains rock-based material largely written between 1994 and 1996. Wasp Star reached number 40 on the UK Albums Chart. In 2002, the group released an instrumental version of the album entitled Waspstrumental. XTC dissolved in 2006, leaving Wasp Star their last studio album to date.

<i>25 OClock</i> 1985 studio album (mini-LP) by the Dukes of Stratosphear

25 O'Clock is the debut record by English rock band the Dukes of Stratosphear and the eighth studio album by XTC, released on April Fools Day 1985 through Virgin Records. It was publicised as a long-lost collection of recordings by a late 1960s group, but actually consisted of new tracks recorded by Andy Partridge, Colin Moulding, and Dave Gregory of XTC with Gregory's brother Ian.

<i>Psonic Psunspot</i> 1987 studio album by the Dukes of Stratosphear

Psonic Psunspot is the second album by English rock band the Dukes of Stratosphear, released in 1987. Also counted as XTC's tenth studio album, it is a follow-up to 25 O'Clock (1985).

<i>Take Away / The Lure of Salvage</i> 1980 remix album by Mr. Partridge

Take Away and The Lure of Salvage are sides one and two, respectively, of the debut record by English musician Andy Partridge. Co-produced with John Leckie, the LP was released in February 1980 by Virgin Records and consists of dub remixes of tracks originally recorded by Partridge's band XTC. Each track is derived from the group's 1979 album Drums and Wires, except "Commerciality ", which is a remix of the White Music outtake "Refrigeration Blues". The back cover reads

This used to be some XTC records. It is now a collection of tracks that have been electronically processed/shattered and layered with other sounds or lyrical pieces. All initial sound by XTC. Additional sound/lyrics by Andy Partridge. Put and take by John Leckie and Andy Partridge on 10/10/79. Alan Jakoby was the tapir. Destructed/constructed at Regents Park Recording Company. If you liked Go+ then this record weighs approximately the same amount.

Ring were an English psychedelic rock band active during the 1980s.

Zag And The Coloured Beads are an English experimental rock band.

<i>Across My Heart</i> 1997 studio album by Kenny Rogers

Across My Heart is the twenty-second studio album by country superstar Kenny Rogers.

<i>Leader of the Starry Skies: A Tribute to Tim Smith, Songbook 1</i> 2010 compilation album by Various Artists

Leader of the Starry Skies: A Tribute To Tim Smith, Songbook 1 is a compilation album featuring cover versions of songs by Tim Smith. It was released on CD on 13 December 2010 on the Believers Roast label. The release date for download, via iTunes, was 20 December 2010.

<i>Carnation</i> (album) 2002 studio album by Astrid Williamson

Carnation is the second album from the singer songwriter Astrid Williamson released on her own label, Incarnation Records, in 2002. It was reissued under the title Astrid Williamson in 2003, adding 4 acoustic demos to the track listing. In comparison to her debut, Boy For You, it was "a decidedly more stripped down affair, based mostly on acoustic guitar or piano". Both producer Robert White & musician Terry Bickers were members of the psyche rock band, Levitation plus Robert's Milk & Honey Band recruited Astrid to play with them for live dates in the 2000s

This Is Pop 1978 song by XTC

"This Is Pop" is a song written by Andy Partridge of the English rock band XTC, released on their 1978 album White Music. Partridge wrote the song as a response to labels such as "punk", which he believed were redundant of "pop". The song's opening F chord was based on The Beatles' "A Hard Day's Night" (1964). A rerecorded version, typeset as "This Is Pop?", was released as the group's third single.

Easter Theatre 1999 single by XTC

"Easter Theatre" is a song written by Andy Partridge of the English rock band XTC, released as the lead single from their 1999 album Apple Venus Volume 1. According to Partridge, the lyrics were an attempt to match a "muddy" ascending chord progression. "There's the little melodic figure at the beginning, which I thought sounded medieval and earthy, combined with placid, droning high keyboard chords, which sound like you're floating—so it suggested floating over a land."

<i>Many Mouths Shut!</i> 2017 studio album by Orthodox Celts

Many Mouths Shut! is the sixth studio album by the Serbian Irish folk/Celtic rock band Orthodox Celts, released in 2017.

References