The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women's Self Portraits is a 2021 book by Jennifer Higgie about self-portraits painted by women since the 16th century.
It was published in 2021 by Weidenfeld & Nicolson in the United Kingdom and Pegasus Books, an imprint of Simon & Schuster in the United States. It is 336 pages in length. [1]
Artists featured in The Mirror and the Palette include Rita Angus, Artemisia Gentileschi, Nora Heysen, Angelica Kauffman, Frida Kahlo, Alice Neel, Helene Schjerfbeck and Suzanne Valadon. [2] [3]
Thomas Gainsborough was an English portrait and landscape painter, draughtsman, and printmaker. Along with his rival Sir Joshua Reynolds, he is considered one of the most important British artists of the second half of the 18th century. He painted quickly, and the works of his maturity are characterised by a light palette and easy strokes. Despite being a prolific portrait painter, Gainsborough gained greater satisfaction from his landscapes. He is credited as the originator of the 18th-century British landscape school. Gainsborough was a founding member of the Royal Academy.
Margaret Bourke-White was an American photographer and documentary photographer. She was the first foreign photographer permitted to take pictures of Soviet industry under the Soviets' first five-year plan, was the first American female war photojournalist, and took the photograph that became the cover of the first issue of Life magazine.
Lovis Corinth was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism.
Claude Cahun was a French surrealist photographer, sculptor, and writer.
Richard Gerstl was an Austrian painter and draughtsman known for his expressive psychologically insightful portraits, his lack of critical acclaim during his lifetime, and his affair with the wife of Arnold Schoenberg, which led to his suicide.
A self-portrait is a portrait of an artist made by themselves. Although self-portraits have been made since the earliest times, the practice of self-portraiture only gaining momentum in the Early Renaissance in the mid-15th century that artists can be frequently identified depicting themselves as either the main subject, or as important characters in their work. With better and cheaper mirrors, and the advent of the panel portrait, many painters, sculptors and printmakers tried some form of self-portraiture. Portrait of a Man in a Turban by Jan van Eyck of 1433 may well be the earliest known panel self-portrait. He painted a separate portrait of his wife, and he belonged to the social group that had begun to commission portraits, already more common among wealthy Netherlanders than south of the Alps. The genre is venerable, but not until the Renaissance, with increased wealth and interest in the individual as a subject, did it become truly popular.
Cerith Wyn Evans is a Welsh conceptual artist, sculptor and film-maker. In 2018 he won the £30,000 Hepworth Prize for Sculpture.
Jennifer Higgie is an Australian novelist, screenwriter, art critic and editor of the London-based contemporary arts magazine Frieze.
Joos van Craesbeeck (c. 1605/06 – c. 1660) was a Flemish baker and a painter who played an important role in the development of Flemish genre painting in the mid-17th century through his tavern scenes and dissolute portraits. His genre scenes depict low-life figures as well as scenes of middle-class people. He created a few religiously themed compositions.
The Salon des Tuileries was an annual art exhibition for painting and sculpture, created June 14, 1923, co-founded by painters Albert Besnard and Bessie Davidson, sculptor Antoine Bourdelle, architect Auguste Perret, and others.
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject or the artist, or the definition of a portrait.
Rebecca Traister is an American author and journalist. Traister is a writer-at-large for New York magazine and its website The Cut, and a contributing editor at Elle magazine. Traister wrote for The New Republic from February 2014 through June 2015.
Susanna and the Elders is a 1610 painting by the Italian Baroque artist Artemisia Gentileschi and is her earliest-known signed and dated work. It was one of Gentileschi's signature works. She painted several variations of the scene in her career. It hangs at Schloss Weißenstein in Pommersfelden, Germany. The work shows a frightened Susanna with two men lurking above her while she is in the bath. The subject matter comes from the deuterocanonical Book of Susanna in the Additions to Daniel. This was a popular scene to paint during the Baroque period.
Danaë is a 1612 painting by the Italian Baroque artist Artemisia Gentileschi. It hangs in the Saint Louis Art Museum, United States.
Lucretia is a painting by the Italian baroque artist Artemisia Gentileschi. It depicts Lucretia, the wife of Roman consul and general Collatinus, at the moment of her suicide. The decision to take her own life was made after she was blackmailed and raped by Sextus Tarquinius, a fellow soldier of Collatinus. It is one of a number of paintings of Gentileschi that focus on virtuous women ill-treated by men.
Lallie Charles, was an Irish photographer. Along with her sister Rita Martin, she was one of the most commercially successful women portraitists of the early 20th century.
Self-Portrait is a painting executed by artist Leonora Carrington and is currently in the collection of the Metropolitan Museum of Art. She began the painting in London in 1937 and completed it in Paris in 1938. It is one of her most recognized works and has been called her "first truly Surrealist work." The presence of horses and Hyenas soon became a common feature in her work.
Self-Portrait as a Tahitian is an oil painting on canvas created in 1934 in Paris by Hungarian-born Indian artist Amrita Sher-Gil. It is held in the Kiran Nadar Museum of Art, India. Under India's Antiquities and Art Treasures Act (1972) the work is a national art treasure and must stay in India.
Young Man with Apples, also called Boris with Apples, is an oil painting on canvas created in 1932 by Hungarian-born Indian artist Amrita Sher-Gil, when she was living in Paris.
Female self-portrait in painting is the representation of a person of the female gender painted by herself.