Handsome middle-aged Count Della Fiabe has squandered his fortune on the gambling tables of Monte Carlo and has nothing left but his title, a yacht with no motor, and friends carrying him in the hopes his luck returns.
The glamorous Marquess Maria de Crevecoeur was also once wealthy, but has likewise gambled away all her late husband’s fortune. She keeps trying to win it back, without success, and has pawned all her jewelry in the process.
She arrives in Monte Carlo effectively without a cent, getting by on her title and the contrails of her previous high-rolling stays.
Her pawnbroker follows from Paris immediately on her heels, dogging her to pay outstanding debts.
To recoup their losses, and get the Count back on his feet, his friends seek to introduce him to a wealthy woman he can court and marry. Not knowing of her circumstances, they arrange for him to sidle up to the Marquess.
It works, and the two become attracted to one another. Relieved to have found a solution to her financialj woes, the Marquess drops her guard and accepts the Count’s proposal of marriage. An honorable man beneath it all, his better side comes to the fore and he confesses his deception.
Taken aback, the Marquess denounces him, only to have her own charade exposed by an inconvenient visit of her pawnbroker.
An American millionaire with more money than he knows to what to do with, Homer Hinckley, arrives in Monte Carlo with an enormous new sailing yacht and an entourage that includes his sister and lovely young daughter, Jane. A widower the same age as both the Marquess and the Count, he is uncouth but friendly, generous, and loves to have fun.
After holing the Count’s yacht with his own, he invites the couple - who pose as brother and sister - to stay aboard his while the Count’s is repaired. He immediately has eyes for Maria, who sets her cap for his fortune.
Though she is far too young, the naïve but anxious Jane is drawn to the Count and pursues him.
While he appreciates the attention, he cannot return her affection; his heart is still with the Marquess.
Ultimately, Jane discovers this, and attempts to help the Count in the hopes he will change his mind.
When the time comes to leave, Homer proposes to the Marquess, who accepts and embarks on his yacht for America and a home together in Muncie, Indiana.
Just outside the harbor, she realizes her heart is still with the Count, and requests to be put ashore. The giant schooner comes about, but before it can make land the Count appears in his yacht, comes alongside, and the Marquess jumps aboard.
Two Women is a 1960 war drama film directed by Vittorio De Sica from a screenplay he co-wrote with Cesare Zavattini, based on the 1957 novel of the same name by Alberto Moravia. The film stars Sophia Loren, Jean-Paul Belmondo, Eleonora Brown and Raf Vallone. It tells the story of a woman trying to protect her young daughter from the horrors of war. The story is fictional but based on actual events of 1944 in Rome and rural Lazio, during the Marocchinate.
Marriage Italian Style is a 1964 romantic comedy-drama film directed by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni.
Seven Hills of Rome is an Italian-American film international co-production released in January 1958 and shot on location in Rome and at the Titanus studios. It was filmed in Technicolor and Technirama, distributed by Metro-Goldwyn-Mayer, was tenor Mario Lanza's penultimate film, and Marisa Allasio’s last film.
It Started in Naples is a 1960 American romantic comedy film directed by Melville Shavelson and produced by Jack Rose from a screenplay by Suso Cecchi d'Amico, based on the story by Michael Pertwee and Jack Davies. The Technicolor cinematography was directed by Robert Surtees. The film stars Clark Gable, Sophia Loren, Vittorio De Sica and an Italian cast. This was Gable's final film to be released within his lifetime and his last film in color.
Walter Annicchiarico, known as Walter Chiari, was an Italian stage and screen actor, mostly in comedy roles.
A Breath of Scandal is a 1960 American/Italian international co-production romantic comedy-drama film directed by Michael Curtiz, based on the stage play Olympia by Ferenc Molnár. It stars Sophia Loren, Maurice Chevalier, and John Gavin, with Angela Lansbury, Milly Vitale, Roberto Risso, Isabel Jeans and Tullio Carminati. The film is set at the turn of the 20th century and features lush Technicolor photography of Vienna and the countryside of Austria. The costumes and lighting were designed by George Hoyningen-Huene. Loren disagreed with Curtiz's direction, so director Vittorio De Sica was hired to reshoot certain scenes with Loren after hours without Curtiz's knowledge.
The Last Judgment is a 1961 commedia all'italiana film by Italian director Vittorio De Sica. It was coproduced with France.
Renato Ranucci, known by the stage name Renato Rascel, was an Italian film actor and singer. He appeared in 50 films between 1942 and 1972. He represented Italy in the Eurovision Song Contest 1960 with the song "Romantica", which tied for eighth place out of thirteen entries.
Policarpo is a 1959 Italian comedy film directed by Mario Soldati. It was entered into the 1959 Cannes Film Festival.
A Slice of Life is a 1954 Italian comedy film directed by Alessandro Blasetti and Paul Paviot.
The Miller's Beautiful Wife is a 1955 Italian comedy film directed by Mario Camerini, that stars Marcello Mastroianni, Sophia Loren and Vittorio de Sica. A remake of the director's 1934 film, 'Il capello a tre punte”, it is based on the Spanish novel El sombrero de tres picos that came out in 1874.
Fathers and Sons is a 1957 Italian comedy film directed by Mario Monicelli. The film comically depicts the joys and sorrows in five Roman families over several months. At the 7th Berlin International Film Festival Monicelli won the Silver Bear for Best Director award.
Ferdinando I, re di Napoli is a 1959 Italian comedy film directed by Gianni Franciolini.
In Olden Days is a 1952 Italian comedy drama anthology film directed by Alessandro Blasetti and featuring an ensemble cast that included Gina Lollobrigida, Amedeo Nazzari, Vittorio De Sica, Elisa Cegani, Barbara Florian, Aldo Fabrizi, Andrea Checchi and Alba Arnova. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Dario Cecchi and Veniero Colasanti. It is also known as Times Gone By and Infidelity.
A Garibaldian in the Convent is a 1942 Italian historical comedy drama romantic film directed by Vittorio De Sica and starring Leonardo Cortese, María Mercader and Carla Del Poggio. It is considered to be the work with which De Sica concludes the series of light comedies largely set in colleges and institutions for young girls and period costumes to enter into films of more contemporary and popular settings that will result in post-war neorealistic works. It was screened in November 1991 as a part of a retrospective of De Sica's films at the Museum of Modern Art. It was shot at the Palatino Studios in Rome. The film's sets were designed by the art director Veniero Colasanti.
The list of the A hundred Italian films to be saved was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". Film preservation, or film restoration, describes a series of ongoing efforts among film historians, archivists, museums, cinematheques, and nonprofit organization to rescue decaying film stock and preserve the images they contain. In the widest sense, preservation assures that a movie will continue to exist in as close to its original form as possible.
Rascel-Fifì is a 1957 Italian crime-comedy film directed by Guido Leoni. It is a parody of Jules Dassin's Rififi. The film was a success at the Italian box office.
Roba da ricchi is a 1987 Italian anthology comedy film directed by Sergio Corbucci. It consists of three segments, all set in Monte Carlo.
This is a list of Italian television related events from 1956.
Vittorio De Sica was an Italian film director and actor. He became a popular leading actor in interwar Italy where he primarily performed in comedic roles. After World War II, he became one of the major film directors of the neorealist movement.
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