The Mourning Bride is a tragedy written by English playwright William Congreve. It premiered in 1697 at Betterton's Co., Lincoln's Inn Fields. The play centers on Zara, a queen held captive by Manuel, King of Granada, and a web of love and deception which results in the mistaken murder of Manuel who is in disguise, and Zara's also mistaken suicide in response.
There are two very widely known quotations in the play; from the opening to the play:
The word "breast" is often misquoted as "beast" and "has" sometimes appears as "hath".
Also often repeated is a quotation of Zara in Act III, Scene II:
This is usually misquoted as "Hell hath no fury like a woman scorned." [3]
A similar line is found in Colley Cibber's play Love's Last Shift in 1696:
William Congreve was an English playwright, poet and Whig politician. His works, which form an important component of Restoration literature, were known for their use of satire and the comedy of manners genre. Notable plays he wrote include The Old Bachelor (1693), The Double Dealer (1694), Love for Love (1695), The Mourning Bride (1697) and The Way of the World (1700). He died in London, and was buried at the Poets' Corner in Westminster Abbey.
Electra, also spelt Elektra, is one of the most popular mythological characters in tragedies. She is the main character in two Greek tragedies, Electra by Sophocles and Electra by Euripides. She is also the central figure in plays by Aeschylus, Alfieri, Voltaire, Hofmannsthal, and Eugene O'Neill. She is a vengeful soul in The Libation Bearers, the second play of Aeschylus' Oresteia trilogy. She plans out an attack with her brother to kill their mother, Clytemnestra.
The History of Cardenio, often referred to as simply Cardenio, is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613. The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes's Don Quixote involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena. Thomas Shelton's translation of the First Part of Don Quixote was published in 1612 and would thus have been available to the presumed authors of the play.
Nicholas Rowe was an English dramatist, poet and miscellaneous writer who was appointed Poet Laureate in 1715. His plays and poems were well-received during his lifetime, with one of his translations described as one of the greatest productions in English poetry. He was also considered the first editor of the works of William Shakespeare.
William Mountfort, English actor and dramatic writer, was the son of a Staffordshire gentleman. He met his death at the hand of notorious brawler Charles Mohun, 4th Baron Mohun of Okehampton, who had just taken part in an attempted kidnap of Mountfort's friend, the actress Anne Bracegirdle.
Aaron Hill was an English dramatist and miscellany writer.
The Mermaid Series was a major collection of reprints of texts from English Elizabethan, Jacobean and Restoration drama. It was launched in 1887 by the British publisher Henry Vizetelly and under the general editorship of Havelock Ellis. Around 1894 the series was taken over by the London firm of T. Fisher Unwin. Many well-known literary figures edited or introduced the texts. Some of the plays published had not been reprinted in recent editions, and most had dropped out of the stage repertoire.
Jacob Tonson, sometimes referred to as Jacob Tonson the Elder (1655–1736), was an eighteenth-century English bookseller and publisher.
Hell Hath No Fury may refer to:
Part of the American Film Institute's 100 Years... series, AFI's 100 Years... 100 Movie Quotes is a list of the top 100 quotations in American cinema. The American Film Institute revealed the list on June 21, 2005, in a three-hour television program on CBS. The program was hosted by Pierce Brosnan and had commentary from many Hollywood actors and filmmakers. A jury consisting of 1,500 film artists, critics, and historians selected "Frankly, my dear, I don't give a damn", spoken by Clark Gable as Rhett Butler in the 1939 American Civil War epic Gone with the Wind, as the most memorable American movie quotation of all time.
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it. Macbeth, the play's protagonist, is confident that he can withstand any siege from Malcolm's forces. He hears the cry of a woman and reflects that there was a time when his hair would have stood on end if he had heard such a cry, but he is now so full of horrors and slaughterous thoughts that it can no longer startle him.
Pindarics was a term for a class of loose and irregular odes greatly in fashion in England during the close of the 17th and the beginning of the 18th century. Abraham Cowley, who published fifteen Pindarique Odes in 1656, was the poet most identified with the form though many others had composed irregular verses before him. The term is derived from the name of a Greek archaic poet, Pindar, but is based on a misconception since Pindar's odes were in fact very formal, obeying a triadic structure, in which the form of the first stanza (strophe) was repeated in the second stanza (antistrophe), followed by a third stanza (epode) that introduced variations but whose form was repeated by other epodes in subsequent triads. Cowley's Resurrection, which was considered in the 17th century to be a model of the 'pindaric' style, is a formless poem of sixty-four lines, arbitrarily divided, not into triads, but into four stanzas of unequal volume and structure; the lines which form these stanzas are of lengths varying from three feet to seven feet, with rhymes repeated in no order. It was the looseness of these 'pindarics' that appealed to many poets at the close of the 17th century, including John Dryden, Aphra Behn, and Alexander Pope, and many lesser poets, such as John Oldham, Thomas Otway, Thomas Sprat, John Hughes and Thomas Flatman.
"Do Not Resuscitate" is the 15th episode of the HBO original series The Sopranos and the second of the show's second season. Written by Robin Green, Mitchell Burgess, and Frank Renzulli, and directed by Martin Bruestle, it originally aired on January 23, 2000.
A Woman Scorned may refer to:
"The Clod and the Pebble" is a poem from William Blake's 1794 collection Songs of Innocence and of Experience.
Elizabeth Fitzhenry, original name Elizabeth Flannigan, was an Irish actress.
The Double Dealer is a comic play written by English playwright William Congreve, first produced in 1693. Incidental music for the play was written by Henry Purcell.
Thomas Walker (1698–1744) was an English actor and dramatist.
Patrice Lovely is an American actress. She is best known for her role as Hattie Mae Love in the sitcom Love Thy Neighbor and the comedy films Boo! A Madea Halloween, Boo 2! A Madea Halloween, and A Madea Family Funeral, the latter of which was released on March 1, 2019.
Hell Hath No Fury Like a Woman Scorned is a 2014 American stage play written, produced, and directed by Tyler Perry. It stars Cheryl Pepsii Riley as Anita and Patrice Lovely as Mama Hattie. The live performance released on DVD on November 25, 2014 was recorded live in Atlanta at the Cobb Energy Performing Arts Centre in September 2013. The DVD was released alongside A Madea Christmas.
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