The Moving Picture Book Company and The Pictorial Color Book Company were early 20th-century American publishers known for producing interactive children's books. These publishers specialized in creating movable books, which featured mechanical illustrations that could move or change scenes with the pull of a tab.
The Moving Picture Book Company, established in the early 1900s, often featured dynamic illustrations that allowed readers to animate scenes by pulling tabs or turning pages with movable elements. This interactive approach transformed traditional reading experiences into an immersive one. The company's most successful series, *The Moving Picture Books*, gained widespread popularity and was a pivotal example of early mechanical books in the United States. [1]
The earliest English editions in this series seem to have been released around 1909. In the United States, many of the initial books were published by Sully and Kleinteich (S&K), priced at 35 cents. Following S&K, during the early 1920s, the books were also issued by The New York Book Company and the Pictorial Color Book Company (PCBC), who sold them for 50 cents. They all utilized advanced printing techniques for their time, including lithography and chromolithography, to produce vibrant, colorful pages that captivated young readers. These publications featured high-quality illustrations that set them apart from standard children's books of the era. [2]
Though both companies eventually ceased operations, their contributions to movable books remain significant. Movable and mechanical books from The Moving Picture Book Company and The Pictorial Color Book Company are highly sought after by collectors today due to their historical importance, craftsmanship, and rarity. The books published by these companies are part of a key chapter in the evolution of children's interactive literature in the United States. Their designs laid the groundwork for later developments in the movable book genre, influencing contemporary and later publishers.
The enduring appeal of these books can also be attributed to their innovative engineering and colorful artwork, elements that continue to capture the imagination of collectors. Publications from these companies are considered valuable and are frequently cited as some of the earliest examples of movable books in the American market. [3]
A picture book combines visual and verbal narratives in a book format, most often aimed at young children. With the narrative told primarily through text, they are distinct from comics, which do so primarily through sequential images.
An advance reading copy, advance review copy, advance reader's edition, advance copy, or a reader's edition is a free copy of a new book given by a publisher to booksellers, librarians, journalists, celebrities, or others, or as a contest or school prize, before the book is printed for mass distribution.
Macmillan Publishers is a British publishing company traditionally considered to be one of the "Big Five" English language publishers. Founded in London in 1843 by Scottish brothers Daniel and Alexander MacMillan, the firm soon established itself as a leading publisher in Britain. It published two of the best-known works of Victorian-era children's literature, Lewis Carroll's Alice's Adventures in Wonderland (1865) and Rudyard Kipling's The Jungle Book (1894).
Stellaluna is a 1993 children's book written and illustrated by Janell Cannon. It is about a young fruit bat, Stellaluna, who becomes separated from her mother and finds her way to a nest of birds. She is adopted by them and learns bird-like behavior. Eventually, Stellaluna finds other bats and reunites with her mother, and she learns how to behave like a bat. She introduces the birds to her bat family. Stellaluna and the birds decide that, despite their many differences, they are still friends.
Julian Wehr (1898–1970) was known as the "American Master of Animated Books". Around 9 million copies of Wehr's books were sold in the United States and Great Britain, and were translated and sold in France, Germany, and Spain during the 1940s and 1950s.
A pop-up book is any book with three-dimensional pages, often with elements that pop up as a page is turned. The terminology serves as an umbrella term for movable book, pop-ups, tunnel books, transformations, volvelles, flaps, pull-tabs, pop-outs, pull-downs, and other features each performing in a different manner. Three-dimensional greeting cards use the same principles. Design and creation of such books in arts is sometimes called "paper engineering". This usage should not be confused with traditional paper engineering, the engineering of systems to mass-produce paper products.
Lothar Meggendorfer was a German illustrator and early cartoonist known for his pop-up books.
Frederick Warne & Co. is a British publisher founded in 1865. It is known for children's books, particularly those of Beatrix Potter, and for its Observer's Books.
William Stansby (1572–1638) was a London printer and publisher of the Jacobean and Caroline eras, working under his own name from 1610. One of the most prolific printers of his time, Stansby is best remembered for publishing the landmark first folio collection of the works of Ben Jonson in 1616.
Blue Ribbon Books was a notable American publishing house established in 1930, known for its innovative production of children’s books featuring movable elements, particularly pop-ups. The company is recognized as the first U.S. publisher to trademark the term "pop-up" for its "Illustrated Pop-up Editions." Blue Ribbon Books collaborated with Harold B. Lentz, who was instrumental in the success of their pop-up books. Lentz provided not only the artwork but also the engineering behind the intricate pop-up mechanisms, making these books highly sought after by collectors. Some of the most famous titles produced by Blue Ribbon include *The "Pop-Up" Pinocchio* (1932) and *The "Pop-Up" Cinderella* (1933), both featuring detailed illustrations and interactive paper mechanics.
Stephen E. Cosgrove is a children's author and toy designer. He is known for Serendipity, a series of children's books. The series was adapted into a 26-episode anime, Serendipity the Pink Dragon.
Interactive children's books are a subset of children's books that require participation and interaction by the reader. Participation can range from books with texture to those with special devices used to help teach children certain tools. Interactive children's books may also incorporate modern technology or be computerized. Movable books, a subsection of interactive books, are defined as "covering pop-ups, transformations, tunnel books, volvelles, flaps, pull-tabs, pop-outs, pull-downs, and more, each of which performs in a different manner. Also included, because they employ the same techniques, are three-dimensional greeting cards."
Raphael Tuck & Sons was a business started by Raphael Tuck and his wife in Bishopsgate in the City of London in October 1866, selling pictures and greeting cards, and eventually selling postcards, which was their most successful line. Their business was one of the best known in the "postcard boom" of the late 1890s and early 1900s. During the Blitz, the company headquarters, Raphael House, was destroyed, including the originals for most of their series. The company never fully recovered.
Toy books were illustrated children's books that became popular in England's Victorian era. The earliest toy books were typically paperbound, with six illustrated pages and sold for sixpence; larger and more elaborate editions became popular later in the century. In the mid-19th century picture books began to be made for children, with illustrations dominating the text rather than supplementing the text.
The following outline is provided as an overview of and topical guide to books.
Dean & Son was a 19th-century London publishing firm, best known for making and mass-producing moveable children's books and toy books, established around 1800. Thomas Dean founded the firm, probably in the late 1790s, bringing to it innovative lithographic printing processes. By the time his son George became a partner in 1847, the firm was the preeminent publisher of novelty children's books in London. The firm was first located on Threadneedle Street early in the century; it moved to Ludgate Hill in the middle of the century, and then to Fleet Street from 1871 to 1890. In the mid-20th century the firm published books by Enid Blyton and children's classics in the Dean's Classics series.
Robert Sayer (1725–1794) was a leading publisher and seller of prints, maps and maritime charts in Georgian Britain. He was based near the Golden Buck on 53 Fleet Street in London.
Ernest Nister (1841–1906) was a German publisher and printer of movable books for children and paper ephemera such as greeting cards, post cards and calendars. He was born in Darmstadt, Germany and later had an office in London. He refined the techniques used in the design of "magic windows", "dissolving picture" and pop-up books, publishing them from his firm in Nuremberg, a toy-making center of the 19th century.
The Sandars Readership in Bibliography is an annual lecture series given at Cambridge University. Instituted in 1895 at the behest of Samuel Sandars of Trinity College (1837–1894), who left a £2000 bequest to the University, the series has continued to the present day. Together with the Panizzi Lectures at the British Library and the Lyell Lectures at Oxford University, it is considered one of the major British bibliographical lecture series.
The selling of books dates back to ancient times. The founding of libraries in c.300 BC stimulated the energies of the Athenian booksellers. In Rome, toward the end of the republic, it became the fashion to have a library, and Roman booksellers carried on a flourishing trade.