The Mummy (1911 film)

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The Mummy
The Mummy Thanhouser.jpg
Surviving film still
Produced by Thanhouser Company
Starring William Garwood
Harry Benham
Distributed by Motion Picture Distributing and Sales Company
Release date
  • March 7, 1911 (1911-03-07)
Running time
1 reel (approximately 15 minutes [1]
CountryUnited States
LanguagesSilent
English intertitles

The Mummy is a 1911 American short silent film produced by the Thanhouser Company. The film details the story of Jack Thornton, a businessman, who is in love with Professor Dix's daughter. Jack purchases a mummy and plans to win his respect as an Egyptologist, but the mummy is reanimated in Jack's room by a live electrical wire. The mummy takes immediate interest in Jack, but is rejected and mummifies him. Before Professor Dix can cut up the now-mummified Jack, she returns and saves him. Jack explains everything and the film concludes with Professor Dix marrying the mummy.

Contents

The production was one of several films of the same name produced in 1911 and was met with favorable reviews. The film is presumed to be lost.

Plot

The original synopsis of the film was published in the Moving Picture World as follows: "Professor Dix has won fame as a scientist and has collected many objects of Egyptian ware, centuries old, that arouse the enthusiasm of his associates. Even Jack Thornton, an active, go-ahead young businessman, is interested in the professor's home, but although he tries to pretend it is Egyptology which interests him, the professor's fair young daughter is really the lodestone. Jack decides to win the old man's respect by posing as an Egyptologist himself. To start his collection, he purchases a mummy at an auction sale, and takes it home expecting that later he can make a great hit with his sweetheart's father, by presenting it to him as a gift. While the mummy is in Jack's room, a live electric wire is by accident brought in contact with it. The body has been so perfectly mummified, that the electric current is all that is necessary to ignite the vital spark, and Jack is amazed to see dancing forth from the case which he thought contained only unattractive rags and bones, a beautiful Egyptian princess. As soon as she is released, the mummy makes violent love to Jack, and causes his sweetheart to quarrel with him (for how can a plain businessman explain the presence in his room of a beautiful barbarian?). When her love is spurned, the visitor from the distant past avenges herself by having Jack made into a mummy and placed in the case in her stead. Her heart relents, however, in time to save him from being 'cut up' by the professor, who with the sharp knife, starts to investigate the contents of the mummy case. But all ends happily when Jack's plain statements of the seemingly impossible facts are proved true by the professor. Jack is reunited to his sweetheart, and the professor, being a widower, also an ardent admirer of everything antique, leads the recreated Egyptian lady to the altar, in spite of the fact that there is a difference of several thousand years in their ages." [2]

Cast

Production

The writer of the scenario is unknown, but it was most likely Lloyd Lonergan. He was an experienced newspaperman employed by The New York Evening World while writing scripts for the Thanhouser productions. [4] The film director is unknown, but it may have been Barry O'Neil or Lucius J. Henderson. Cameramen employed by the company during this era included Blair Smith, Carl Louis Gregory, and Alfred H. Moses, Jr. though none are specifically credited. [5] The role of the cameraman was uncredited in 1910 productions. [6] According to Bowers the cast credits are unknown, but many Thanhouser productions are fragmentary. [5] Though a production still shows William Russell in the film. [7] In late 1910, the Thanhouser company released a list of the important personalities in their films. The list includes G.W. Abbe, Justus D. Barnes, Frank H. Crane, Irene Crane, Marie Eline, Violet Heming, Martin J. Faust, Thomas Fortune, George Middleton, Grace Moore, John W. Noble, Anna Rosemond, Mrs. George Walters. [8]

The film was given the production code number 191 and had a code word of "Mum". [2] : 454  A catalog listed the film's length at 995 feet. [9] : 248  The film's expected run-time was fifteen minutes and was billed by the Thanhouser Company as having many novelties and being of a comedic nature. [2] : 454  It was released on March 7, 1911, and listed as a drama by the Moving Picture World. [2] : 498  It was distributed by the Motion Picture Distributing and Sales Company. [10] The production came during a time of renewed interest in Egyptology in which Pathé and Urban Films would release their own films titled The Mummy. This would be followed by Essanay Studios in 1912 with the release of When Soul Meets Soul and Gaumont Film Company 's The Vengeance of Egypt . [11] The film had a unique special effect in which the bodies of the cast dissolve and take an aerial flight to Egypt at the end of the film. [12]

Reception

The film has had known viewings across several states, including Wisconsin, [13] Pennsylvania, [14] [15] and Kansas. [16] An advertisement for the Lyric Theater in Indiana noted the film's debut, but unambiguously included notes for "Miss Hawthorne" and "Dot Washburn" on the bill. Both Miss Hawthorne and Dot Washburn were not credited in the film in any source and were likely other acts in part of the theater's bill for March 7, 1911. [17]

A review in the Moving Picture World confirmed that the novelty of a "mummy walking out of a case as an Egyptian Princess is sufficiently unusual to create interest, and this interest is increased when, after the young man has spurned her love, she forces him into the case and he becomes a mummy." [2] : 604  Another review more generically reflected on the production as being "exceptionally good as to photography, acting, staging" alongside other productions. [9] : 240  Three other reviews in Billboard , The New York Dramatic Mirror and The Morning Telegraph were all positive with emphasis on the special effects. [12]

Pantelis Michelakis and Maria Wyke's book The Ancient World in Silent Cinema provides additional nuance in noting the film's erotic underpinnings in which the past is bridged to the present through marriage to the re-animated Egyptian princess. [18] The film has erroneously been claimed to be the earliest "Mummy"-themed film, but The Monster Book notes films including Robbing Cleopatra's Tomb from 1899 and La Momie du roi in 1909 as earlier examples. [19] [20] The film is presumed to be lost.

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<i>Everybody Saves Father</i> and <i>The Only Girl in Camp</i> 1911 American film

Everybody Saves Father and The Only Girl in Camp are two 1910 American silent short films produced by the Thanhouser Company. Both films were released together on a single reel on January 10, 1911. Everybody Saves Father is a comedy focusing on a father whose life is planned to be saved by a succession of his daughter's suitors. The plan of each of the three men work, foiling the attempts of the other, but a four suitor has wed the daughter whilst the scheming was done by the others. The Only Girl in Camp is a drama film focusing on the only girl in a mining town who foils an armed robbery with the use of bear traps. In 2009, The Only Girl in Camp was identified and deposited into the Library of Congress for preservation. The only known credits for the production come from film stills from the film. The reviews for Everybody Saves Father were positive, but The Only Girl in Camp was met with more or less neutral reception.

<i>Berties Brainstorm</i> 1911 American film

Bertie's Brainstorm is a 1911 American silent short drama film produced by the Thanhouser Company. The film focuses on Bertie Fawcett, a dim-witted fop, who erroneously believes to have won the heart of May Vernon. In reality, May loves Jack and the two are set to be married, but May's father wishes he would prove his worth by earning his own living. Bertie chances upon the letter and sets off to make a living proceeds through a number of jobs with hope to claim May as his bride. The film ends with Bertie returning and finding out that May has married Jack. Little is known about the production of the film save that William Russell played an unknown role and that the scenario was written by Lloyd F. Lonergan. The foppish character of Bertie may have been inspired by Edwin Thanhouser's role as Bertie Nizril in Thoroughbred. Originally conceived as a series, this ultimately singular work received praise from critics. The film is presumed lost.

References

  1. ↑ According to the reference How Movies Work by Bruce F. Kawin (New York: Macmillan Publishing Company, 1987, pp. 46-47), a full 1000-foot reel of film in the silent era had a maximum running time of 15 minutes. Silent films were generally projected at a "standard" speed of 16 frames per second, much slower than the 24 frames of later sound films.
  2. 1 2 3 4 5 "Moving Picture World (Jan-Jul 1911) (1911)". New York, Chalmers Publishing Company. 1911. Retrieved November 6, 2014.
  3. 1 2 Q. David Bowers (1995). "Volume 2: Filmography - The Mummy". Thanhouser.org. Archived from the original on March 4, 2016. Retrieved March 14, 2015.
  4. ↑ Q. David Bowers (1995). "Volume 3: Biographies - Lonergan, Lloyd F." Thanhouser.org. Archived from the original on January 17, 2015. Retrieved January 17, 2015.
  5. 1 2 Q. David Bowers (1995). "Volume 2: Filmography - Thanhouser Filmography - 1910". Thanhouser.org. Archived from the original on February 9, 2015. Retrieved February 12, 2015.
  6. ↑ Q. David Bowers (1995). "Volume 1: Narrative History - Chapter 3 - 1910: Film Production Begins". Thanhouser.org. Archived from the original on March 4, 2016. Retrieved January 14, 2015.
  7. ↑ "William Russell in "Hypnotized," 1910". Jonathan Silent Film Collection. Chapman University. January 1910. Retrieved March 13, 2015.
  8. ↑ Q. David Bowers (1995). "Volume 2: Filmography -Thanhouser Filmography - 1910". Thanhouser.org. Archived from the original on February 9, 2015. Retrieved February 24, 2015.
  9. 1 2 "Moving Picture News (1911)". Cinematograph Publishing Company. 1911. Retrieved November 6, 2014.
  10. ↑ "The Mummy". American Film Institute. Retrieved November 6, 2014.
  11. ↑ Soister, John (2012). American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929. McFarland & Company. p. 168. ISBN   9780786487905.
  12. 1 2 Q. David Bowers (1995). "Thanhouser Films: An Encyclopedia and History - Mummy, The". Thanhouser Company Film Preservation, Inc. Archived from the original on October 24, 2014. Retrieved January 12, 2015.
  13. ↑ "(Palace ad)". Eau Claire Leader (Eau Claire, Wisconsin). April 16, 1911. p. 8. Retrieved November 6, 2014– via Newspapers.com. Open Access logo PLoS transparent.svg
  14. ↑ "(Pergola ad)". The Allentown Democrat (Allentown, Pennsylvania). March 27, 1911. p. 6. Retrieved November 6, 2014– via Newspapers.com. Open Access logo PLoS transparent.svg
  15. ↑ "Stage Coach Hold-up". Lebanon Daily News (Lebanon, Pennsylvania). March 15, 1911. p. 6. Retrieved November 6, 2014– via Newspapers.com. Open Access logo PLoS transparent.svg
  16. ↑ "(Crystal ad)". The Ottawa Daily Republic (Ottawa, Kansas). May 4, 1912. p. 3. Retrieved November 6, 2014– via Newspapers.com. Open Access logo PLoS transparent.svg
  17. ↑ "(Lyric ad)". Fort Wayne Daily News (Fort Wayne, Indiana). March 7, 1911. p. 9. Retrieved November 6, 2014– via Newspapers.com. Open Access logo PLoS transparent.svg
  18. ↑ Pantelis Michelakis; Maria Wyke (2013). The Ancient World in Silent Cinema. Cambridge University Press. p. 61. ISBN   9781107016101.
  19. ↑ Robson, David (2012). The Mummy. Reference Point Press. p. 56. ISBN   9781601523204.
  20. ↑ Christopher Golden; Stephen R. Bissette; Thomas E. Sniegoski (2000). The Monster Book. Simon & Schuster. ISBN   9780671042592 . Retrieved November 6, 2014.
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