![]() Cover for the 1922 German edition | |
Author | Otto Rank |
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Original title | Der Mythus von der Geburt des Helden |
Translator |
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Country | Germany |
Language | German |
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The Myth of the Birth of the Hero (German : Der Mythus von der Geburt des Helden) is a book by Austrian psychoanalyst Otto Rank in which the author puts forth a psychoanalytical interpretation of mythological heroes, specifically with regard to legends about their births. [1] The first edition of the book was published in 1909, and a greatly expanded second edition was published in 1922. [2]
The Myth of the Birth of the Hero comprises three parts (the first two sections were originally published in 1909, and the final section was added when the work was republished in 1922). In the first section, Rank introduces his topic of investigation, noting: "Whatever one’s opinion as to their origin, one is struck by an insistent tendency in the myths to make all heroic figures fit the framework of a specific birth legend." [3] He then emphasizes "the role played by unconscious psychosexual life in myth formation." [1] In the work's second section, Rank closely analyzes mythes about the births of Sargon of Akkad, Moses, Karna, Oedipus, Paris, Telephos, Perseus, Dionysus, Gilgamesh, Cyrus the Great, Trakhan, Tristan, Romulus, Hercules, Jesus, Sigurd, Lohengrin, and Sceafa. [4] In the final section, Rank lays out a rough outline that he claims can be applied to almost all mythical birth stories:
The hero is the child of very distinguished parents, and usually the son of a king. His origin is preceded by difficulties, such as sexual abstinence, prolonged infertility, or secret intercourse of the parents due to external prohibition or obstacles. During or before the pregnancy, a prophecy, in the form of a dream or oracle, warns against his birth, usually threatening harm to the father. Therefore the newborn child, usually at the instigation of the father or his representative, is doomed to be killed or exposed. As a rule, he is surrendered to the water, in a box. He is then saved by animals, or by lowly people (herders), and suckled by a female animal or a lowly woman. After he has grown up, he finds his distinguished parents in a variety of ways. He takes revenge on his father, on the one hand, and is acknowledged, on the other, achieving greatness and fame. [5]
In ancient Greek religion, Hera is the goddess of marriage, women and family, and the protector of women during childbirth. In Greek mythology, she is queen of the twelve Olympians and Mount Olympus, sister and wife of Zeus, and daughter of the Titans Cronus and Rhea. One of her defining characteristics in myth is her jealous and vengeful nature in dealing with any who offend her, especially Zeus' numerous adulterous lovers and illegitimate offspring.
Hades, in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth, long the province of Gaia, available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard dog of the underworld, standing to his side.
Hephaestus is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire, and volcanoes. Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances.
Joseph John Campbell was an American writer. He was a professor of literature at Sarah Lawrence College who worked in comparative mythology and comparative religion. His work covers many aspects of the human experience. Campbell's best-known work is his book The Hero with a Thousand Faces (1949), in which he discusses his theory of the journey of the archetypal hero shared by world mythologies, termed the monomyth.
Rhea or Rheia is a mother goddess in ancient Greek religion and Greek mythology, the Titaness daughter of the earth goddess Gaia and the sky god Uranus, himself a son of Gaia. She is the older sister of Cronus, who was also her consort, and the mother of the five eldest Olympian gods Hestia, Demeter, Hera, Poseidon and Zeus, and the king of the Underworld, Hades.
In ancient Greek religion and myth, Dionysus is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. The Romans called him Bacchus for a frenzy he is said to induce called baccheia. As Dionysus Eleutherios, his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.
Otto Rank was an Austrian psychoanalyst, writer, and philosopher. Born in Vienna, he was one of Sigmund Freud's closest colleagues for 20 years, a prolific writer on psychoanalytic themes, editor of the two leading analytic journals of the era, managing director of Freud's publishing house, and a creative theorist and therapist. In 1926, Rank left Vienna for Paris and, for the remainder of his life, led a successful career as a lecturer, writer, and therapist in France and the United States.
In Greek mythology, Alcyoneus or Alkyoneus was a traditional opponent of the hero Heracles. He was usually considered to be one of the Gigantes (Giants), the offspring of Gaia born from the blood of the castrated Uranus.
Aretus was one of several characters in Greek mythology:
Phanes or Protogonus was the mystic primeval deity of procreation and the generation of new life, who was introduced into Greek mythology by the Orphic tradition; other names for this Classical Greek Orphic concept included Ericapaeus and Metis ("thought").
In Greek mythology, Orion was a giant huntsman whom Zeus placed among the stars as the constellation of Orion.
In narratology and comparative mythology, the hero's journey, or the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.
Orphism is the name given to a set of religious beliefs and practices originating in the ancient Greek and Hellenistic world, associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned. This type of journey is called a katabasis and is the basis of several hero worships and journeys. Orphics revered Dionysus and Persephone. Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's Theogony, based in part on pre-Socratic philosophy.
The study of Jesus in comparative mythology is the examination of the narratives of the life of Jesus in the Christian gospels, traditions and theology, as they relate to Christianity and other religions. Although the vast majority of New Testament scholars and historians of the ancient Near East agree that Jesus existed as a historical figure, most secular historians also agree that the gospels contain large quantities of ahistorical legendary details mixed in with historical information about Jesus's life. The Synoptic Gospels of Mark, Matthew, and Luke are heavily shaped by Jewish tradition, with the Gospel of Matthew deliberately portraying Jesus as a "new Moses". Although it is highly unlikely that the authors of the Synoptic Gospels directly based any of their stories on pagan mythology, it is possible that they may have subtly shaped their accounts of Jesus's healing miracles to resemble familiar Greek stories about miracles associated with Asclepius, the god of healing and medicine. The birth narratives of Matthew and Luke are usually seen by secular historians as legends designed to fulfill Jewish expectations about the Messiah.
Theorizing About Myth is a 1999 book by the University of Aberdeen religious studies scholar Robert A. Segal that offers an alternative interpretation of the Adonis myth. In chapter seven, "Adonis: A Greek Eternal Child", he puts forth his theory of Adonis, not as a vegetation god but as an archetype of the eternal child, the Jungian puer.
In ancient times, a method of infanticide or at least child abandonment was to leave infants in a wild place, either to die due to hypothermia, hunger, thirst, or animal attack, or perhaps to be collected and brought up by those unable to produce their own children.
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself.
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be true accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not yet achieved its present form. Other myths explain how a society's customs, institutions, and taboos were established and sanctified. There is a complex relationship between recital of myths and the enactment of rituals.
The Trauma of Birth is a 1924 book by the psychoanalyst Otto Rank. It was first published in English translation in 1929. Especially with its focus on the connection between microcosm and macrocosm, it foreshadows Rank's most popular book, Art and Artist, published in 1932 and considered a masterpiece by scholars of art history. Sigmund Freud, the founder of psychoanalysis, reacted critically to The Trauma of Birth, responding to Rank's ideas in his own work.
In narratology and comparative mythology, the Rank–Raglan mythotype is a set of narrative patterns proposed by psychoanalyst Otto Rank and later on amateur anthropologist Lord Raglan that lists different cross-cultural traits often found in the accounts of heroes, including mythical heroes.