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New Faubourg Lafitte is a residential development in New Orleans, Louisiana, U.S. It largely occupies the area formerly filled by the since demolished Lafitte Projects public housing.
In 2011, the first homes were constructed on a 27-acre site between the Tremé/Lafitte and Tulane-Gravier neighborhoods of New Orleans. The project includes the replacement of subsidized housing from the old Lafitte housing project with affordable new homes on a redeveloped site, as well as the addition of 900-1000 units that will be constructed on infill lots in adjacent neighborhoods. [1] The homes range in size and cost, and 600 new units will be for sale for working families and first-time homeowners. The new construction reflects the character of the existing communities, and is a result of the mobilization of a spirited local residential council in response to a HUD mandate that their homes be demolished in the wake of two devastating hurricanes.
This project exemplifies local groups taking action, the preservation of cultural character, and the pursuit of environmental justice in a city that is rebuilding from the ground up in the wake of disaster.
The Carondolet Canal (since filled in) formerly was a barrier marking the upriver boundary of the Tremé section of New Orleans. The area formerly occupied by the canal and multiple railroad tracks has been repurposed as a linear park, the Lafitte Greenway. It is one of the oldest neighborhoods in the city, and has a rich and dynamic past. Historically, its residents were primarily free people of color; today, it remains an important core of the city's African-American and Créole cultures. The original "Old Treme" ran from Rampart to Claiborne; additional area lakewards from Claiborne is sometimes considered "New Treme" (dating from later in the 19th century). It has long been known as one of the city's centers of musical culture.
" Tremé/Lafitte" is a comparatively recent designation by the New Orleans City Planning Commission; a sub-district of the Mid-City District of New Orleans, and is bounded by Esplanade Avenue to the north, St. Louis Street to the south, North Rampart Street to the east and North Broad Street to the west.
Numbering among the cultural landmarks in the area are institutions like the New Orleans African American Museum, the Mahalia Jackson Theatre and Armstrong Park. It is home to the Zulu Social and Pleasure Club and the Mardi Super Krewe. [2]
In August 2005, Hurricane Katrina struck the Gulf Coast, and was followed in September by a second hurricane of the same caliber, Hurricane Rita. The severity of the physical damage was exacerbated by the comparable damage to the political and social infrastructure. Hurricane Katrina brought about a terrible loss of life, and many who did not lose their lives still suffered devastating blows to their homes and livelihoods; it was perhaps the deadliest natural disaster in the US since 1928, and the most expensive in the country's history. [3] While the active 2005 Atlantic hurricane season has raised ecological questions about the impact of climate change on tropical cyclones, Hurricane Katrina has elicited further inquiries of a more political nature. Such disastrous results despite adequate warnings from the US National Hurricane Center led to concerns about complex socio-economic issues. Two factors ultimately influence vulnerability to hurricanes: event incidence and societal infrastructure. [4] While one is the product of nature, the other is totally within the control of man and consequently subject to its due scrutiny.
More than a million people were displaced by the storm, and consequently both public sector institutions and private sector relief organizations were unable to match the high level of need. The strain was felt socially and culturally, as people were removed from their communities and separated from their households and extended families. Ethnic tensions, too, surfaced to a greater degree. [5] Because of the failure of public authorities to adequately prepare for the disaster, poor, predominantly Black communities ultimately bore the brunt of the damages. Furthermore, recovery policies in many ways reinforced discriminatory practices, and the city's poor black residents were often not seen as having a place in the "new" New Orleans that officials hoped would rise from the blank slate left in Katrina's wake. [6]
In many instances, public authorities have not only failed to rebuild homes in some of the city's most disadvantaged neighborhoods, but policies adopted by such organizations as HANO and HUD have seemingly been purposefully designed to prevent members of poor communities from returning home. The availability in New Orleans of affordable housing, which was not adequate before Hurricane Katrina, was greatly reduced by the storm. 142,000 housing units were damaged by the hurricane, and of those, 112,000 (79%) were officially considered affordable for low-income residents. In 2008, three years after the storm, only 8,900 affordable housing units had been funded for redevelopment. [7] Additionally, HANO, with the support of HUD, instituted a campaign of systematically demolishing public housing projects that survived the hurricane in conditions that were relatively intact. This purposeful destruction of homes on top of the already great losses caused by the hurricane was costly in both social and monetary senses. The thousands of units that were demolished (at price tag of well over $700 million) were to be replaced by mixed-income housing, to be put up at an additional cost. [8]
This inequity against poor communities violates a myriad of human rights principles, including environmental protection, health, and education rights. It is, in particular, a violation of the right to housing that exists even in international law, and acknowledges the fundamental need for safety and security that all people have. This right to housing extends beyond simply four walls and a roof that protect one from the elements; it implies a need for the connections that people make to a place and to each other within a community. In addition to losing their homes and communities, many of the city's poor residents, and in particular those who lived in public housing, were excluded from the decision-making process with respect to rebuilding; they have had few opportunities to participate in decisions in which they are necessarily very much invested any tangible or meaningful way.
The development of the new Faubourg Lafitte neighborhood stands contrary to many of the impediments to achieving balanced and appropriate redevelopment in the city. One major goal for the project was a one-for-one replacement of each pre-Katrina subsidized apartment with a comparable apartment in the same community. This would be done with a guaranteed opportunity for former Lafitte residents to return to their neighborhood. The design team also hoped to engage the residents in active participation so that they could make meaningful contributions to the planning process for the redevelopment. [9] Also included in the goals for the projects is the provision of community supportive services for all residents. Thus far, counseling and direct assistance has been provided for hundreds of former Lafitte families living both locally and across the country.
The project was planned with safety in mind. The integral public spaces are both clearly defined and overlooked by housing so as to promote security. The houses feature porches and large windows, which, while also being architecturally consistent with the character of the neighborhood, also provide a sense of residents being able to watch the street. There is even a type of sentinel building that was designed to flank the lane access to parking that occurs within the blocks to provide an additional sense of security in the semi-private areas. [10]
In terms of sustainability, the project is designed to meet Enterprise Green Communities criteria. This is the only national standard for green affordable housing in the country. Lighting and ventilation adhere to the strict energy efficient standards for wall assemblies and HVAC systems, and all homes and apartments feature Energy Star appliances. [11]
The project team also looked to adhere to a number of charter principles from the Congress for New Urbanism. These include (among many others):
13. Within neighborhoods, a broad range of housing types and price levels can bring people of diverse ages, races, and incomes into daily interaction.
16. Concentrations of civic, institutional, and commercial activity should be embedded in neighborhoods and districts.
21. The revitalization of urban places depends on safety and security. The design of streets and buildings should reinforce safe environments, but not at the expense of accessibility and openness.
26. All buildings should provide their inhabitants with a clear sense of location, weather, and time.
27. Preservation and renewal of historic buildings, districts, and landscapes which affirm the continuity and evolution of urban society. [12]
These goals for New Urbanism were achieve through design decisions like the retention of trees and the reuse of some historic structures as civic buildings (27), or the inclusion of affordable and subsidized housing, and plans for a senior building to be erected in the next phase of development (13).
The amenities described for the housing units also fall neatly in line with these goals. They include spacious, open floors, Energy Star appliances, (including refrigerators, dishwashers, washers, and dryers), energy efficient central heat and air conditioning, off-street parking, front porches, balconies, back yards, community gardens, extensive landscaping, 100 year oaks, proximity to the Lafitte Greenway. [13]
A particularly impassioned residential council has been instrumental in the redevelopment effort and level of community involvement; they perpetuated an attitude of hope and the belief that a better home - and consequently a better life - was possible. After five years, during which time the wills of residents, federal mandates, advocacy groups, and preservation and design politics aligned, the first homes have been constructed.
The project was generated in collaboration with the residents, and their needs, and their input were taken into consideration on many levels. Project manager Don Kaliszewski said that the planning of the new Faubourg Lafitte was informed by meetings with former Lafitte residents in New Orleans, Atlanta, and Houston. He recalled that the residents expressed desires to live in "houses," not "buildings," and that in particular they were more inclined towards the types of detached houses that are found surrounding the 6th Ward neighborhood. [14] The residents talked about the significance of community, and shared their fond childhood memories of walking down streets lined with houses with large windows and porches where they felt safe because they were among people they knew. The streets of these memories were lost to housing projects that were made up of super-block and that had internal greens and little street frontage. [15]
During the design process, members of the community were invited to join the charettes, and even some children attended with their parents. Magic Street, a green feature that spans the entire site, is so named because it honors the hope seen by the children whose drawings served as the basis for its inspiration. Plans and elevations were developed for various housing types, and then large-scale versions were pinned to a gymnasium wall where neighborhood participants were asked to place green dots on the housing types they liked, and red dots on those that they disliked. Single and double houses received the most green dots, and the drawings for proposed shot-guns and long rows of attached houses and apartments were less desirable to the residents. Additionally, the houses that resembled the traditional houses in Tremé received green dots, while those that seemed out of character (because they were either avant-garde or non-Tremé styles) received red dots. In this way, the people who were the most invested in the outcome of the project, in a more substantial way than public authorities, anonymous federal agencies, or even the designers, were given a say in shaping the neighborhood. They were also the possessors of unique insights into the problems and solutions for the neighborhood, and their input would certainly help to create a more successful project for all parties involved. One example of this is that a concern about safe parking expressed in charettes led to the creation of blocks with interior parking courts. These courts - which became elevated above grade in the design - were integrated into solutions to the requirements by FEMA for entrances to be up to four feet above ground level, a mandate which had posed challenges in designing with respect to accessibility.
While the buildings are unmistakably new, every effort was made to create a seamless continuity with the existing character of the place that is so integral a reflection of its rich culture and history; the buildings are made to look as if they had always been there. A myriad of colors, historic details, and building orientations are used to suggest organic growth of the neighborhood. Elements such as arched neoclassical pediments and paired columns on the porches additionally imply that the neighborhood has historic ties. After a careful study of the architectural patterns that exist in the area, characteristic features that were strategically used in the new buildings included tall windows, narrow front porches, large cornices with brackets on the front facades, siding and a variety of colors. [16]
The street plan has been restored to the original grid of circulating traffic, and the cul-de-sacs are being removed. The houses have the same relationship to the sidewalks as in Tremé: the porches are close to the sidewalk with small front gardens. [17] In order to achieve a truer and more traditional neighborhood as opposed to another set of housing projects, the design incorporates a variety of building types. Each block makes use of a combination of types, which include double houses that look like large houses, single camelback houses and double camelback houses, cottages, and small apartment buildings that are similar in appearance to the grand houses on Esplanade Ave. Additionally, there is a focus in the plan of development around existing schools, emphasizing education as a means of emphasizing their integral role within a strong the community.
The developers for the project are Providence Community Housing, Enterprise Community Partners, and L&M Development. The master plan for the neighborhood was designed by Urban Design Associates of Pittsburgh. The budget for the first phase of the project, which included 134 units, was $32 million, and the units average between 740 and 1,470 square feet. [18]
The Lafitte redevelopment project is being financed by a myriad of sources. Funding comes from a combination of low-income housing tax credits provided by the Louisiana Housing Finance Agency, community development block grant funds from the Louisiana Office of Community Development, HUD capital grant dollars, and additional public and private sources. Goldman Sachs and Iberiabank have become the primary construction lenders for the redevelopment project.
The New York Times Editorial Board wrote that "the Lafitte design shows that it is possible to satisfy the need to replace destroyed public housing and to create vibrant new communities of mixed incomes." [19] From a more local perspective, New Orleans architect Steve Bingler, a consultant on the Iberbeille redesign project and a contributor to Brad Pitt's Make It Right development in the Lower 9th Ward, offered a hopeful commentary about the projects. While he asserted that it would be impossible to conclusively assess the project before its completion, it exhibited careful studies of nuanced archetypes and avoided mere cartoons of them. The architectural styles of the Make It Right houses in no way try to imitate the character of the buildings around them, but Bingler conceded that if one is going to make a copy of something, it is best to do it as authentically as possible. [20]
The project has also received some more critical responses. Even some residents have expressed skepticism because of what they had heard about a discrepancy that can exist between what New Urbanists plan to do and what they actually do. They also found something unnatural about a place being planned all at once. [21]
New Urbanism seeks to redress the economic, environmental and social costs of urban sprawl. It is about reviving traditional typologies and patterns, and creating a balance of land uses, household types, building and architectural types, and socioeconomic and age groups. Its governing ideals include the promotion of walking, bicycling, and public transportation through a cohesive network of streets, paths, greenways, and waterways, and the creation of denser, clearly bounded communities that preserve open spaces and natural systems. [22] These principles also look to strengthen the public realm by encouraging and facilitating interaction between people. Additionally, its principles promote diversity within a community, rather than separation based on socioeconomic factors. While city planning is such a dynamic and intricate undertaking that it is hard to ensure success, New Urbanism is based on principles that promote strong communities. The implications of this on social and political spheres, as well as on health, education and happiness can be great.
The French Quarter, also known as the Vieux Carré, is the oldest neighborhood in the city of New Orleans. After New Orleans was founded in 1718 by Jean-Baptiste Le Moyne de Bienville, the city developed around the Vieux Carré, a central square. The district is more commonly called the French Quarter today, or simply "The Quarter", related to changes in the city with American immigration after the 1803 Louisiana Purchase. Most of the extant historic buildings were constructed either in the late 18th century, during the city's period of Spanish rule, or were built during the first half of the 19th century, after U.S. purchase and statehood.
Tremé is a neighborhood in New Orleans, Louisiana. "Tremé" is often rendered as Treme, and the neighborhood is sometimes called by its more formal French name, Faubourg Tremé; it is listed in the New Orleans City Planning Districts as Tremé / Lafitte when including the Lafitte Projects.
The Central Business District (CBD) is a neighborhood of the city of New Orleans, Louisiana, United States.
A shotgun house is a narrow rectangular domestic residence, usually no more than about 12 feet (3.5 m) wide, with rooms arranged one behind the other and doors at each end of the house. It was the most popular style of house in the Southern United States from the end of the American Civil War (1861–65) through the 1920s. Alternative names include shotgun shack, shotgun hut, shotgun cottage, and in the case of a multihome dwelling, shotgun apartment; the design is similar to that of railroad apartments.
The reconstruction of New Orleans refers to the rebuilding process endured by the city of New Orleans after Hurricane Katrina destroyed much of the city on August 29, 2005. The storm caused levees to fail, releasing tens of billions of gallons of water. The levee failure contributed to extensive flooding in the New Orleans area and surrounding parishes. About 80% of all structures in Orleans Parish sustained water damage. Over 204,000 homes were damaged or destroyed, and more than 800,000 citizens displaced—the greatest displacement in the United States since the Dust Bowl of the 1930s. Wind damage was less severe than predicted. The damage that took place that needed to be repaired cost about $125 billion.
The city planning commission for New Orleans divided the city into 13 planning districts and 73 distinct neighborhoods in 1980. Although initially in the study 68 neighborhoods were designated, and later increased by the City Planning Commission to 76 in October 2001 based in census data, most planners, neighborhood associations, researchers, and journalists have since widely adopted the 73 as the number and can even trace the number back to the early 1900s. While most of these assigned boundaries match with traditional local designations, some others differ from common traditional use. This is a result of the city planning commission's wish to divide the city into sections for governmental planning and zoning purposes without crossing United States census tract boundaries. While most of the listed names have been in common use by New Orleanians for generations, some designated names are rarely heard outside the planning commission's usage.
The Magnolia Projects, officially the C. J. Peete Public Housing Development, was one of the Housing Projects of New Orleans. As part of the ongoing redevelopment, the area has been renamed Harmony Oaks. The project was among the largest, housing approximately 2,100 people. It is also home to numerous hip-hop artists and is located in the part of uptown New Orleans known as Central City within the 11th Ward of New Orleans. It was bounded by Louisiana Avenue, South Claiborne Avenue, La Salle Street and Washington Avenue. The Magnolia Projects was made famous by rappers such as Juvenile, Soulja Slim, and Magnolia Shorty. At its height, the Magnolia projects had 1403 units.
The Housing Authority of New Orleans is a housing authority in New Orleans, Louisiana, tasked with providing housing to low-income residents.
Desire Projects was a housing project located in the Ninth Ward of New Orleans, Louisiana. These projects were the largest in the nation and consisted of about 262 two-story brick buildings, containing about 1,860 units across 98.5 acres of land. The overall conditions of the projects were deplorable from the moment they were put into place in the later part of the 1950s. The projects were meant to serve the large number of underprivileged African American residents in the New Orleans area. Soon it became a place of despair, and Desire eventually evolved into a dark no-man's land, leaving many residents infested with problems and little or no help from the government. Located in a cypress swamp and dumping ground, Desire was known as the poorest housing development in New Orleans—it was bordered by railroad tracks, the Mississippi River, the Industrial Canal and a corridor of industrial plants.
The Lafitte Projects were one of the Housing Projects of New Orleans and were located in the 6th Ward of New Orleans Treme neighborhood. It was one of Downtown New Orleans' oldest housing developments and had many associated problems before being severely flooded and damaged during Hurricane Katrina in 2005. The project made national headlines after the gruesome murder of Thomas May who burned to death in the project in 1994. By a Department of Housing and Urban Development (HUD) decree, the projects were demolished and redeveloped as affordable, mixed-income housing. The redevelopment effort was charged with replacing every demolished unit. The large housing project was left mostly vacant following evacuations after the extensive flooding from Hurricane Katrina. Heated arguments have surrounded the demolition of the project, as some longtime residents wanted them renovated.
Iberville Projects was a neighborhood in the city of New Orleans and one of the low-income Housing Projects of New Orleans. The Iberville was the last of the New Deal-era public housing remaining in the city. Its boundaries were St. Louis Street, Basin Street, Iberville Street, and North Claiborne Avenue. It is located in the 6th ward of downtown New Orleans, on the former site of the Storyville district. The area has recently been redeveloped into a modernized apartment complex called the Bienville Basin Apartments.
Internally displaced persons in the United States are people from the Gulf States region in the southern United States, most notably New Orleans, Louisiana, who were forced to leave their homes because of the devastation brought on by Hurricane Katrina in 2005 and were unable to return because of a multitude of factors, and are collectively known as the Gulf Coast diaspora and by standard definition considered IDPs. At their peak, hurricane evacuee shelters housed 273,000 people and, later, FEMA trailers housed at least 114,000 households. Even a decade after Hurricane Katrina, many victims who were forced to relocate were still unable to return home.
Claiborne Avenue is a major thoroughfare in New Orleans, Louisiana. It runs the length of the city, about 9.5 miles (15.3 km), beginning at the Jefferson Parish line and ending at the St. Bernard Parish line; the street continues under different names in both directions. It is called South Claiborne Avenue upriver from Canal Street and North Claiborne Avenue from Canal to St. Bernard Parish.
St. Roch is a neighborhood of the U.S. city of New Orleans. A subdistrict of the Bywater District Area, its boundaries as defined by the City Planning Commission are: Lafreniere Street, Paris Avenue, I-610, Benefit Street, and Dahlia Walk to the north; People's and Almonaster Avenues to the east; St. Claude Avenue to the south; Elysian Fields Avenue, Hope, Frenchmen, Duels, St. Anthony, Industry, Allen, & Agriculture Streets, A.P. Tureaud Avenue, Abundance, Republic, Treasure, & Dugue Streets, and Florida & St. Bernard Avenues to the west.
Faubourg Tremé: The Untold Story of Black New Orleans, is a 2008 documentary film directed by Dawn Logsdon and written by Lolis Eric Elie. Featuring a cast of local musicians, artists and writers, the film relates the history of New Orleans' Tremé neighborhood.
The New Orleans African American Museum in New Orleans, Louisiana, is located in the historic Tremé neighborhood, the oldest-surviving black community in the United States. The NOAAM of Art, Culture and History seeks to educate and to preserve, interpret, and promote the contributions that people of African descent have made to the development of New Orleans and Louisiana culture, as slaves and as free people of color throughout the history of American slavery as well as during emancipation, Reconstruction, and contemporary times.
The St. Roch Market is a building on the median of St. Roch Avenue facing St. Claude Avenue in New Orleans. It was built in 1875, with extensive renovations in 1937-1938 and 2012-2015.
The Lafitte Greenway is a trail for pedestrians and bicycles located in New Orleans, Louisiana, extending from Louis Armstrong Park to Bayou St. John and beyond. Opened in 2015, it is the latest reconfiguration of a historic transportation corridor that has been in use for over two centuries.
Urban Design Associates is an international urban design and architecture firm headquartered in Pittsburgh, Pennsylvania, United States.
Jean-Louis Dolliole was an African-American architect in New Orleans, Louisiana, USA, during the 19th century. He was a free man of color who also worked as a cabinetmaker, home builder, contractor, planter and leader of the African-American community of New Orleans in the time of the Antebellum South. Dolloile is noted for the architectural design of several residential projects which continue in use as homes into the 21st century. The designs were early versions of the creole cottage that became a common style of homes in New Orleans and elsewhere in the southern United States. Dolliole was a leader in the early development of the Faubourg Tremé neighborhood of New Orleans.
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