The Newcomers is a ballet made by Miriam Mahdaviani to David Diamond's Rounds for String Orchestra (1944). The premiere took place 7 May 1988, as part of New York City Ballet's American Music Festival at the New York State Theater, Lincoln Center.
Miriam Mahdaviani is a choreographer, a former New York City Ballet dancer and a repetiteur for the George Balanchine Trust. She has created ballets for NYCB's 1988 American Music Festival and its Diamond Project in 1992, 1994,1997, 2000 and 2002. She also choreographed ballets for Pacific Northwest Ballet, Richmond Ballet, Jacob's Pillow, Vassar College, NYU Tisch School of the Arts, SUNY Purchase, and others. Internationally, her ballets have been presented at MaggioDanza in Florence, Italy and at the Edinburg Festival in Scotland.
David Leo Diamond was an American composer of classical music.
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946.
George Balanchine was an American ballet choreographer who was one of the most influential 20th century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its Artistic Director for more than 35 years.
William Forsythe is an American dancer and choreographer resident in Frankfurt am Main in Hesse, Germany. He is known internationally for his work with the Ballet Frankfurt (1984–2004) and The Forsythe Company (2005–2015). Recognized for the integration of ballet and visual arts, which displayed both abstraction and forceful theatricality, his vision of choreography as an organizational practice has inspired him to produce numerous installations, films, and web-based knowledge creation, incorporating the spoken word and experimental music.
American Ballet Theatre (ABT) is a classical ballet company based in New York City. It has an annual eight-week season at the Metropolitan Opera House in the spring and a shorter season at the David H. Koch Theater in the fall; the company tours around the world the rest of the year. ABT was founded in 1939 by Lucia Chase and Richard Pleasant and is recognized as one of the world's leading classical ballet companies. ABT is the parent company of the American Ballet Theatre Jacqueline Kennedy Onassis School, and was recognized as "America's National Ballet Company" in 2006 by the United States Congress.
The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th-century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. Through most of the Soviet era, it was known as the Kirov Theatre. Today, the Mariinsky Theatre is home to the Mariinsky Ballet, Mariinsky Opera and Mariinsky Orchestra. Since Yuri Temirkanov's retirement in 1988, the conductor Valery Gergiev has served as the theatre's general director.
Mark William Morris is an American dancer, choreographer and director whose work is acclaimed for its craftsmanship, ingenuity, humor, and at times eclectic musical accompaniments. Morris is popular among dance aficionados, the music world, as well as mainstream audiences.
San Francisco Ballet is a ballet company, founded in 1933 as the San Francisco Opera Ballet under the leadership of ballet master Adolph Bolm. The company is currently based in the War Memorial Opera House, San Francisco, under the direction of Helgi Tomasson. San Francisco Ballet was the first professional ballet company in the United States. It is among the world's leading dance companies, presenting more than 100 performances annually, with a repertoire that spans both classical and contemporary ballet. Along with American Ballet Theatre and the New York City Ballet, San Francisco Ballet has been described as part of the "triumvirate of great classical companies defining the American style on the world stage today".
Antony Tudor was an English ballet choreographer, teacher and dancer.
Alberta Ballet was founded by Muriel Taylor and Dr. Ruth Carse in 1958 and became a professional company in 1966. The company is a resident company of both the Northern Alberta Jubilee Auditorium in Edmonton, Alberta and the Southern Alberta Jubilee Auditorium in Calgary, Alberta and performs its full season in both venues.
Eliot Feld is an American modern ballet choreographer, performer, teacher, and director. Feld works in contemporary ballet. His company and schools, including the Feld Ballet and Ballet Tech, are deeply committed to dance and dance education in New York City.
John Neumeier is an American ballet dancer, choreographer, and director. He has been the director and chief choreographer of Hamburg Ballet since 1973. Five years later he founded the Hamburg Ballet School, which also includes a boarding school for students. In 1996, Neumeier was made ballet director of Hamburg State Opera.
The Concert is a ballet made by Jerome Robbins, subsequently New York City Ballet's ballet master, to Chopin's:
Nikolaj Hübbe is artistic director of the Royal Danish Ballet.
The Chairman Dances is a ballet made by New York City Ballet ballet master in chief Peter Martins to John Adams' eponymous music from 1985. The music was originally written for Adams' opera, Nixon in China, but not used in production: the scene is that in which Mao Zedong dances with his future bride, movie star Chiang Ch'ing. The premiere took place on 14 May 1988, as part of City Ballet's American Music Festival at New York State Theater, Lincoln Center, with scenery and costumes by Rouben Ter-Arutunian, and lighting by Mark Stanley.
Ives, Songs is a ballet made by New York City Ballet ballet master Jerome Robbins to songs of Charles Ives:
The Prodigal Son, or Le Fils prodigue, Op. 46 is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29). The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.
The Barber Violin Concerto is a ballet made by New York City Ballet ballet master in chief Peter Martins to Samuel Barber's Violin Concerto, Op. 14 (1939). The premiere was conducted by Robert Irving and took place on 12 May 1988 at the New York State Theater, as part of City Ballet's American Music Festival, with lighting by Jennifer Tipton and costumes by William Ivey Long. Two couples, one pair classical dancers, the other modern, all dressed in white, perform a series of mix-and-match pas de deux, the classical dancers in point shoes and ballet slippers, the modern dancers typically barefoot and the man bare chested.
The Unanswered Question: Some Intimations of the American Composer Charles Ives is a ballet made by Eliot Feld to Charles Ives' The Unanswered Question, Calcium Light Night, Fugue in Four Keys, Mists, From the Housatonic at Stockbridge, Sonata No. 2 for Piano and Violin, Remembrance and An Old Song Deranged. The premiere took place April 30, 1988, at the New York State Theater, Lincoln Center, as part of New York City Ballet's American Music Festival with lighting by the Feld Ballet's Allen Lee Hughes and Willa Kim's costumes. Other works to the music of Ives in the City Ballet repertory include Peter Martins' Calcium Light Night, Jerome Robbins' Ives, Songs and George Balanchine's Ivesiana.
Hugh Laing was one of the most significant dramatic ballet dancers of the 20th-century. He danced with Marie Rambert's Ballet Club and New York City Ballet. He was the partner of choreographer Antony Tudor.
Alexei Osipovich Ratmansky is a Russian-American choreographer and former ballet dancer. As of April 2014 he is the artist in residence at the American Ballet Theatre. From 2004 to 2008 he was the director of the Bolshoi Ballet.