The Open Road for Boys, a boys' magazine encouraging the outdoor life, was published from November 1919 to the 1950s. The magazine was a monthly for the first 20 years and then switched to a schedule of ten issues a year. It began as The Open Road, which expanded to The Open Road for Boys in October 1925. Over two decades later, the title changed to Open Road: The Young People's Magazine in April 1950. During its final year, the title changed to American Boy and Open Road with the July 1953 issue.
Clayton Holt Ernst was editor-in-chief of The Open Road. It was originally published by The Torbell Company, 248 Boylston St. in Boston, Massachusetts. The founding officers were Ormond E. Loomis, President, Clayton H. Ernst, Vice-President, and Wm. C. Blackett, Treasurer. They derived the company name from the initials of the magazine and their own last names: T[he]O[pen]R[oad]B[lackett]E[rnst]L[oomis]L[td].
By 1940, the circulation had climbed to 301,000. Beginning in 1944, the art director was Jack Murray (1889-1965), who was also the art director of Outdoors, Child Life and Salt Water Sportsman . [1]
Contributors included Ellis Parker Butler, Jonathan Eldridge, Edward C. Janes, Kenneth Payson Kempton and Charles G. Muller, Alpheus Hyatt Verrill and Kerry Wood. Some authors, such as Albert Capwell Wyckoff, wrote for both Boys' Life and The Open Road for Boys. In addition to adventure fiction, there were many articles and ads about the construction of model airplanes. The appeal of Open Road for Boys and the magazine's advertising, specifically an ad for the Red Ryder air rifle, was captured by Jean Shepherd in his short story, "Duel in the Snow, or Red Ryder Nails the Cleveland Street Kid." This story was collected in In God We Trust, All Others Pay Cash , source of the film classic A Christmas Story (1983):
A popular Open Road feature was a cartoon contest which showed a drawing of a problem or situation, inviting the magazine's readers to do a follow-up cartoon showing the resolution of the problem. Well known cartoonists, such as Paul Coker, George Crenshaw, Dan Heilman, Eldon Pletcher, Mort Walker, Bill Yates and Bob Zschiesche, [2] saw their first printed cartoons in the Open Road competitions, which also had an influence on illustrators and fine artists, as the painter Wayne Thiebaud noted in an interview with Susan Larsen:
Cover artists included Jacob Bates Abbott, George Avison, Clarence Doore, William D. Eaton and Charles Hargens.
In 1927, the magazine began a club for boys called Open Road Pioneers. The club's official pin, in gold and dark blue, displayed the left profile of a Davy Crockett-type adventurer wearing a coonskin cap and carrying a rifle.
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a cartoonist, and in the second sense they are usually called an animator.
The National Cartoonists Society (NCS) is an organization of professional cartoonists in the United States. It presents the National Cartoonists Society Awards. The Society was born in 1946 when groups of cartoonists got together to entertain the troops. They enjoyed each other's company and decided to meet on a regular basis.
William Erwin Eisner was an American cartoonist, writer, and entrepreneur. He was one of the earliest cartoonists to work in the American comic book industry, and his series The Spirit (1940–1952) was noted for its experiments in content and form. In 1978, he popularized the term "graphic novel" with the publication of his book A Contract with God. He was an early contributor to formal comics studies with his book Comics and Sequential Art (1985). The Eisner Award was named in his honor and is given to recognize achievements each year in the comics medium; he was one of the three inaugural inductees to the Will Eisner Comic Book Hall of Fame.
Allan Jaffee was an American cartoonist. He was notable for his work in the satirical magazine Mad, including his trademark feature, the Mad Fold-in. Jaffee was a regular contributor to the magazine for 65 years and is its longest-running contributor. In a 2010 interview, Jaffee said, "Serious people my age are dead."
Steven William Maclean Bell is an English political cartoonist, whose work has appeared in a number of publications, notably The Guardian from 1981 to 2023. He is known for his left-wing views.
Harvey Kurtzman was an American cartoonist and editor. His best-known work includes writing and editing the parodic comic book Mad from 1952 until 1956, and writing the Little Annie Fanny strips in Playboy from 1962 until 1988. His work is noted for its satire and parody of popular culture, social critique, and attention to detail. Kurtzman's working method has been likened to that of an auteur, and he expected those who illustrated his stories to follow his layouts strictly.
Noel Douglas Sickles was an American commercial illustrator and cartoonist, best known for the comic strip Scorchy Smith.
Eric Ernest Jolliffe was an Australian cartoonist and illustrator.
Notable events of 2006 in comics.
Theresa Hilda D’Alessio, better known as Hilda Terry, was an American cartoonist who created the comic strip Teena. It ran in newspapers from 1944 to 1964. After marriage, she usually signed her name Theresa H. D’Alessio. In 1950, she became the first woman allowed to join the National Cartoonists Society.
Orlando Busino was an American cartoonist whose cartoons appeared in McCalls, Reader's Digest, Good Housekeeping, Saturday Evening Post, and many other magazines. Among his creations were "Gus," the long-running series of cartoons about a large dog that appeared in Boys' Life magazine.
Robert Mankoff is an American cartoonist, editor, and author. He was the cartoon editor for The New Yorker for nearly twenty years. Before he succeeded Lee Lorenz as cartoon editor at The New Yorker, Mankoff was a New Yorker cartoonist for twenty years.
Robert Kraus was an American children's author illustrator, cartoonist and publisher. His successful career began early at the New Yorker Magazine, producing over hundreds of cartoons and nearly two dozen covers for the magazine over 15 years. Afterwards, he pivoted his career to children's literature, writing and illustrating over 100 children’s books and publishing even more as the founder of publishing house Windmill Books. His body of work is best remembered for depicting animal heroes who always try their best and never give up, which were ideals important to him at an early age.
Fred C. Ellis was an American editorial cartoonist. He is best remembered as one of the leading radical artists of the 1920s and 1930s as an artist for various publications of the Communist Party, USA (CPUSA), including stints on the staff of the CPUSA's daily newspaper.
Allen Saunders was an American writer, journalist and cartoonist who wrote the comic strips Steve Roper and Mike Nomad, Mary Worth and Kerry Drake.
Woodrow Gelman was a publisher, cartoonist, novelist and an artist-writer for both animation and comic books. As the publisher of Nostalgia Press, he pioneered the reprinting of vintage comic strips in quality hardcovers and trade paperbacks. As an editor and art director for two-and-a-half decades at Topps Chewing Gum, he introduced many innovations in trading cards and humor products.
Ethel Hays was an American syndicated cartoonist specializing in flapper-themed comic strips in the 1920s and 1930s. She drew in Art Deco style. In the later part of her career, during the 1940s and 1950s, she became one of the country's most accomplished children's book illustrators.
Jacob Burck was a Polish-born Jewish-American painter, sculptor, and award-winning editorial cartoonist. Active in the Communist movement from 1926 as a political cartoonist and muralist, Burck quit the Communist Party after a visit to the Soviet Union in 1936, deeply offended by political demands there to manipulate his work.
Although, traditionally, female comics creators have long been a minority in the industry, they have made a notable impact since the very beginning, and more and more female artists are getting recognition along with the maturing of the medium. Women creators have worked in every genre, from superheroes to romance, westerns to war, crime to horror.
Ryan Walker was an American political activist and cartoonist. A prolific artist who published political cartoons in a variety of radical newspapers and magazines in the United States, Walker is best remembered as the creator of the recurring character "Henry Dubb", an American worker who ambled through life blithely being victimized by capitalism ostensibly as a result of his blind acceptance of the ideas of the ruling class.