Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations may be realistic, imagined, or romanticized by the artist. Some variations of the term genre art specify the medium or type of visual work, as in genre painting, genre prints, genre photographs, and so on.
Van Blarenberghe was the name of a dynasty of painters, originally from French Flanders (Lille), but some of the most famous descendants also lived in Paris, France. They were all descendants from Joris van Blarenberghe (1612–1670).
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
Henri Leys, Hendrik Leys or Jan August Hendrik, Baron Leys was a Belgian painter and printmaker. He was a leading representative of the historical or Romantic school in Belgian art and became a pioneer of the Realist movement in Belgium. His history and genre paintings and portraits earned him a European-wide reputation and his style was influential on artists in and outside Belgium.
Adam Frans van der Meulen or Adam-François van der Meulen was a Flemish painter and draughtsman who was particularly known for his scenes of military campaigns and conquests. Van der Meulen also painted portraits, hunting scenes, paintings of chateaux and landscapes. He created designs for prints and cartoons for tapestries.
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
Genre painting, a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class.
JohannesLingelbach was a Dutch Golden Age painter, associated with the second generation of Bambocciate, a group of genre painters working in Rome from 1625–1700.
Flemish Baroque painting was a style of painting in the Southern Netherlands during Spanish control in the 16th and 17th centuries. The period roughly begins when the Dutch Republic was split from the Habsburg Spain regions to the south with the Spanish recapturing of Antwerp in 1585 and goes until about 1700, when Spanish Habsburg authority ended with the death of King Charles II. Antwerp, home to the prominent artists Peter Paul Rubens, Anthony van Dyck, and Jacob Jordaens, was the artistic nexus, while other notable cities include Brussels and Ghent.
Marine art or maritime art is a form of figurative art that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction - for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre. Strictly speaking "maritime art" should always include some element of human seafaring, whereas "marine art" would also include pure seascapes with no human element, though this distinction may not be observed in practice.
Isaac Sailmaker was an etcher and marine painter of the Baroque period, who had a long career in England. He was referred to in contemporary books and journals as "the father of British sea painting", but was eclipsed by his contemporaries, the Dutch marine painters Willem van de Velde the Elder and his son Willem van de Velde the Younger, who for a period dominated the London market. Sailmaker was commissioned by the English Lord Protector, Oliver Cromwell, to paint the English fleet at Fort-Mardyck.
Despite its size, Belgium has a long and distinguished artistic tradition that goes back to the Middle Ages, considerably pre-dating the foundation of the current state in 1830. Art from the areas making up modern Belgium is called in English Netherlandish up to the separation with the Netherlands from 1570 on, and Flemish until the 18th century.
Rembrandt Harmenszoon van Rijn's The Abduction of Europa (1632) is one of his rare mythological subject paintings. The work is oil on a single oak panel and now located in the J. Paul Getty Museum. The inspiration for the painting is Ovid's Metamorphoses, part of which tells the tale of Zeus's seduction and capture of Europa. The painting shows a coastal scene with Europa being carried away in rough waters by a bull while her friends remain on shore with expressions of horror. Rembrandt combined his knowledge of classical literature with the interests of the patron in order to create this allegorical work. The use of an ancient myth to impart a contemporary thought and his portrayal of the scene using the High Baroque style are two strong aspects of the work.
Laureys a Castro or Lorenzo a Castro was a Flemish painter of marine views and portraits who is mainly known for his work carried out in England roughly between 1672 and 1700. He was clearly regarded as a leading marine painter in England as many of his works were held in English collections.
Pieter-Jozef Verhaghen was a Flemish painter of large-scale religious and mythological scenes. He is regarded as the last representative of the so-called Flemish School of painting. In particular, he is seen as continuing the artistic tradition of Flemish Baroque painting as exemplified by Rubens in the late 18th century and into the 19th century. He was highly regarded during his lifetime and enjoyed the patronage of eminent patrons and religious institutions. He was appointed first court painter to Empress Maria Theresa of Austria who also provided him a stipend to travel abroad to further his artistic studies.
Jean Pierre François Lamorinière, Jan Pieter Frans Lamorinière or François Lamorinière was a Belgian landscape painter best known for his realistic depictions of landscapes in his home country. His work is situated between the previous generation of the Romantic landscape painters and the Realist landscape.
Arab Woman is a watercolor painting by American artist John Singer Sargent, created c. 1905-1906. It is in the collection of the Metropolitan Museum of Art, in New York.
Madame Roulin and Her Baby is an 1888 painting by Vincent van Gogh. Done in oil on canvas, the painting depicts Augustine and Marcelle Roulin, the later of whom was an infant. The Roulin family became acquaintances of van Gogh after the family's patriarch, postman Joseph Roulin, met Van Gogh following the artist's relocation to the town of Arles. The painting is in the collection of the Metropolitan Museum of Art.
The Musée des Beaux-Arts de Brest is the main art museum in the city of Brest, Brittany, France, housing French and Italian old masters as well as more modern art. It and most of the city were destroyed by Allied bombing during the Second World War and the building and its collections both had to be recreated in the post-war period,making it what one author has called "the largest collection [of old masters] to have been formed in France since 1945". The museum building was completed in 1968 and is typical of Brest's functional post-war architecture.
Henri-Joseph Van Blarenberghe was a French painter.
