Harry Liedtke was a German film actor.
Das häßliche Mädchen is a German comedy film made in early 1933, during the transition from the Weimar Republic to Nazi Germany, and premièred in September that year. It was the first or second film directed by Hermann Kosterlitz, who left Germany before the film was completed and later worked in the United States under the name Henry Koster, and the last German film in which Dolly Haas appeared; she also later emigrated to the US. A riot broke out at the première to protest the male lead, Max Hansen, who was supposedly "too Jewish." The film's representation of the "ugly girl" as an outsider has been described as a metaphorical way to explore the outsider existence of Jews.
The Mistress is a 1927 German silent drama film directed by Robert Wiene and starring Edda Croy, Harry Liedtke and Eugen Burg. It was based on a play by Alexander Brody. It was the first film Wiene made after returning to Germany after two years working in Austria, although the film's location shooting was done in Vienna, where the story is set. The interiors were shot at the Marienfelde Studios of Terra Film in Berlin.
The Page from the Dalmasse Hotel may refer to
Maria von Peteani was an Austrian writer. She was born in Prague, then part of the Austro-Hungarian Empire, but moved to Linz at the age of two. From 1920 onwards von Peteani wrote around twenty novels, the best known of them being The Page from the Dalmasse Hotel. It was later adapted into a 1933 film starring Dolly Haas. Two other films were made of her works. Following the Anschluss she was banned from further writing by the Nazis, but was able to resume her career in 1945.
The Blue Danube is a 1926 German silent romance film directed by Frederic Zelnik and starring Harry Liedtke, Lya Mara and Hans Junkermann. The film has been described as a paean to Austria. It was shot at the Staaken Studios in Berlin. The film's art direction was by Andrej Andrejew and Jacek Rotmil who designed the sets.
A Man With Principles? is a 1943 German comedy film directed by Géza von Bolváry and starring Hans Söhnker, Elfie Mayerhofer, and Sigrid Becker. A young female chemist moves to Hamburg for research where she encounters a handsome, but extremely sexist male colleague. Eventually she manages to conquer his affections and changes his attitude towards woman.
Just Once a Great Lady is a 1934 German comedy film directed by Gerhard Lamprecht and starring Käthe von Nagy, Wolf Albach-Retty and Gretl Theimer. Nagy plays a car saleswoman. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. A separate French-language version A Day Will Come (1934) was also released, with Nagy reprising her role alongside Jean-Pierre Aumont.
Such Great Foolishness is a 1937 German drama film directed by Carl Froelich and starring Paula Wessely, Rudolf Forster and Hilde Wagener. The film was set in Vienna, unusually for a German film of the time which had increasingly cut back on films set in Austria since the Nazi takeover of 1933. The film was based on a novel by Marianne von Angern.
Scampolo is a 1932 German comedy film directed by Hans Steinhoff and starring Dolly Haas, Karl Ludwig Diehl and Oskar Sima. The film is an adaptation of the Italian play Scampolo by Dario Niccodemi, which has been turned into numerous films. It was shot at the Sievering Studios in Vienna.
Love and Trumpets is a 1925 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey, Harry Liedtke, and Harry Halm. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Kurt Richter.
Nanon is a 1924 German silent historical film directed by Hanns Schwarz and starring Agnes Esterhazy, Harry Liedtke, and Hanni Weisse. It is based on the operetta Nanon by Richard Genée with a libretto by F Zell.
The Marriage Nest is a 1927 German silent film directed by Rudolf Walther-Fein and starring Livio Pavanelli, Harry Liedtke, and Wolfgang Zilzer.
The Carnival Prince is a 1928 German silent film directed by Rudolf Walther-Fein and starring Marianne Winkelstern, Harry Liedtke and Hans Junkermann.
The Beggar Student is a 1927 German silent film directed by Jacob Fleck and Luise Fleck and starring Harry Liedtke, Ida Wüst and Agnes Esterhazy. It is an adaptation of Carl Millöcker's operetta The Beggar Student. It was shot at the Staaken Studios in Berlin. The film's art direction was by Botho Hoefer and Hans Minzloff.
A Dream of Happiness is a 1924 German silent film directed by Paul L. Stein and starring Harry Liedtke, Ferdinand von Alten and Uschi Elleot.
Darling of the Dragoons is a 1928 German silent comedy film directed by Rudolf Walther-Fein and starring Maria Paudler, Harry Liedtke and Fritz Kampers.
Men Are That Way is a 1939 German drama film directed by Arthur Maria Rabenalt and starring Hertha Feiler, Hans Söhnker and Hans Olden. The film's sets were designed by the art director Willi Herrmann. It was remade by Rabenalt in Austria as Arena of Fear (1959).
Delicatessen is a 1930 German romance film directed by Géza von Bolváry and starring Harry Liedtke, Georgia Lind, and Ernő Verebes. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art director Robert Neppach.
Grandstand for General Staff is a 1926 Austrian-German silent comedy film directed by Hans Otto and Erich Schönfelder and starring Alexander Roda Roda, Harry Liedtke and Olga Tschechowa. It is based on a play of the same name.
