The Parley of Instruments is a London-based early music group founded in 1979. The ensemble's co-founders were Peter Holman and the violinist Roy Goodman, who have been the ensemble's two main conductors. The name "parley of instruments" comes from the London concerts in 1676 organised by the violinist John Banister.
The Parley of Instruments has an extensive discography spanning 30 years, including many recordings of lesser-known English baroque music in the English Orpheus series of Hyperion Records. [1] The ensemble now records on the Chandos Classics label.
The Academy of St Martin in the Fields (ASMF) is an English chamber orchestra, based in London.
Steven John Isserlis is a British cellist. An acclaimed soloist, chamber musician, educator, writer and broadcaster, he is widely regarded as one of the leading musicians of his generation. He is also noted for his diverse repertoire and distinctive sound which is deployed with his use of gut strings.
The English Concert is a baroque orchestra playing on period instruments based in London. Founded in 1972 and directed from the harpsichord by Trevor Pinnock for 30 years, it is now directed by harpsichordist Harry Bicket. Nadja Zwiener has been orchestra leader (concertmaster) since September 2007.
City of London Sinfonia (CLS) is an English chamber orchestra based in London. CLS is orchestra-in-residence at Opera Holland Park since 2004 and holds a residency at St Paul's Cathedral. CLS also performs regularly across the city of London in venues from East London clubs to traditional Central London concert halls. It is a registered charity under English law. CLS performs chamber orchestra and ensemble repertoire from the Baroque period to the present day, and has a programming focus on the human voice.
The City Waites is a British early music ensemble. Formed in the early 1970s, they specialise in English music of the 16th and 17th centuries from the street, tavern, theatre and countryside — the music of ordinary people. They endeavour to appeal to a wide general audience as well as to scholars. They have toured the UK, much of Europe, the Middle East, the Far East and the USA, performing everywhere from major concert halls and universities to village squares. Collaborations include the National Theatre, the Royal Shakespeare Company and Shakespeare's Globe. They can be heard on several movie and TV soundtracks; they broadcast frequently and have made more than 30 CDs.
Roy Goodman is an English conductor and violinist, specialising in the performance and direction of early music. He became internationally famous as the 12-year-old boy treble soloist in the March 1963 recording of Allegri's Miserere with the Choir of King's College, Cambridge, under David Willcocks.
Christopher Howard Page is an English expert on medieval music, instruments and performance practice, together with the social and musical history of the guitar in England from the sixteenth century to the nineteenth. He has written numerous books regarding medieval music. He is currently a Fellow of Sidney Sussex College, Cambridge and Emeritus Professor of Medieval Music and Literature in the Faculty of English, University of Cambridge.
Elizabeth Wallfisch is an Australian Baroque violinist.
James Wood is a British conductor, composer of contemporary classical music and former percussionist. Wood studied composition with Nadia Boulanger in Paris from 1971 to 1972 before going on to study music at Cambridge University, where he was organ scholar of Sidney Sussex College from 1972 until 1975. After graduating from Cambridge he went on to study percussion and conducting at the Royal Academy of Music, London, from 1975 until 1976. After a further year studying percussion privately with Nicholas Cole, Wood embarked on a triple career as percussionist, composer and conductor.
Robin Blaze is a British countertenor.
Suzie LeBlanc is a Canadian soprano and early music specialist. She taught at McGill University from 2016 to 2020 and became the Artistic and Executive Director of Early Music Vancouver in 2021. She was named a member of the Order of Canada in 2014 for her contributions to music and Acadian culture.
Roger Chase is a British violist who currently teaches at the Chicago College of Performing Arts at Roosevelt University.
Collegium Musicum 90 is an English baroque orchestra playing on period instruments. It was founded by violinist Simon Standage and conductor Richard Hickox in 1990 and was jointly directed by them until the death of Hickox in November 2008.
Sergei Prokofiev wrote the Overture on Hebrew Themes, Op. 34, in 1919 while he was in the United States. It is scored for the rare combination of clarinet, string quartet and piano. Fifteen years later the composer prepared a version for chamber orchestra, his “Op. 34 bis” or Op. 34a, retaining a separate part for piano but featuring solo cello as much as solo clarinet.
Il ballo delle ingrate is a semi-dramatic ballet by the Italian composer Claudio Monteverdi set to a libretto by Ottavio Rinuccini. It was first performed in Mantua on Wednesday, 4 June 1608 as part of the wedding celebrations for Francesco Gonzaga and Margaret of Savoy. Both Vincenzo and Francesco Gonzaga took part in the dancing. Monteverdi also composed the opera L'Arianna and the music for the prologue to Guarini's play L'idropica for the occasion.
Marianne Thorsen is a Norwegian violinist.
Peter Kenneth Holman MBE is an English conductor and musicologist best known for reviving the music of Purcell and his English contemporaries. Holman, with the ensemble The Parley of Instruments made many of the extensive series of recordings of lesser-known English baroque music on Hyperion Records in that label's English Orpheus series from 1980 to 2010. The ensemble was co-founded in 1979 by Holman and the violinist Roy Goodman. Holman and the ensemble now record on the Chandos Classics label.
Jonathan Cohen is an English cellist and conductor.
Rogers Henry Lewis Covey-Crump is an English tenor noted for his performances in both early music and contemporary classical music. He has sometimes been identified as an haute-contre tenor. He has performed for over 50 years in choirs and ensembles such as the Hilliard Ensemble, and as a soloist. He has been especially in demand for the part of the Evangelist in Bach's St Matthew Passion and St John Passion. He also specialises in vocal tuning, and has written articles on the subject.
Philip Dukes is a British classical viola soloist.