Doo-wop is a genre of rhythm and blues music that originated among African-American youth in the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Chicago, Baltimore, Newark, Detroit, and Washington, DC. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.
The Teenagers are an American doo wop group, most noted for being one of rock music's earliest successes, presented to international audiences by DJ Alan Freed. The group, which made its most popular recordings with young Frankie Lymon as lead singer, is also noted for being rock's first all-teenaged act.
Vito & the Salutations is an Italian/Irish/Jewish-American New York City doo-wop group from the 1960s. They began performing their four-part harmonies while still in high school, getting practice by singing in subways and at railroad stations. But they never expected anything to come of it, until one of the band members was introduced to someone at a local record company, and the band was asked to make some recordings. Their first popular record, "Gloria," was a regional hit. But Vito & the Salutations became best known for a surprise million-selling hit a year later, in the summer of 1963: they took "Unchained Melody," a 1955 hit ballad by Al Hibbler that they heard on the car radio, as they drove to perform at a concert, and transformed it into an up-tempo, doo-wop song. "Unchained Melody" reached number 66 on the Cash Box hit parade, and it made the top ten in many cities: for example, in New York City, the song reached #3 on top-40 powerhouse WABC. The record was originally released on Herald (H-583). This group consisted of Frankie Fox, Sheldon Buchansky, Raymond JP Russell and Vito Balsamo. Balsamo came from an immigrant family: his parents were from Palermo, Italy and he grew up in Brooklyn, listening to opera. But he fell in love with rock and roll, much to the dismay of his parents. Vito joined a group and recorded his first song when he was only fifteen. The B side of "Unchained Melody" was "Hey, Hey, Baby," a tune composed by Murray Kanner, Frankie Fox and Dave Rick. Vito & the Salutations also performed their version of "Unchained Melody" on American Bandstand.
The Wrens were an American doo-wop vocal group from The Bronx, New York City. They are best known for their song "Come Back My Love".
The Harptones are an American doo-wop group, which formed in Manhattan in 1953.
"Hushabye" is a song that was written by Doc Pomus and Mort Shuman in 1959 for the doo-wop vocal group the Mystics. It is based on the lullaby "All the Pretty Horses". It spent sixteen weeks on Billboard Hot 100, reaching #20 at its peak. Personnel on the original recording included Al Caiola and Bucky Pizzarelli on guitars and Panama Francis on drums. Disc jockey Alan Freed featured "Hushabye" as the closing tune on his televised Saturday night "Big Beat Show".
The Mystics are an American rock and roll group that began in Brooklyn, New York, United States, in the late 1950s. The group was known as The Overons, a quintet that, when signed to Laurie Records, consisted of Phil Cracolici, Albee Cracolici, George Galfo, Bob Ferrante, and Al Contrera. Under the direction of their manager, Jim Gribble, The Overons became The Mystics when each group member wrote a name they liked on a slip of paper, placed the papers in a hat and Contrera's choice was drawn.
The Quotations are an American doo-wop band, primarily from James Madison High School in East Brooklyn, New York, United States.
The Jesters were a doo-wop group based in New York City who achieved success in the late 1950s. They were students at Cooper Junior High School in Harlem, who graduated from singing under an elevated train station near 120th Street to the amateur night contest at the Apollo Theater, where Paul Winley discovered them and later signed them to his Winley Records.
The Valentines were one of the most highly regarded American doo-wop groups from the mid-1950s.
The Danleers were an American doo-wop group formed in Brooklyn, New York in 1958. The group's original and most famous lineup consisted of Jimmy Weston, Johnny Lee, Willie Ephraim, Nat McCune, and Roosevelt Mays. One of many streetcorner vocal groups in Brooklyn, they rose to prominence in 1958 on the strength of the single "One Summer Night", written by their manager, Danny Webb, who also named the group. The single was one of the biggest hits of that year and sold over one million copies. Further releases were not so successful and the group mostly dissolved by the mid-1960s. It continued to tour for several decades with Weston as the main original member.
The Del-Satins were an American vocal group, most active in the early 1960s, who recorded on their own but are best remembered for their harmonies on hit records for Dion and others. They have been described as having "few peers as practitioners of white doo-wop."
The Solitaires are an American doo-wop group, best known for their 1957 hit single "Walking Along". Although they never had a national chart hit, they were one of the most popular vocal groups in New York in the late 1950s.
The Chimes were an American doo wop group from Brooklyn.
The Chaperones are one of the first American street corner harmony doo-wop groups, formed in Farmingdale, Long Island, New York in the late 1950s. The original members of the group were Tony Amato (lead), Roy Marchesano, Tommy Ronca, Nick Salvato (baritone) and Dave Kelly (bass).
Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music, including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and musical theater pieces to rock ballads. In the simplest style of vocal harmony, the main vocal melody is supported by a single backup vocal line, either at a pitch which is above or below the main vocal line, often in thirds or sixths which fit in with the chord progression used in the song. In more complex vocal harmony arrangements, different backup singers may sing two or even three other notes at the same time as each of the main melody notes, mostly with consonant, pleasing-sounding thirds, sixths, and fifths.
The Zircons or The Zirkons was a singing musical group in the late 1950s and 1960s with various line-ups.
James "Jay" Johnson established himself as one of the top bass-baritone singers in the Detroit doo-wop and soul music scene during the pre-Motown years. He was a member of the Detroit group Nolan Strong & The Diablos and can be heard on the group's Fortune Records recordings from late 1956 on.
The Students were an American doo-wop vocal group, which formed in Cincinnati, Ohio, United States, in 1957. Although they only released five sides, two of them – "I'm So Young" and "Every Day of the Week" – became doo-wop standards. "I'm So Young" in particular became popular and durable, and has been covered by the Beach Boys, Rosie and the Originals, and The Ronettes.
Ladders were a 1950s New York City rhythm and blues and doo wop vocal group. The line up comprised Johnny Jackson (lead), Herb Jennings, Irvin Jones, Ron Clark (baritone), and Douglas Jackson (bass).
