"The Pipes of Pan" is a poem by Adrian Ross set to music by the English composer Edward Elgar, [1] being completed on 5 June 1899.
The song was published by Boosey in 1900. [2] The first performance was by 'Miss Blouvelt' [3] at the Crystal Palace on 30 April 1900. [2] [4] Elgar also arranged the song accompaniment for orchestra, [5] which was first sung by Andrew Black at the Queen's Hall on 12 May 1900. [2]
Early editions of the vocal score are inscribed 'Sung by Mr. Ivor Foster'; Foster was a popular opera and, particularly, concert singer of the day whose credits included participating in Boosey's series of ballad concerts. [6]
THE PIPES OF PAN
Sir Edward William Elgar, 1st Baronet, was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.
The Pomp and Circumstance Marches, Op. 39, are a series of five marches for orchestra composed by Sir Edward Elgar. The first four were published between 1901 and 1907, when Elgar was in his forties; the fifth was published in 1930, a few years before his death; and a sixth, compiled posthumously from sketches, was published in 1956 and in 2005–2006. They include some of Elgar's best-known compositions.
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece.
The Dream of Gerontius, Op. 38, is a work for voices and orchestra in two parts composed by Edward Elgar in 1900, to text from the poem by John Henry Newman. It relates the journey of a pious man's soul from his deathbed to his judgment before God and settling into Purgatory. Elgar disapproved of the use of the term "oratorio" for the work, though his wishes are not always followed. The piece is widely regarded as Elgar's finest choral work, and some consider it his masterpiece.
Twilight is a song with music by the English composer Edward Elgar written in 1910 as his Op. 59, No. 6. Elgar set the words of the poem The Twilight of Love, from Volume 2 of a series of poems called Embers by Sir Gilbert Parker. The Opus 59 songs were part of a song-cycle of six romantic songs by Parker that was never completed – Nos 1, 2 and 4 were never composed. The other songs were Oh, soft was the song and Was it some Golden Star?. The songs were originally written with piano accompaniment, but this was later re-scored by the composer for full orchestra.
Oh, soft was the song is a song with words by Gilbert Parker set to music by the English composer Edward Elgar in 1910, as his Op. 59, No. 3. It is the second and last verse of a poem At Sea which Parker published in Volume I of a series of poems called Embers. The Opus 59 songs were part of a song-cycle of six romantic songs by Parker that was never completed – Nos 1, 2 and 4 were never composed. The other songs were Was it some Golden Star? and Twilight. The songs were originally written with piano accompaniment, but this was later re-scored by the composer for full orchestra.
"A Song of Autumn" is a poem by Adam Lindsay Gordon set to music by Edward Elgar in 1892.
In the Dawn is a song written by the English composer Edward Elgar in 1901 as his Op.41, No.1.
The River is a song written by the English composer Edward Elgar in 1909 as his Op.60, No.2.
"The Wind at Dawn" is a poem written by Caroline Alice Roberts, and set to music by the English composer Edward Elgar in 1888.
”The Shepherd’s Song” is a song written by the English composer Edward Elgar in 1892. The words are by Barry Pain.
”Like to the Damask Rose” is a poem either by Francis Quarles called "Hos ego versiculos", or by Simon Wastell called “The flesh profiteth nothing”. It was set to music by the English composer Edward Elgar in 1892.
"Come, Gentle Night!" is a poem by Clifton Bingham set to music by the English composer Edward Elgar in 1901.
"After" is a song written by the English composer Edward Elgar in 1895, as his Op. 31, No. 1, with the words from a poem by Philip Bourke Marston.
"A War Song", originally called "A Soldier's Song", was a poem written by C. Flavell Hayward and set to music by the English composer Edward Elgar in 1884.
"The King’s Way" is a poem set to music by the English composer Edward Elgar in 1909. The words were written by his wife, Caroline Alice Elgar.
‘”The Chariots of the Lord” is a poem by Rev. John Brownlie, D.D., set to music by Edward Elgar in 1914.
Coronation Ode, Op. 44 is a work composed by Edward Elgar for soprano, alto, tenor and bass soloists, chorus and orchestra, with words by A. C. Benson.
Pageant of Empire is the title given to a set of songs, to words by Alfred Noyes, written by the English composer Sir Edward Elgar and given important positions in the Pageant of Empire at the British Empire Exhibition at Wembley Park.