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This article contains information about the literary events and publications of 1830.
This article contains information about the literary events and publications of 1717.
This article contains information about the literary events and publications of 1610.
Thomas Haynes Bayly was an English poet, songwriter, dramatist and writer.
Sir William Robertson Nicoll was a Scottish Free Church minister, journalist, editor, and man of letters.
Hernani is a drama in rhyming alexandrines by the French romantic author Victor Hugo.
Thomas Seccombe (1866–1923) was a miscellaneous English writer and, from 1891 to 1901, assistant editor of the Dictionary of National Biography, in which he wrote over 700 entries. A son of physician and episcopus vagans John Thomas Seccombe, he was educated at Felsted and Balliol College, Oxford, taking a first in Modern History in 1889.
John Cooper (1793–1870), was a British actor active between 1811 and 1859, who played in "a singularly large number of parts, some of them of leading importance" in many locations in England, Wales and Scotland.
The Natural Son is a comedy play by the British writer Richard Cumberland. It was first staged at the Drury Lane Theatre in London in December 1784. The play is notable for the return of the popular character Major O'Flaherty from Cumberland's 1771 play The West Indian.
Whitlock Nicoll or Nicholl (1786–1838) was an English physician. Known in his lifetime as a medical and theological writer, he was also responsible in his capacity as physician to Michael Faraday for the term "electrode", a fact not known until well into the 20th century.
Lord Edward Thynne was an English nobleman. After a short career as an army officer, he sat in the House of Commons for two periods, separated by 26 years, and opposed parliamentary reform on both occasions.
Events from the year 1831 in Scotland.
William Burnaby (1673-1706) was an English writer, primarily known for authoring several plays in the early eighteenth century. Three of his works were late entries into the Restoration Comedy tradition.
A Bold Stroke for a Husband is a 1783 comedy play by the British writer Hannah Cowley. The title is a variation on Susanna Centlivre's A Bold Stroke for a Wife.
A School for Greybeards is a 1786 comedy play by the British writer Hannah Cowley.
The Adventures of Five Hours is a 1663 comedy play by the English writer Sir Samuel Tuke, 1st Baronet. Based on the play Los empenos de seis horas by Antonio Coello, It is an early example of the developing Restoration comedy tradition. Its success led to a series of sentimental plays in the Spanish style about love and honour, very different to the more sophisticated and cynical comedies which the Restoration era became known for.
The Massacre of Paris is a 1689 tragedy by the English writer Nathaniel Lee. It was first staged by the United Company at the Theatre Royal, Drury Lane. It is based around the 1572 St. Bartholomew's Day massacre which led the killing of many Huguenots during the French Wars of Religion. The events had previously been portrayed in Christopher Marlowe's Elizabethan play The Massacre at Paris.
Don Pedro, King of Castile is an 1828 historical tragedy by the British writer Lord Porchester. It premiered at the Theatre Royal, Drury Lane in London on 10 March 1828. The cast included William Macready as Henry, John Cooper as Don Pedro, James William Wallack as Raban, George Yarnold as Constable of France, Sarah West as Maria De Padilla and Ellen Tree as Blanche of Bourbon. It is based on the rule of the fourteenth century King of Castile Peter the Cruel.
Conscience; or, The Bridal Night is an 1821 tragedy by the Irish writer James Haynes. It premiered at the Theatre Royal, Drury Lane in London on 21 February 1821. The original cast included Sarah West as Elmira, John Powell as Duke of Venice, John Cooper as Arsenio, James William Wallack as Lorenzo. It was acted five times on its original run. It then appeared at the Anthony Street Theatre in New York in May 1821. Haynes dedicated the play to James Perry. John Genest considered the play's language better than its plot.
Mary Stuart is an 1840 historical tragedy by the Irish writer James Haynes. It is based on the assassination of David Rizzio, a courtier to Mary, Queen of Scots. The play was staged as part of an ambitious plan to relaunch the reputation of London's Theatre Royal, Drury Lane by the new manager William John Hammond, but faced issues of censorship from Charles Kemble and the Lord Chamberlain's office.
