Plot
Writer Jacob Finch Bonner considers himself a has-been, having been unable to produce anything fruitful after his reasonably successful debut novel. He has become a professor in a shabby Vermont MFA program. One day, his student Evan Parker brags that he has devised a novel that will be a guaranteed commercial success; when he reveals the plot to Bonner and shares his preliminary work, Bonner recognizes that the idea is indeed superb. Two and a half years later, Bonner has fallen on even harder times, taking on two additional jobs after his salary was reduced when the MFA program went online-only. He happens to think of Evan, and wonders why he hasn't heard about Evan's book being published. Searching online, he learns that Evan died of a drug overdose just a few months after they last spoke, presumably leaving the book unfinished.
Three years later, Bonner's second novel, Crib, based on Evan's outline, has sold over two million copies. The plot of Crib is revealed gradually through excerpts: When 15-year-old Samantha becomes pregnant, her religious parents forbid her to have an abortion or put the child up for adoption. Samantha drops out of school to raise her daughter, Maria, and is embittered over her fate. Samantha's parents eventually die, and her disinterested parenting leads Maria to become highly independent. Maria is a lesbian and she dates a girl named Gab. Maria's teacher informs Samantha that Maria will graduate from high school a year early, and has already earned a college scholarship. Samantha is frustrated that Maria continues to keep it a secret from her. Maria finally only tells her because she needs to ask to borrow Samantha's car to move out. In the course of a violent argument, Samantha impulsively kills Maria by flinging her headfirst into a wall. She buries Maria at a remote cabin she rents for a week, and takes Maria's place at Ohio State. When Gab comes looking for Maria, Samantha murders her.
While promoting Crib and its upcoming film adaptation, Bonner meets a radio producer, Anna, and eventually marries her. Bonner begins to receive emails that threaten to expose him for stealing the story of Crib, and they escalate to public social media posts. Bonner must defend himself to his publisher; even though there is nothing illegal about the way Bonner used Evan's plot, Bonner refuses to admit that he did not conceive the story entirely alone. Bonner's team believes him, and he manages to write a third novel that his publisher accepts.
Bonner wonders if the person threatening him could be Evan, secretly alive, so he visits Evan's hometown and confirms Evan's death. He discovers that Evan's former home matches the description of the home in Evan's writings, and realizes that the characters in Evan's story were based on his real sister and niece. As the sister, Dianna, is dead, Bonner now suspects that the threats came from Evan's niece, Rose. Bonner learns that Rose Parker was briefly enrolled in college, and her mother Dianna had died in a fire when Rose was 16. A news article about the fire misreports Rose as Dianna's 26-year-old sister, and Bonner realizes that Dianna murdered Rose and claimed that the charred body was Dianna's; Dianna posed as Rose but identified herself as Dianna's sister, rather than daughter, because at 32 she could not pass for 16. Bonner assumes Dianna has been threatening him.
Bonner returns home to Anna. He eats her homemade soup and tells her all that has happened. As he becomes groggy and disoriented, Anna reveals that she is Dianna Parker, and indeed is the one who has been threatening him. She resented her family all her life, after her parents forced her to keep her child while Evan impregnated multiple women with impunity. She murdered her parents, and then Rose when the girl suddenly announced her departure after a childhood of indifference to Dianna. When Evan, who believed Dianna was dead, sought out Rose so he could sell the family home, he discovered what Dianna had done. She was suspicious when he didn't contact police, and then learned he was writing the novel. She murdered him with his own drugs. Then, discovering that Bonner had published his version of the plot, she resolved to marry him and then murder him to reclaim the story. She has already fatally poisoned him via the soup.
After Bonner's apparent suicide due to depression triggered by baseless accusations of plagiarism, Anna promotes his legacy as well as his third novel, and enjoys the financial proceeds of his work.
Reception
This novel has been well received:
Elizabeth Egan of the New York Times says: "...I will say that I think 'The Plot' is [Korelitz's] gutsiest, most consequential book yet. It keeps you guessing and wondering, and also keeps you thinking...[the] weighty questions mingle with a love story, a mystery and a striver's journey — three of the most satisfying flavors of fiction out there." [1]
Maureen Corrigan of the Washington Post writes: "The plot of 'The Plot' is so ingenious that it should be assigned as required reading in the very MFA programs it pinions, both as a model of superior narrative construction and as a warning of the grim realities of the literary life to naïve wannabe writers.' "(qtd. in Book Marks) [2]
Tom Nolan of the Wall Street Journal writes: "Ms. Korelitz's book deftly intersperses chapters from "Crib," and it becomes a struggle for Jake to separate his own fiction from the real-life events he believes inspired Evan's tale. "The Plot" is wickedly funny and chillingly grim, and like the novel Evan hoped to create, it deserves to garner all the brass rings. [3]
Judith Reveal reviewing for the New York Journal of Books says: "Korelitz tends to write heavy in narrative with an abundance of parenthetical asides that don't seem to be entirely necessary. That said, however, she lays out a strong story without distractions, and the reader easily turns the page to learn what happens next. To say the end of the story is a real twist would be a huge understatement..." [4]
Bethanne Patrick reviewing this book for NPR says that one of the most enjoyable things in the novel "is the [early] encounter between Jacob Finch Bonner and his student Evan Parker... these two...white male writers have brief literary fisticuffs during a class..." And, Patrick later writes: "It might be, from a writer of Korelitz's talent, that I wanted and expected a more fiendish and psychologically driven book. Instead, this Plot falls flat." [5]
