The Pride of Jennico is a four-act play based on the book by the same name from Agnes Castle and Egerton Castle published in 1897 by the Macmillan Company. [1]
Agnes Castle was a Victorian era Irish author who worked with both her sisters and husband. The stories that she co-wrote were the basis of several plays and films.
Egerton Castle M.A., F.S.A. was a Victorian era author, antiquarian, and swordsman, and an early practitioner of reconstructed historical fencing, frequently in collaboration with his colleague Captain Alfred Hutton. Castle was the captain of the British épée and sabre teams at the 1908 Olympics.
Macmillan Publishers Ltd is an international publishing company owned by Holtzbrinck Publishing Group. It has offices in 41 countries worldwide and operates in more than thirty others.
The setting is the mid-1700s and the plot revolves around Captain Basil Jennico, an English gentleman in the service of the Austrian Empire, and the Princess Marie Ottilie of Lausitz-Rothenburg. [2]
In America The Pride of Jennico was produced by Charles Frohman and staged by Edward Everett Rose. The play was adapted for the stage by Abby Sage Richardson and Grace L. Furniss with costumes and set design by Herrmann and E. G. Unitt, respectively. The Pride of Jennico opened in New York on March 6, 1900, at the Criterion Theatre on 44th and Broadway, and had a run of 111 performances. [3] [4]
Charles Frohman was an American theatrical producer. Frohman was producing plays by 1889 and acquired his first Broadway theatre by 1892. He discovered and promoted many stars of the American theatre.
Edward Everett Rose was an American playwright. He adapted a number of popular novels into plays, including Janice Meredith, Richard Carvel, David Harum, Eben Holden, The Battle of the Strong, Alice of Old Vincennes, and The Rosary.
A review published in The New York Times on March 7, 1900, read:
Three emphatic hits were scored last night in the Criterion Theatre by James K. Hackett, who again establishes his right to rank high in the list of romantic actors; by Bertha Galland, who met a New York audience for the first time and conquered it, and by The Pride of Jennico a melodramatic play that Abby Sage Richardson and Grace L. Furniss have constructed from the chief incident in the novel by Agnes and Egerton Castle.
James Keteltas Hackett was an American actor and manager.
Bertha Galland was an American dramatic stage actress remembered for her romantic roles.
Mace Greenleaf was an American stage and silent film actor.
Arthur Hoops was an American stage and screen actor.
Amy Ricard was an American actress and suffragist.
Jesse Lasky produced a film version of the play in 1914 starring House Peters and Betty Harte.
Betty Harte was an American actress of the silent era. Born Daisy Mae Light, she appeared in 108 films between 1908 and 1916 after starting out as a secretary for a newspaper. She was born in Lebanon, Pennsylvania and died in Sunland, California.
William Hooker Gillette was an American actor-manager, playwright, and stage-manager in the late 19th and early 20th centuries. He is best remembered for portraying Sherlock Holmes on stage and in a 1916 silent film thought to be lost until it was rediscovered in 2014.
Daniel Frohman was an American theatrical producer and manager, and an early film producer.
Classical Hollywood cinema, classical Hollywood narrative, and classical continuity are terms used in film criticism which designate both a narrative and visual style of film-making which developed in and characterized American cinema between the 1910s and the 1960s, and eventually became the most powerful and pervasive style of film-making worldwide.
Mary Mannering was an English actress, born in London. She studied for the stage under Hermann Vezin. She made her debut at Manchester in 1892 under her own name of Florence Friend.
William Aloysius Brady was an American theatre actor, producer and sports promoter.
Elizabeth Tyree was an actress in Broadway theatrical productions beginning in the mid-1890s. Her married name was Elizabeth Tyree Metcalfe. Professionally she was billed as Bess Tyree.
Paul Kester was an American playwright and novelist. He was the younger brother of journalist Vaughan Kester and a cousin of the literary editor and critic William Dean Howells.
Caroline Maria Lupton, better known by the stage name Marie Studholme, was an English actress and singer known for her supporting and sometimes starring roles in Victorian and Edwardian musical comedy. Her attractive features made her one of the most popular postcard beauties of her day.
The Mendelssohn family are the descendants of the German Jewish philosopher Moses Mendelssohn, and include his grandson, the composer Felix Mendelssohn and his granddaughter, the composer Fanny Mendelssohn.
Grace George was a prominent American stage actress, who had a long career on Broadway stage and also appeared in two films.
Walter Herries Pollock was an English writer, poet, lecturer and journalist. He is best known as editor of the Saturday Review, a position he held from 1884 to 1894, but also had published various miscellaneous writings that included novels, short stories, plays, poetry and translated works between 1877 and 1920. He was also, at one time, considered one of the best amateur fencers in Great Britain.
The Princess and The Butterfly: or, The Fantastics is a comedy in five acts by Arthur Wing Pinero first produced at London’s St. James's Theatre on March 25, 1897 and in New York at the Lyceum Theatre on November 23, 1897. The New York version of The Princess and the Butterfly was somewhat abbreviated from the four-hour production that originally played in London.
This is a list of bestselling novels in the United States from 1895–1899, as determined by Publishers Weekly. The list features the most popular novels of each year from 1895 through 1899.
The Criterion was a New York-based literary magazine published as a weekly from 1896 to 1900, then a monthly until 1905. It featured bold illustrated covers, saucy cartoons and a mix of news and feature reporting and forward-thinking satire.
The Pride of Jennico is a lost 1914 silent swashbuckler film directed by J. Searle Dawley. It was produced by Adolph Zukor and released on a State Rights basis. On the Broadway stage, the play starred James K. Hackett, Bertha Galland and Arthur Hoops.