Carnatic music, known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. The other subgenre is Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Hindustani classical music is the classical music of the Indian subcontinent's northern regions. It may also be called North Indian classical music or Uttar Bhartiya shastriya sangeet. The term shastriya sangeet literally means classical music, and is also used to refer to Indian classical music in general. It is played on instruments like the veena, sitar and sarod. It diverged in the 12th century CE from Carnatic music, the classical tradition of Southern India. While Carnatic music largely uses compositions written in Sanskrit, Kannada, Telugu, Tamil, Malayalam, Hindustani music largely uses compositions written in Hindi, Urdu, Braj, Avadhi, Bhojpuri, Bengali, Rajasthani, Marathi and Punjabi.
Ustad Amir Khan was an Indian singer and musician in the Hindustani classical tradition. He was the founder of the Indore gharana.
Raga rock is rock or pop music with a pronounced Indian influence, either in its construction, its timbre, or its use of Indian musical instruments, such as the sitar, tambura, and tabla. The term "raga" refers to the specific melodic modes used in Indian classical music.
Raga Rockers is a Norwegian rock band. The band was formed in 1982 in Oslo by vocalist Michael Krohn, bassist Livio Aiello, guitarist Bruno Hovden and drummer Jan Arne Kristiansen. Raga Rocker's musical style has evolved throughout the years and is often characterized as melodic rock with dark and satirical lyrics. The band's current lineup comprises founding members Krohn, Aiello and Kristiansen, guitarists Eivind Staxsrud and Henning Sandsdalen, and keyboardist Arne Sæther.
Lalgudi Gopala Iyer Jayaraman was an Indian Carnatic violinist, vocalist and composer. He is commonly grouped with M.S. Gopalakrishnan and T.N.Krishnan as part of the violin trinity of Carnatic music. He was awarded the Padma Bhushan by the Government of India in 2001.
Dhīraśankarābharaṇaṃ, commonly known as Śankarābharaṇaṃ, is a rāga in Carnatic music. It is the 29th Melakarta rāga in the 72 Melakarta rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as "Sarva Gamaka Māṇika Rakti Rāgaṃ".
Musical improvisation is the creative activity of immediate musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing variations on a melody or creating new melodies, rhythms and harmonies". Encyclopædia Britannica defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within a pre-existing harmonic framework or chord progression. Improvisation is a major part of some types of 20th-century music, such as blues, rock music, jazz, and jazz fusion, in which instrumental performers improvise solos, melody lines and accompaniment parts.
A jugalbandi or jugalbandhi is a performance in Indian classical music, especially in Hindustani classical music but also in Carnatic, that features a duet of two solo musicians. The word jugalbandi means, literally, "entwined twins." The duet can be either vocal or instrumental.
Madras Lalithangi Vasanthakumari was a Carnatic musician and playback singer for film songs in many Indian languages. MLV and her contemporaries, D. K. Pattammal and M. S. Subbulakshmi, are popularly referred to as the female trinity of Carnatic music. A prime disciple of G. N. Balasubramaniam, she was the youngest among the established musicians of that era and was the youngest female to receive the Sangita Kalanidhi award. In 1967, she was honored with the Padma Bhushan, the third highest civilian award, by the government of India. Her daughter, the late K. Srividya, was an actress in Tamil and Malayalam.
Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist in history to perform in the House of Commons, London. Famously proclaimed the "sitar artist of the century" by veena great Balachander, he has performed in thousands of concerts since the 1970s in India, America, Australia, the UAE, and almost all of Europe.
Every One of Us is an album by Eric Burdon & The Animals. It was released in 1968 on MGM Records.
Pandit Ulhas Kashalkar is a Hindustani classical vocalist. He has received training in the Gwalior, Jaipur and Agra gharanas, and is considered one of the finest representative of all three schools.
Rajeev Taranath was an Indian classical musician who played the sarod. Taranath was a disciple of Ali Akbar Khan.
Bandish, cheez or gat is a fixed, melodic composition in Hindustani vocal or instrumental music. It is set in a specific raga, performed with rhythmic accompaniment by a tabla or pakhawaj, a steady drone, and melodic accompaniment by a sarangi, violin or harmonium. There are different ways of systematizing the parts of a composition. A bandish provides the literature element in the music, for standard structured singing. In the past many gharanas protected their bandishes from moving out of the family with gross incoherent vocal renditions. In the realm of vocal music, it is often known as cheez.
Joachim von Burck, also Joachim a Burgk or Joachim Moller was a German composer, notable for an early German Passion setting. As Johann Sebastian Bach's predecessor at the church of St Blasius, he pioneered the musical life in post-Reformation Mühlhausen, bringing it to early fruition. Influenced by the tradition of Flemish polyphony and the Italian madrigal, he developed his own style, focusing on clarity of expression. Considering himself a servant to the word of God, he discovered the German language as the foundation of his work, pragmatically addressing the congregation: "for I have aimed to set the words to the music in a manner that almost each syllable has its own note and that the four parts sing the words simultaneously in order that the listener can hear the words clearly." Burck's compositions were widely disseminated and acclaimed for their suitability for common use.
Ravi Shankar: In Celebration is a compilation box set by Indian classical musician and composer Ravi Shankar, released in 1996 on Angel Records in conjunction with Dark Horse Records. The four discs cover Shankar's international career, from the 1950s to the mid 1990s, and include recordings originally released on the World Pacific, HMV, Angel, Apple, Dark Horse and Private Music record labels. Shankar's friend George Harrison compiled and co-produced the set, which was issued as part of year-long celebrations for Shankar's 75th birthday.
Ravi Shankar's Festival from India is a double album by Indian musician and composer Ravi Shankar, released on World Pacific Records in December 1968. It contains studio recordings made by a large ensemble of performers, many of whom Shankar had brought to the United States from India. Among the musicians were Shivkumar Sharma, Jitendra Abhisheki, Palghat Raghu, Lakshmi Shankar, Aashish Khan and Alla Rakha. The project presented Indian classical music in an orchestral setting, so recalling Shankar's work as musical director of All India Radio in the years before he achieved international fame as a soloist during the 1960s.
Asavari is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat.
Gara is a Hindustani classical raga belonging to the Khamaj Thaat. This raga is similar to raga Jaijaiwanti. Both ragas i.e. raga Jaijaiwanti and raga Gara, have the same svaras. Gara is a rare raga. It is rendered in the late evening. The raga uses all the seven notes, six in the ascent and seven in the descent. Therefore, the Jati of the raga is Shaadav-Sampurna. While some say that seven svaras are played in the ascent and seven in the descent. Therefore, the Jati then becomes Sampurna-Sampurna. It uses both, the Komal (flat) and Shuddha (full) Nishad, and all other notes are Shuddha (full). The derivative ragas out of this structure are grouped under the broad head of Khamaj Thaat. Gara belongs to a family of melodic entities, which were apparently derived from folk melodies, and entered art-music in association with the thumri genre. This family includes ragas like Kafi, Piloo, Jangula, Barwa, and Zilla, along with several others. This raga expresses the feeling of happiness and satisfaction of achievement, however it simultaneously conveys the sadness of losing. This raga is also a vivacious and romantic one.
