The Ratbites from Hell

Last updated

The Ratbites From Hell
Origin Bristol, Mells, England
GenresRock
Years active1972–75
LabelsWorld Wide Records
Associated actsMagic Muscle, Pink Fairies, Solid Senders, OTH, The Records
Past members John Perry
Nick Howell
Huw Gower
Peter Biles
Alan Platt
Pete Thorpe
Roy Sundholm

The Ratbites From Hell were a West Country rock band active between 1972 and 1975, many of whose members subsequently played in key bands of the later 70's, as punk and new wave revived the London and New York music scenes.

Contents

The basic Ratbites line-up was Huw Gower and John Perry on guitar/vocals, Roy Sundholm on bass/vocals, Nick Howell and/or Alan Platt on drums, 'Big' Pete Thorpe on vocals and Pete Biles on congas,

1972–75

When the psychedelic band Magic Muscle split in January 1973, remaining members Huw Gower and Pete Biles recruited guitarist John Perry, bassist Roy Sundholm and drummer Nick Howell to fulfill existing MM gig commitments; their nascent band (Over The Hill)'s fourth member, singer/songwriter Pete Roe served out the remaining six months of his contract as a journalist with a national daily.

Joined by lead singer 'Big' Pete Thorpe, this temporary line-up became MM 2 and were soon playing shows with Hawkwind. Dave Brock rated the new band and recommended them to producer Don Paul who cut two songs on them including Huw Gower's majestic 'Sparkle'. MM2's last appearance was at the l Trentishoe Festival in Devon (July '73) after which the MM name was retired for a while.

Gower formed 'Stroll On', joined by Howell. The two groups jammed together in the summer of 1974 and the same core musicians who played at Trentishoe once more reformed as The Ratbites From Hell and played shows throughout the UK.

In August 1975 The Ratbites toured the Netherlands, playing a dozen cities from Groningen to Rotterdam. They also recorded for United Artists. The band has never officially split up, though shows these days are rare. A line-up was last seen playing at The Nashville Rooms in London in early 1978.

Subsequent careers

Huw Gower was spotted by Will Birch at the Ratbites Nashville gig,] and recruited to play guitar for The Records. [1] Gower co-wrote the groups’ US top 40 chart hit ’Starry Eyes’, cut records with Rachel Sweet, Nick Lowe, The Sinceros, Henry McCulloch, Carlene Carter and in New York with ex-New York Dolls vocalist David Johansen/Buster Poindexter, Graham Parker & Rosanne Cash. His 1984 solo record 'Guitarophilia', highly rated by the NY Times' music critic Robert Palmer lead to a second career as a producer, a role he'd begun during his spell with The Records and more solo releases; 'Ile de France' in 2000 and 'In Pursuit of Excellence, 2003. In 2012 he formed IceCream Skyscraper with 'Mad' Mike Cullens. The band's well received first album, 'Granite, With Rainbow Sprinkles' was released later that same year.

Alan Platt formed the Solid Senders with Dr. Feelgood guitarist Wilko Johnson. [2] Their debut album included his original tune 'First Thing in the Morning', featuring his lead vocal. He and co-writer Simon Climie were signed to Ringo Starr's publishing company, who placed one of their tunes on a single release by Connie Francis (Comme Ci, Comme Ca). Subsequently Alan relocated to his native Scotland, where he was active in the blues band 'Bottleneck'. He died in 2006.

John Perry met Peter Perrett when a drunken Peter Biles fell offstage at a London show in autumn 1975, landing on (future- Only One) Peter Perrett's wife, Xena. From this inauspicious start Perrett and Perry began recording songs at a demo studio in Tooting. Five songs [3] were laid down with Perry playing bass and guitar, Glenn Tilbrook on guitar and Gordon Edwards (Kinks and Pretty Things) on keyboards. [4] Within months drummer Mike Kellie and bassist Alan Mair joined and the Only Ones line-up was finalised in mid-1976.

The Only Ones reformed in 2007 and in the intervening years John's guitar was frequently heard on recordings by The Sisters of Mercy, Robert Palmer, Evan Dando and many more. He also found time to author three books, including a highly acclaimed analysis of The Rolling Stones' masterpiece 'Exile on Main Street'.

Roy Sundholm released an album of original material [5] which featured Alan Platt on drums.

Nick Howell joined The Snivelling Shits alongside Giovanni Dadomo, Pete Makowski, Barry Myers and sometime bassist Steve Lillywhite. Their album I Can't Come was released on the Damaged Goods label. Nick later joined John's band Decline and Fall. He died in 2005.

By 1977 the various Ratbites had moved on but John and Alan can be heard, separately, on one double album. If any one record reflects the atmosphere of 1976/7, as the London music scene adapted to (or ignored) the challenge of punk, it's probably the Hope & Anchor Front Row Festival. Recorded live over 3 weeks in Nov/December 1977 it features the Only Ones, and the Wilko Johnson Band.

Discography

Album

Ratbite Fever, a bootlegged collection of demos and live tracks by Over The Hill, which included John, Roy and Alan along with Pete Roe, was released by World Wide Records SPM-CD-0006

Zippo Records' former CEO Pete Flanagan has yet to release tracks he cut of originals by Gower, accompanied by Perry, Howell and ex-MM Ade Shaw on bass, and also is thought to have a copy of the UA sessions, featuring Gowers' 'TV Blues'.

On 6 October 2014, Bristol Archive Records debut 'Bristol Boys Make More Noise', a photo book and companion compilation CD featuring many bands active in the Bristol area in the late 1970s and early 1980s. The digital release includes the song 'Sparkle', written by Huw Gower and recorded in the summer of 1973. Produced by Don Paul, this track is, some 41 years after the fact, the debut of The Fabulous Ratbites From Hell as a recording unit.

Related Research Articles

Dr. Feelgood (band)

Dr. Feelgood are an English pub rock band formed in 1971. Hailing from Canvey Island, Essex, the group are best known for early singles such as "She Does It Right", "Roxette", "Back in the Night" and "Milk and Alcohol". The group's original distinctively British R&B sound was centred on Wilko Johnson's choppy guitar style. Along with Johnson, the original band line-up included singer Lee Brilleaux and the rhythm section of John B. Sparks, known as "Sparko", on bass guitar and John Martin, known as "The Big Figure", on drums. Although their most commercially productive years were the early to mid-1970s, and in spite of Brilleaux's death in 1994 of lymphoma, a version of the band continues to tour and record to this day.

Wilko Johnson English guitarist, singer and songwriter

Wilko Johnson is an English guitarist, singer, songwriter and occasional actor. He was a member of the pub rock/rhythm and blues band Dr. Feelgood in the 1970s. Johnson is known for his distinctive guitar playing style which he achieved by not using a pick but instead relying on fingerstyle. This enabled him to play rhythm guitar and riffs or solos at the same time creating a highly percussive guitar sound.

Henry McCullough Northern Irish guitarist, singer and songwriter

Henry Campbell Liken McCullough was a Northern Irish guitarist, singer and songwriter. He was best known for his work as a member of Spooky Tooth, the Grease Band and Paul McCartney and Wings. He also performed and recorded as a solo artist and session musician.

Michael Robert Green was an English rock and roll guitarist who played with The Pirates, Billy J. Kramer and the Dakotas, and Cliff Bennett and the Rebel Rousers.

The Records were an English power pop band formed in 1978. They are best remembered for the hit single and cult favourite "Starry Eyes".

<i>The Only Ones</i> (album) 1978 studio album by The Only Ones

The Only Ones is the debut studio album by English power pop band The Only Ones, released in 1978 by Columbia Records. It was produced by the Only Ones themselves, with the assistance of Robert Ash and was mixed at Basing St., Escape and CBS.

<i>Remains</i> (The Only Ones album) 1984 compilation album by The Only Ones

Remains is a rarities album by English band the Only Ones, released in 1984. This collection combines pre-Only Ones recordings from November 1975 with Only Ones demos, many from August 1976. Both sessions took place at Tooting Studios in South London. The 1975 titles — "Watch You Drown", "My Rejection", "Don't Hold Your Breath" and "I Only Wanna Be Your Friend" — also feature the talents of Glenn Tilbrook, Gordon Edwards, drummer Alan Platt, and John Perry playing bass. These demos pre-date the recording of the first Only Ones single, "Lovers of Today". Subsequent tracks all feature the regular Only Ones line-up.

<i>Special View</i> 1979 compilation album by The Only Ones

Special View is the second compilation album by English power pop band The Only Ones. Released in 1979 in the United States it consists of tracks selected by the American label Epic from the band's first two CBS (UK) albums.

Johnny Kidd & the Pirates were an English rock and roll group led by singer/songwriter Johnny Kidd. They scored numerous hit songs from the late 1950s to the early 1960s, including "Shakin' All Over" and "Please Don't Touch".

<i>Even Serpents Shine</i> 1979 studio album by The Only Ones

Even Serpents Shine is the second studio album by English power pop band The Only Ones, released in 1979 by Columbia Records. It was produced by Peter Perrett and Alan Mair.

Mike Kellie English rock drummer (1947–2017)

Michael Alexander Kellie was an English musician, composer and record producer.

Gypie Mayo was an English guitarist and songwriter, playing in Dr. Feelgood from 1977 to 1981, and from 1996 to 2004 in the reborn Yardbirds with Alan Glen.

<i>Be Seeing You</i> 1977 studio album by Dr. Feelgood

Be Seeing You was the fifth album by Dr. Feelgood, and was released in October 1977. After the departure of Wilko Johnson, this was Dr. Feelgood's first album with guitarist Gypie Mayo.

<i>Malpractice</i> (Dr. Feelgood album) 1975 studio album by Dr. Feelgood

Malpractice is the second album by English rock band Dr. Feelgood, released in October 1975.

Fried Egg Records

Fried Egg Records was a record label set up in 1979 by Andy Leighton, administrator of the Bristol-based Crystal Theatre. Its first release was by the Theatres anarchic "house band" Shoes For Industry. In its short two-year existence the label did manage to produce records from some of Bristols' more notable bands, plus a compilation LP, E(gg)clectic 1.

Lee Brilleaux Musical artist

Lee Brilleaux was an English rhythm-and-blues singer and musician with the band Dr. Feelgood.

The Blockheads discography

Formed in 1977 to promote Ian Durys' album New Boots and Panties!! on the first Stiff Records tour of the UK, Chaz Jankel, Norman Watt-Roy, Charlie Charles, John Turnbull and Mick Gallagher became known as 'The Blockheads'. As 'Ian Dury & The Blockheads' they went back out on tour, this time without Jankel, and in 1978 released "What a Waste"/"Wake Up and Make Love with Me" a single that reached number five in the UK charts. They were then joined by saxophonist Davey Payne and toured the US supporting Lou Reed across North America, ending with their own dates in California.

<i>Going Back Home</i> 2014 studio album by Wilko Johnson and Roger Daltrey

Going Back Home is a collaborative studio album by former Dr. Feelgood guitarist Wilko Johnson and the Who lead vocalist Roger Daltrey released in 2014. The album contains versions of songs previously recorded by Johnson and his former band Dr. Feelgood, as well as a version of "Everybody's Carrying a Gun" by Solid Senders, another band Johnson was a member of.

References

  1. "The Records Starry Eyes home of UK power pop group". Therecords.com. Archived from the original on 30 January 2015. Retrieved 6 August 2014.
  2. "The Wilko JOHNSON (Dr. Feelgood) and Lew LEWIS Band – Bottle Up And Go! 1983 | whoisthemonk". Whoisthemonk.wordpress.com. 17 November 2010. Retrieved 6 August 2014.
  3. Watch You Drown, My Rejection, Be Your Friend, Don't Hold Your Breath. These tracks subsequently emerged on the posthumous album Remains:
  4. Liner notes 'Remains' album.
  5. 'The Chinese Method' on Ensign Records, in 1978