Hubertus Castle is a 1934 German drama film directed by Hans Deppe and starring Friedrich Ulmer, Hansi Knoteck and Arthur Schröder. It is an adaptation of the 1895 novel of the same title by Ludwig Ganghofer.
Robert and Bertram is a 1928 German silent comedy film directed by Rudolf Walther-Fein and starring Harry Liedtke, Fritz Kampers and Elizza La Porta. The film was shot at the Staaken Studios in Berlin with sets designed by the art directors Botho Höfer and Hans Minzloff. It is based on the 1856 Gustav Räder play Robert and Bertram about the adventures of two wandering vagrants.
Martha Amalia "Maly" Delschaft was a German stage and film actress. After beginning in theatre, Delschaft switched to silent films. She appeared in mainly supporting roles during the Weimar and Nazi eras. After the Second World War she worked in East Germany for the state-controlled studio DEFA.
The Last Horse Carriage in Berlin is a 1926 German silent comedy drama film directed by Carl Boese and starring Lupu Pick, Hedwig Wangel, and Maly Delschaft. The film's art direction was by Franz Schroedter. The film premiered in Berlin on 18 March 1926.
Anastasia, the False Czar's Daughter is a 1928 German silent drama film directed by Arthur Bergen and starring Lee Parry, Hans Stüwe and Elizza La Porta. It was shot at the National Studios in Berlin. The film's art direction was by Otto Moldenhauer.
The Private Life of Louis XIV or Liselotte of the Palatinate is a 1935 German historical film directed by Carl Froelich and starring Renate Müller, Eugen Klöpfer and Maria Krahn. It was shot at the Tempelhof Studios in Berlin and premiered at the city's UFA-Palast am Zoo. The sets were designed by the art directors Walter Haag and Franz Schroedter. The film's English language release title is a reference to the hit British film The Private Life of Henry VIII (1933).
The Bordellos of Algiers is a 1927 German silent drama film directed by Wolfgang Hoffmann-Harnisch and starring Maria Jacobini, Camilla Horn and Warwick Ward. The film was shot on location in North Africa. The film's sets were designed by the art directors Hans Jacoby and Bruno Krauskopf. It premiered at the UFA-Palast am Zoo in Berlin.
Elizza La Porta was a Romanian-born film actress. La Porta was born in Craiova into a Jewish family. She appeared in a number of German films during the silent film era. She retired from acting at the onset of the sound film. She later emigrated to the United States where she died in Los Angeles in 1997, aged 95.
Don't Lose Heart, Suzanne! is a 1935 German drama film directed by Arzén von Cserépy, and starring Jessie Vihrog, Veit Harlan, and Willi Schur.
Casanova's Legacy is a 1928 German silent film directed by Manfred Noa and starring Andrée Lafayette, Maly Delschaft and Elizza La Porta.
Don Juan is a 1922 German silent film directed by Albert Heine and Robert Land and starring Hans Adalbert Schlettow, Margarete Lanner, and Margit Barnay.
The Immortal Vagabond is a 1930 German musical film directed by Gustav Ucicky and Joe May and starring Liane Haid, Gustav Fröhlich and Hans Adalbert Schlettow. It is an operetta film, made by German's largest film company UFA. Interiors were shot at the Babelsberg Studios in Berlin. The film's sets were designed by Robert Herlth and Walter Röhrig. The film was remade in 1953.
The Flames Lie is a 1926 German silent drama film directed by Carl Froelich and starring Hans Adalbert Schlettow, Ruth Weyher and Henny Porten. It was shot at the Staaken Studios in Berlin. The film's sets were designed by Franz Schroedter. It was made by UFA and released under the Parufamet agreement.
Prisoner Number Seven is a 1929 German-Hungarian drama film directed by Lajos Lázár and Paul Sugar and starring Hans Adalbert Schlettow, Lissy Arna and Charlotte Susa.
Devotion is a 1929 Austrian-German silent drama film directed by Guido Brignone and starring Marcella Albani, Hans Melzer, and Hans Adalbert Schlettow.
A Girl from the Reeperbahn is a 1930 Czech-German musical film directed by Karl Anton and starring Olga Chekhova, Trude Berliner, and Hans Adalbert Schlettow.
Frisian Blood is a 1925 German silent film directed by Fred Sauer and starring Jenny Jugo, Gustav Fröhlich and Hans Adalbert Schlettow.
The Shadows of That Night is a 1922 German silent film directed by Fred Sauer and starring Hans Adalbert Schlettow, Hans Adalbert Schlettow, Hilde Wolter and Hermann Picha.
The Right to Live is a 1927 Austrian-German silent film directed by Robert Wohlmuth and starring Maly Delschaft, Erna Morena, and Elizza La Porta.
The Big Number or The Big Act is a 1943 German drama film directed by Karl Anton and starring Leny Marenbach, Maly Delschaft and Paul Hoffmann. A circus film, it was originally intended to star Harry Piel but due to delays on Panic he withdrew from the project, although he had contributed to the screenplay. Location shooting took place at the Circus Sarrasani in Dresden. The film's sets were designed by the art director Willy Schiller. It was one of three entertainment-focused films playing in Berlin at the time of the Sportpalast speech by Joseph Goebbels calling for total war.
