Reggae is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, "Do the Reggay", was the first popular song to use the word reggae, effectively naming the genre and introducing it to a global audience. Reggae is rooted out from traditional Jamaican Kumina, Pukkumina, Revival Zion, Nyabinghi, and burru drumming. Jamaican reggae music evolved out of the earlier genres mento, ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument.
Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
Rocksteady is a music genre that originated in Jamaica around 1966. A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, Delroy Wilson, Bob Andy, Ken Boothe and Phyllis Dillon; musicians such as Jackie Mittoo, Lynn Taitt and Tommy McCook. The term rocksteady comes from a popular (slower) dance style mentioned in the Alton Ellis song "Rocksteady", that matched the new sound. Some rocksteady songs became hits outside Jamaica, as with ska, helping to secure the international base reggae music has today.
Cecil Bustamente Campbell, known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.
The Slackers are an American ska band, formed in Manhattan, New York in 1991. The band's sound is a mix of ska, rocksteady, reggae, dub, soul, garage rock, and jazz. The Slackers' notability is credited to their prolific career, tours of North and South America, Europe, and elsewhere, and signing to notable punk label Hellcat Records.
Redlight is an album by the Slackers, released in 1997.
Studio One is one of Jamaica's most renowned record labels and recording studios; it has been described as the Motown of Jamaica. The record label was involved with most of the major music movements in Jamaica during the 1960s and 1970s, including ska, rocksteady, reggae, dub and dancehall.
There are several subgenres of reggae music including various predecessors to the form.
Hepcat is a ska and reggae band formed in southern California in 1989. Their soulful harmonies and mellow rhythms were unlike those of contemporaries and more akin to musicians from the heyday of 1960s Jamaican ska with elements of soul, jazz and R&B.
Lorenzo "Laurel" Aitken was a Cuban-Jamaican singer and one of the pioneers of ska music. He is often referred to as the "Godfather of Ska".
Stubborn All-Stars are an American, New York City-based ska band led by King Django, front man of Skinnerbox and owner of Stubborn Records.
Better Late Than Never is the debut album by the ska/reggae band the Slackers. It was released in 1996 on Moon Ska Records. It was remastered and re-released with three additional tracks from the original recording sessions on March 19, 2002, through Special Potato Records.
Tommy McCook was a Jamaican saxophonist. A founding member of The Skatalites, he also directed The Supersonics for Duke Reid, and backed many sessions for Bunny Lee or with The Revolutionaries at Channel One Studios in the 1970s.
Dave Hillyard is a tenor saxophonist originating from San Diego, California. He has performed in groups such as The Slackers, The Rocksteady Seven, The Donkey Show, Hepcat, Stubborn All-Stars, and has guested with the likes of Rancid, Victor Rice, Skinnerbox NYC and Alexandra Lawerentz. He is a skilled improviser and composer/arranger with more than thirty album credits to his name.
Ska jazz is a music genre derived by fusing the melodic content of jazz with the rhythmic and harmonic content of early Jamaican Music introduced by the "Fathers of Ska" in the late 1950s. The ska-jazz movement began during the 1990s in New York and London, where pioneering avant-garde jazz and reggae musicians pushed the boundaries of reggae music. They were combining traditions with modern tendencies, using the reggae beat along with high improvisation and jazz harmonies, primarily by horns and percussion.
The Aggrolites are an American reggae band from Los Angeles, California, United States, which formed in 2002.
The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone." They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period, including Bob Marley & The Wailers, on their first single "Simmer Down." They reformed in 1983 and have played together ever since.
Cedric "Im" Brooks was a Jamaican saxophonist and flautist known for his solo recordings and as a member of The Mystic Revelation of Rastafari, The Sound Dimensions, Divine Light, The Light of Saba, and The Skatalites.
Larry McDonald is a Jamaican percussionist. He was born in Port Maria, Jamaica in 1937. McDonald played congas with Carlos Malcolm's band, Toots and the Maytals and the Count Ossie Band. He plays a wide variety of traditional percussion instruments.
