Related Research Articles
Alessandro Blasetti was an Italian film director and screenwriter who influenced Italian neorealism with the film Quattro passi fra le nuvole. Blasetti was one of the leading figures in Italian cinema during the Fascist era. He is sometimes known as the "father of Italian cinema" because of his role in reviving the struggling industry in the late 1920s.
The Song of Love is a 1930 Italian romance film directed by Gennaro Righelli and starring Dria Paola, Isa Pola and Elio Steiner. It was the first Italian talking film. Alessandro Blasetti's film Resurrection was actually shot first, but delays meant that it was not released until 1931.
The Lion of Amalfi is a 1950 Italian historical adventure film directed by Pietro Francisci and starring Vittorio Gassman, Milly Vitale and Carlo Ninchi. After making his 1949 biopic Anthony of Padua, Francisci switched to making historical adventures. Gassman had attracted notice for his performance in the melodrama Bitter Rice leading to his casting in this film.
The Old Guard is a 1934 Italian drama film directed by Alessandro Blasetti and starring Gianfranco Giachetti, Mino Doro, and Franco Brambilla. It was one of several pro-Fascist films made by Blasetti during the era. The film is set in a small Italian town in 1922, where a local group of Fascist blackshirts battle against rival socialists who have called a strike at the hospital. Mario, the young son of Doctor Cardini, is killed in the fighting. The film ends with the March on Rome that brought Benito Mussolini to power.
The Table of the Poor is a 1932 Italian drama film directed by Alessandro Blasetti and starring Raffaele Viviani, Leda Gloria and Salvatore Costa. It was based on a play by Viviani set in Naples. It was shot at the Cines Studios in Rome. The film's sets were designed by Gastone Medin. It portrays the adventures of an impoverished Marquis who continues to lead a grand lifestyle.
Arturo Ambrosio (1870–1960) was an Italian film producer who was a pioneering and influential figure in the early years of Italian cinema.
Eternal Melodies is a 1940 Italian historical drama film directed by Carmine Gallone and starring Gino Cervi, Conchita Montenegro and Luisella Beghi. It was one of several musical biopics directed by Gallone. The film was shot at Cinecittà in Rome.
Milano Films was an Italian film production company of the silent era. Founded in Milan in 1908, it was one of the leading Italian film companies of the 1910s employing directors such as Baldassarre Negroni and Augusto Genina and actors including Lina Millefleurs, Mercedes Brignone and Pina Menichelli.
Stefano Pittaluga was an Italian film producer, one of several figures who helped revive Italian film production in the late 1920s and early 1930s.
The Ancestor is a 1936 Italian comedy film directed by Guido Brignone and starring Antonio Gandusio, Paola Barbara and Mercedes Brignone. It is an adaptation of a play by Carlo Veneziani, and was made at the Palatino Studios in Rome.
The Joker King is a 1935 Italian historical comedy film directed by Enrico Guazzoni and starring Luisa Ferida, Armando Falconi and Luigi Cimara.
The Charterhouse of Parma is a 1948 French-Italian historical drama film directed by Christian-Jaque and starring Renée Faure, Gérard Philipe and Maria Casarès. It is based on the 1839 novel of the same name by Stendhal. The film's sets were created by the art directors Jean d'Eaubonne and Ottavio Scotti and the costumes were designed by Georges Annenkov. The film was made at the Cinecittà Studios in Rome while location shooting took place in Italy around Milan and Lake Como.
Julius Caesar is a 1914 Italian silent historical film directed by Enrico Guazzoni and starring Amleto Novelli, Bruto Castellani and Pina Menichelli. Taking minor inspiration from William Shakespeare's 1599 play of the same title, the film portrays the events leading up to the assassination of Julius Caesar. In the wake of Guazzoni's internationally successful Quo Vadis it was produced on an epic scale, including vast sets recreating Ancient Rome and more than 20,000 extras.
The Unione Cinematografica Italiana (UCI) was an Italian film production and distribution consortium of the silent era. Following the end of the First World War, a group of eleven leading Italian companies joined forces in a single conglomerate which would be better able to compete with rival films from America, Britain, France and Germany. The driving force behind UCI was Baron Alberto Fassini, who had previously headed the Cines studio.
The Banca Italiana di Sconto was the third-largest Italian bank in its time, headquartered in Rome and formed in 1915 by merger of Società Bancaria Italiana with Società Italiana di Credito Provinciale. It went bankrupt in 1921.
Kean is a 1940 Italian historical drama film directed by Guido Brignone and starring Rossano Brazzi, Germana Paolieri. and Sandro Salvini. It is based on the 1836 play Kean by Alexandre Dumas portraying the life of the English actor Edmund Kean.
Giallo is a 1933 Italian comedy thriller film directed by Mario Camerini and starring Assia Noris, Sandro Ruffini and Elio Steiner. It is based on the 1928 play The Man Who Changed His Name by Edgar Wallace in which a young wife begins to fear that her husband may in fact be an escaped murderer.
Itala Film was an Italian film production company.
The Last Dance is a 1941 Italian "white-telephones" comedy film directed by Camillo Mastrocinque and starring Elsa Merlini, Amedeo Nazzari and Renato Cialente. It is considered to be in the tradition of White Telephone films, popular during the Fascist era. It is based on a play by the Hungarian writer Ferenc Herczeg and features Merlini in a dual role as mother and daughter.
The Night of Tricks is a 1939 Italian "white-telephones" comedy film directed by Carlo Campogalliani and starring Amedeo Nazzari, Dria Paola and Maurizio D'Ancora.
References
- ↑ Moliterno p.158
