The Second Book of Songs (title in Early Modern English: The Second Booke of Songs or Ayres of 2, 4 and 5 parts: with Tableture for the Lute or Orpherian, with the Violl de Gamba [1] ) is a book of songs composed by Renaissance composer John Dowland and published in London in 1600. He dedicated it to Lucy Russell, Countess of Bedford.
The book contains 22 songs plus an instrumental number, a "lesson for the Lute and Base Viol, called Dowlands a dew" (his First Book of Songs of 1597 contained 21 songs plus an instrumental number). The music is often described as lute songs, but this is somewhat misleading. The title page offers options regarding the instruments to be used. Also, some songs are appropriate for more than one voice, although madrigal-like scoring is less prominent than in the First Booke where all the songs can be performed in a four-part version.
Many of the lyrics are anonymous. There has been speculation that Dowland wrote some of his own lyrics, [2] but there is not any firm evidence for this. Whoever wrote them, the quality has been recognised as being high. Fine knacks for ladies, in which the anonymous poet takes on the role of a pedlar, [3] has been anthologised as an example of Elizabethan verse, for example in The Norton Anthology of Poetry . [2]
In his address to the "courteous reader" at the beginning of the First Book of Songs, Dowland announced his intention to publish more songs. The first book was printed by Peter Short, who had recently become involved in music printing. For the second book, Dowland turned to a different team - the publisher was George Eastland of Fleet Street (an obscure figure who appears to have known the Dowland family) and the printer was Thomas East, an experienced music printer. A fee had to be paid to Thomas Morley, who held a patent (a monopoly of music printing) from 1598.
On the title-page Dowland is correctly described as lutenist to the king of Denmark. The manuscript was delivered by Mrs Dowland, but as Dowland was living abroad, he was not able to liaise with the printer, and the proofs were read by two composers who were in London at the time, John Wilbye and Edward Johnson. [4]
The First Book was a commercial success and was reprinted four times during the composer's lifetime. The Second Book appears to have sold less well than expected, at any rate it was not reprinted by Thomas East. However, it includes songs which have become among the best known among the composer's output.
An early example of a recording of a song from the Second Book is a 78 rpm record by Alfred Deller of Fine knacks for ladies with Desmond Dupré playing guitar. This was recorded at Abbey Road in 1949. [5] In later recordings of this repertoire Deller's accompanist switched to the lute.
John Dowland was an English or possibly Irish Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists.
An air is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to as aria.
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute. It was not uncommon for other forms of accompaniments such as bass viol or other string instruments, and could also be written for more voices. The composition could be performed either solo or with a small group of instruments.
The Fitzwilliam Virginal Book is a primary source of keyboard music from the late Elizabethan and early Jacobean periods in England, i.e., the late Renaissance and very early Baroque. It takes its name from Viscount Fitzwilliam who bequeathed this manuscript collection to Cambridge University in 1816. It is now housed in the Fitzwilliam Museum at Cambridge. The word virginals does not necessarily denote any specific instrument and might refer to anything with a keyboard.
Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Referring to the strong Italian influence on the English madrigal, The New Grove Dictionary of Music and Musicians states that Morley was "chiefly responsible for grafting the Italian shoot on to the native stock and initiating the curiously brief but brilliant flowering of the madrigal that constitutes one of the most colourful episodes in the history of English music."
Anthony [Antony] Holborne [Holburne] was a composer of music for lute, cittern, and instrumental consort during the reign of Queen Elizabeth I.
Songs from the Labyrinth is the eighth studio album by British singer-songwriter Sting. On this album, he collaborates with Bosnian lutenist Edin Karamazov. The album features music by John Dowland (1563–1626), a lutenist and songwriter. It entered the UK Official Albums Chart at #24 and reached #25 on the Billboard 200, strong charting peaks for a classical record on the pop album charts. The release was a slow seller for a Sting album, his first since 1986's Bring on the Night to fail to break the UK top 10.
"Flow, my tears" is a lute song by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae".
"I Saw My Lady Weep" is a lute song from The Second Book of Songs by Renaissance lutenist and composer John Dowland. It is the first song in the Second Book and is dedicated to Anthony Holborne. It is an example of Dowland's use of chromaticism.
"Come Again, sweet love doth now invite" is a song by John Dowland. The lyrics are anonymous. The song is bitter-sweet, typical of Dowland who cultivated a melancholy style.
Nationality words link to articles with information on the nation's poetry or literature.
The Journey and the Labyrinth is a live music album performed by Sting and Edin Karamazov. It was released in 2007 by Deutsche Grammophon.
Lachrimæ or seaven teares figured in seaven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts is a collection of instrumental music composed by John Dowland. It was published by John Windet in 1604. It consists of a set of seven slow pieces which the composer calls tears plus other pieces including some livelier numbers.
"In darkness let me dwell" is a song ascribed to the lutenist and composer John Dowland. Published in 1610, late in Dowland's career, the song shows the influence of Italian music of the early baroque. It was published as song no. 10 in A Musical Banquet, a 1610 anthology of songs for lute and voice from England, France, Italy, and Spain compiled by Robert Dowland, John's son. "In darkness let me dwell" has been recorded by many artists, notably by on the 2006 album Songs from the Labyrinth by Sting with Edin Karamazov.
Nationality words link to articles with information on the nation's poetry or literature.
"Will Yow Walke the Woods soe Wylde" is the title of a song from the Tudor era, popularly believed to have been a favourite of Henry VIII. The complete text of the song has not survived, but contained the short refrain:
Christopher Wilson is a British lutenist who has performed widely and recorded several albums.
"Can She Excuse My Wrongs" is a late 16th-century song by the English Renaissance composer John Dowland, the fifth song in his First Booke of Songes or Ayres. The words are set to a dance-tune, a galliard.
"My Robin is to the greenwood gone" or "Bonny Sweet Robin" is an English popular tune from the Renaissance.
The First Book of Songs is a collection of songs by John Dowland which includes one instrumental piece. The book was published in London in 1597 and was reprinted four times during the composer's lifetime.
The Second Book of Songes : Scores at the International Music Score Library Project