The Second Mother | |
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Directed by | Heinrich Bolten-Baeckers |
Written by | Heinrich Bolten-Baeckers |
Produced by | Heinrich Bolten-Baeckers |
Starring | |
Cinematography | |
Production company | BB-Film-Fabrikation |
Distributed by | UFA |
Release date |
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Country | Germany |
Languages |
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The Second Mother (German: Die zweite Mutter) is a 1925 German silent comedy film directed by Heinrich Bolten-Baeckers and starring Margarete Lanner, Hans Mierendorff and Maria Melchoir. It was one of a number of popular comedies released by UFA alongside its more prestigious art films. [1]
Hans Mierendorff was a German stage and film actor.
Whitechapel is a 1920 German silent crime film directed by Ewald André Dupont and starring Guido Herzfeld, Hans Mierendorff, and Otto Gebühr. The film was set around a variety theatre in London's East End suburb of Whitechapel.
The White Peacock is a 1920 German silent drama film directed by Ewald André Dupont and starring Guido Herzfeld, Hans Mierendorff and Karl Platen. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Paul Leni, Robert A. Dietrich and Otto Moldenhauer
The Telephone Operator is a 1925 German silent comedy film directed by Hanns Schwarz and starring André Mattoni, Alexander Murski, and Willy Kaiser-Heyl. The film's art direction was by Erich Czerwonski. It was notable for the number of leading UFA technicians who worked on it. It premiered on 15 October 1925 at the Tauenzienpalast in Berlin. It is also known by the alternative title Liebe und Telefon.
The Girl with a Patron is a 1925 German silent comedy film directed by Max Mack and starring Ossi Oswalda, Willy Fritsch, and Nora Gregor. It was shot at the Babelsberg Studios in Berlin. It was one of a number of popular comedies released by UFA during the era alongside its more prestigious art films.
The Gentleman Without a Residence is a 1925 German silent comedy film directed by Heinrich Bolten-Baeckers and starring Georg Alexander, Georg John and Paul Otto. It was one of a number of popular comedies released by UFA alongside its more prestigious art films. The film's art direction was by Erich Czerwonski.
Heinrich Bolten-Baeckers (1871–1938) was a German playwright, screenwriter, film director and producer. He worked on a number of films during the silent era. Towards the end of his film career he directed comedies for UFA such as The Gentleman Without a Residence and The Second Mother.
The Humble Man and the Chanteuse is a 1925 German silent film directed by E. A. Dupont and starring Lil Dagover, Olga Limburg and Margarete Kupfer. It was based on a novel by Felix Hollaender.
Queen Louise is a German silent historical film directed by Karl Grune and starring Mady Christians, Mathias Wieman, and Anita Dorris. It was released in two separate parts slightly less than a month from each other in December 1927 and January 1928. It commenced a series of historical epics directed by Grune. It was shot partly at the Terra Studios in Berlin. The film's sets were designed by the art director Hans Jacoby.
It's You I Have Loved is a 1929 German drama film directed by Rudolf Walther-Fein and starring Mady Christians, Walter Jankuhn, and Hans Stüwe. It is considered the first full sound film to be made in Germany. When it was released in the United States, the film's plot was compared to that of The Jazz Singer. It is also known as Because I Loved You.
The Higher Command is a 1935 German historical film directed by Gerhard Lamprecht and starring Lil Dagover, Karl Ludwig Diehl and Heli Finkenzeller. Produced and distributed by UFA, it was shot at the company's Babelsberg Studios in Potsdam. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle.
The Hour of Temptation is a 1936 German mystery film directed by Paul Wegener and starring Gustav Fröhlich, Lída Baarová and Harald Paulsen.
Does a Woman Have to Become a Mother? or Paragraph 144 is a 1924 Austrian-German silent film directed by Georg Jacoby and Hans Otto and starring Harry Liedtke. Originally intended as a pro-abortion film, by the time it was released it was advocating the opposite view.
Love's Joys and Woes is a 1926 German silent comedy film and directed by Kurt Gerron and Heinz Schall and starring Charlotte Susa, Margarete Kupfer and Hilde Maroff.
The Woman from Till 12 is a 1928 German silent comedy film directed by Erich Schönfelder and starring Werner Fuetterer and Dina Gralla. Much of the film's action takes place in a department store. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by Kurt Richter. It was released as part of the Parufamet agreement between UFA and the major Hollywood companies.
Napoleon Is to Blame for Everything is a 1938 German comedy film directed by Curt Goetz and starring Goetz, Valerie von Martens and Paul Henckels. It marked the German debut of the Norwegian-born star Kirsten Heiberg.
Three Fathers for Anna is a 1939 German comedy film directed by Carl Boese and starring Ilse Werner, Hans Stüwe and Theodor Danegger. It was made by the German company UFA at the firm's Babelsberg Studios in Potsdam, with some location shooting taking place around Passau in Bavaria. The film's sets were designed by the art director Herbert Frohberg.
Her First Experience is a 1939 German romance film directed by Josef von Báky and starring Ilse Werner, Johannes Riemann and Charlott Daudert.
The Foreign Prince is a 1918 German silent drama film directed by and starring Paul Wegener and also featuring Lyda Salmonova and Margarete Kupfer. It is now considered to be a lost film.
Children of Darkness is a German silent drama film directed by E. A. Dupont and starring Grit Hegesa, Hans Mierendorff, and Sybil Smolova. It was released in two separate parts Der Mann aus Neapel in December 1921 and Kämpfende Welten in January 1922. Both parts premiered at the Ufa-Palast am Zoo.