In October 1983, the Riverside Shakespeare Company, then New York City's only year-round professional Shakespeare theatre company, [1] inaugurated The Shakespeare Project, based at the theatre company's home on the Upper West Side of Manhattan, The Shakespeare Center. The Shakespeare Project was the first major New York residency of actors from the Royal Shakespeare Company - with Edwin Richfield, Heather Canning, Christopher Ravenscroft, Jennie Stoller and John Kane (the later two from Peter Brook's A Midsummer Night's Dream ) - for a week of public workshops, panel discussions, seminars and performances at the company's Upper West Side theatre, The Shakespeare Center. The event was launched at a luncheon in the Shakespeare Room of the Algonquin Hotel attended by Joseph Papp, Helen Hayes, Frank Rich, Gloria Skurski, W. Stuart McDowell, and members of the Royal Shakespeare Company in mid October 1983. According to the New York Times, over one thousand actors, students, teachers and stage directors, from the ages of 15 to 87, signed up for 22 sessions taught by some of the leading actors from London's Royal Shakespeare Company. [2]
The Riverside Shakespeare Company of New York City was founded in 1977 as a professional (AEA) theatre company on the Upper West Side of New York City, by W. Stuart McDowell and Gloria Skurski. Focusing on Shakespeare plays and other classical repertoire, it operated through 1997.
The City of New York, usually called either New York City (NYC) or simply New York (NY), is the most populous city in the United States and thus also in the state of New York. With an estimated 2017 population of 8,622,698 distributed over a land area of about 302.6 square miles (784 km2), New York is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 20,320,876 people in its 2017 Metropolitan Statistical Area and 23,876,155 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural, financial, and media capital of the world, and exerts a significant impact upon commerce, entertainment, research, technology, education, politics, tourism, art, fashion, and sports. The city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.
The Upper West Side, sometimes abbreviated UWS, is a neighborhood in the borough of Manhattan, New York City, bounded by Central Park and the Hudson River, and West 59th Street and West 110th Street.
At the launching of The Shakespeare Project, Marilyn Stasio of The New York Post, called it "the adventurous Shakespeare Project involving the five guests from the Royal Shakespeare Company...a unique venture." Stasio added, "Everybody at the opening night party, including such members of the theatrical community as Milo O'Shea, Barnard Hughes and Gloria Foster, seemed to want to a regular event of the unprecedented project." [3] In the evenings, the five actor also performed a "five-hander" version of Shakespeare The Merchant of Venice , Dylan Thomas' Under Milk Wood , and the New York premiere of D. H. Lawrence's The Tarnished Phoenix.
Marilyn Stasio is a New York City area author, writer and literary critic. She has been the "Crime Columnist" for The New York Times Book Review since about 1988, having written over 650 reviews as of January 2009. She says she reads "a few" crime books a year professionally and many more for pleasure. She also writes for Variety, The New York Post, New York magazine and others. She has served as a dramaturg at the Eugene O'Neill Theater Center.
Milo Donal O'Shea was an Irish actor. He received two Tony Award for Best Actor in a Play nominations for his performances in Staircase (1968) and Mass Appeal (1982).
Bernard Aloysius Kiernan "Barnard" Hughes was an American actor of television, theater and film. Hughes became famous for a variety of roles; his most-notable roles came after middle age, and he was often cast as a dithering authority figure or grandfatherly elder.
The week-long residency drew sell-out crowds at its two venues, the All Angels Episcopal Church at Lincoln Center, and The Shakespeare Center - the home of the Riverside Shakespeare Company, located in West Park Presbyterian Church at Amsterdam Avenue and West 86th Street in Manhattan. The Host Committee for The Shakespeare Project included Henry Guettel, Leonard Bernstein, Helen Hayes, Bernard Jacobs, John V. Lindsay, Joseph Papp and George Plimpton.
86th Street is a major two-way street in the Upper East Side and Upper West Side of the New York City borough of Manhattan.
Leonard Bernstein was an American composer, conductor, author, music lecturer, and pianist. He was among the first conductors born and educated in the US to receive worldwide acclaim. According to music critic Donal Henahan, he was "one of the most prodigiously talented and successful musicians in American history."
Helen Hayes MacArthur was an American actress whose career spanned 80 years. She eventually received the nickname "First Lady of American Theatre" and was one of 15 people who have won an Emmy, a Grammy, an Oscar, and a Tony Award. Hayes also received the Presidential Medal of Freedom, America's highest civilian honor, from President Ronald Reagan in 1986. In 1988, she was awarded the National Medal of Arts.
According to The New York Times , until the launching of The Shakespeare Project in 1983, "the Royal Shakespeare Company's actors had never conducted their workshops in New York City and never been open to actors in addition to students." [2]
The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won 125 Pulitzer Prizes, more than any other newspaper. The Times is ranked 17th in the world by circulation and 2nd in the U.S.
On the opening night of The Shakespeare Project, Christopher Ravenscroft of the Royal Shakespeare Company's production of Nicholas Nickleby was quoted by Marilyn Stasio of The New York Post, observing:
I am teaching the RSC approach to Shakespeare, which is essentially how to take him out of the classroom and make him live. But I would really like to tell the Americans that they already have the talent and the technique. All they need is the practice to take the horror out of Shakespeare. [4]
— Christopher Ravenscroft
To this, John Kane, who created the role of Puck in Peter Brook's seminal production of A Midsummer Night's Dream, added:
There's one area of acting in which we can teach the Americans nothing, and that's the area of intuitive acting and psychological reality. What we can teach, though, is our own classically based tuition, our strict discipline and our external approach to verse. Articulation is not one of the strong points of American acting, and yet articulation is what makes the expression of emotion easier. [4]
— John Kane
Edwin Richfield, whose roles at the Royal Shakespeare Company included Friar Lawrence in Romeo and Juliet said:
There should be no mystique...I keep saying - I say it so often in class - Shakespeare is just a very good playwright. In his lifetime, he never published a play. He just wrote them and did them. He never thought the plays had a future for professors to write books, saying, "The reason there's a third murderer is... [2]
— Edwin Richfield
Heather Canning, who appeared in the Royal Shakespeare Company production of Marat/Sade on Broadway, noted:
It's good to remove the reverence, because Shakespeare is very frightening to Americans. I heard that when they did Othello on Broadway they put Christopher Plummer's name on the marquee, and James Earl Jones's name - everyone but Shakespeare. It was as if he might scare people away. [2]
— Heather Canning
About The Shakespeare Project, Joseph Papp, head of the New York Shakespeare Festival said, "The Shakespeare Project provides a unique opportunity for New Yorkers to have exposure to actors from one of the leading Shakespeare ensembles, The Royal Shakespeare Company." On the promotional material for the project, Helen Hayes wrote: "On October 18–22, the Riverside Shakespeare Company will host The Shakespeare Project, when five actors from London's Royal Shakespeare Company will present workshops, seminars, and performances in an entertaining and educational program offered for the first time in this city. Join me there, October 18th!" [5]
As Samuel G. Freedman wrote in The New York Times on October 24, 1983:
The British actors came to New York, at a cost of $13,000, under the sponsorship of two American groups passionate about staging Shakespeare in the United States. One is the Riverside Shakespeare Company, an Off Broadway organization with a special interest in education, which acted as host to the English. The other is the Alliance for Creative Theater Education and Research, a joint American-English group that since 1975 has sent Shakespearean actors in American colleges to train actors in performing Shakespeare. [6]
— Samuel G. Freedman
The Shakespeare Project was part of an educational program presented by The Riverside Shakespeare Company and the Alliance for Creative Theatre and Educational Research (ACTER) at the University of California at Santa Barbara. It was hosted by the Riverside School for Shakespeare, the year-round professional training program designed for actors, directors and teachers, under the direction of John Clingerman, working with actors and directors from The Riverside Shakespeare Company. The Shakespeare Project was conceived and produced by W. Stuart McDowell, Artistic Director, and Gloria Skurski, Executive Director of the Riverside Shakespeare Company.
Joseph Papp was an American theatrical producer and director. He established The Public Theater in what had been the Astor Library Building in lower Manhattan. There, Papp created a year-round producing home to focus on new plays and musicals. Among numerous examples of these were the works of David Rabe, Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf, Charles Gordone's No Place to Be Somebody, and Papp's production of Michael Bennett's Pulitzer Prize–winning musical, A Chorus Line. Papp also founded Shakespeare in the Park, helped to develop other off-Broadway theatres and worked to preserve the historic Broadway Theatre District.
The Royal Shakespeare Theatre (RST) is a 1,040+ seat thrust stage theatre owned by the Royal Shakespeare Company dedicated to the English playwright and poet William Shakespeare. It is located in the town of Stratford-upon-Avon – Shakespeare's birthplace – in the English Midlands, beside the River Avon. The Royal Shakespeare and Swan Theatres re-opened in November 2010 after undergoing a major renovation known as the Transformation Project.
The Public Theater is a New York City arts organization founded as the Shakespeare Workshop in 1954 by Joseph Papp, with the intention of showcasing the works of up-and-coming playwrights and performers. It is led by Artistic Director Oskar Eustis and Executive Director Patrick Willingham. The venue opened in 1967, mounting the world-premiere production of the musical Hair as its first show.
The Delacorte Theater is a 1,800-seat open-air theater located in Central Park, in the borough of Manhattan in New York City. It is home to the Public Theater's free Shakespeare in the Park productions.
The New York Marriott Marquis is a Marriott hotel designed by architect John Portman. Opened in 1985, it is located on Times Square at 1535 Broadway at the corner of 45th Street.
JoAnne Akalaitis is an avant-garde Lithuanian-American theatre director and writer. She won five Obie Awards for direction and was founder in 1970 of the critically acclaimed Mabou Mines in New York City.
Shakespeare in the Park is a theatrical program that stages productions of Shakespearean plays at the Delacorte Theater, an open-air theater in New York City's Central Park. The theater and the productions are managed by The Public Theater and tickets are distributed free of charge on the day of the performance. Originally branded as the New York Shakespeare Festival (NYSF) under the direction of Joseph Papp, the institution was renamed in 2002 as part of a larger reorganization by the Public Theater.
The Swan Theatre is a theatre belonging to the Royal Shakespeare Company in Stratford-upon-Avon, England. It is built on to the side of the larger Royal Shakespeare Theatre, occupying the Victorian Gothic structure that formerly housed the Shakespeare Memorial Theatre that preceded the RST but was destroyed by fire in 1926.
Gerald Freedman is an American theatre director, librettist, and lyricist, and a college dean.
The Life and Adventures of Nicholas Nickleby is an 8½ hour-long adaptation of Charles Dickens’ novel, performed in two parts. Part 1 was 4 hours in length with one interval of 15 minutes. Part 2 was 4½ hours in length with two intervals of 12 minutes. It was originally presented onstage over two evenings, or in its entirety from early afternoon with a dinner break. Later it was presented on television over four evenings.
The Fulton Theatre was a Broadway theatre located at 210 West 46th Street in New York that was opened in 1911. It was renamed the Helen Hayes Theatre in 1955. The theatre was demolished in 1982. Since the former Little Theatre became the current Helen Hayes Theatre, the Fulton Theatre is now sometimes referred to as the First Helen Hayes Theatre.
The Shakespeare Center was the home of the Riverside Shakespeare Company, an Equity professional theatre company in New York City, beginning in 1982, when the then six-year-old company established its center of theatre production and advanced actor training at the 90-year-old West-Park Presbyterian Church on Amsterdam Avenue at West 86th Street. The Shakespeare Center's facilities consisted of the main offices of the Riverside Shakespeare Company, costume and set construction and storage rooms, a main lobby, and a theatre in the balcony of the church equipped with lighting and sound amplification.
Samuel H. Scripps was a patron of the arts, and played a significant role in gaining support and recognition for theatre and dance companies throughout America in the second half of the twentieth century.
Christopher Ravenscroft is an English actor, best known for his recurring role as DI Mike Burden in The Ruth Rendell Mysteries, the ITV adaptation of Ruth Rendell's Inspector Wexford mysteries.
Motley Theatre Design Course is a one-year independent theatre design course in London. It was founded at Sadler's Wells Opera in 1966.
The Lark Play Development Center is a non-profit organization that seeks to help playwrights improve and produce their plays. Headquartered in Manhattan, New York, they function in countries throughout the world.
George Bartenieff is a German-American stage and film actor. He is noted both for his character roles in commercial and non-commercial films and on television, and for his work in the avant-garde theatre and performance world of downtown Manhattan, New York City in the 1960s-1970s. He is a co-founder of the Theatre for the New City, and of the Greenwich Village Halloween Parade.
Between Riverside and Crazy is a 2014 play by playwright, screenwriter, director, and actor Stephen Adly Guirgis. The play won the 2015 Pulitzer Prize for Drama, the 2015 New York Drama Critics Circle Award for Best Play, the 2015 Lucille Lortel Award for Outstanding Play, the 2015 Outer Critics Circle Award for Outstanding New Off-Broadway Play and the 2015 Off Broadway Alliance Award for Best New Play.