The Shakespeare Project

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Logo for The Shakespeare Project, for The Riverside Shakespeare Company, 1982. RIVERSIDE SHAKESPEARE PROJECT logo 1.jpg
Logo for The Shakespeare Project, for The Riverside Shakespeare Company, 1982.

In October 1983, the Riverside Shakespeare Company, then New York City's only year-round professional Shakespeare theatre company, [1] inaugurated The Shakespeare Project, based at the theatre company's home on the Upper West Side of Manhattan, The Shakespeare Center. The Shakespeare Project was the first major New York residency of actors from the Royal Shakespeare Company - with Edwin Richfield, Heather Canning, Christopher Ravenscroft, Jennie Stoller and John Kane (the later two from Peter Brook's A Midsummer Night's Dream ) - for a week of public workshops, panel discussions, seminars and performances at the company's Upper West Side theatre, The Shakespeare Center. The event was launched at a luncheon in the Shakespeare Room of the Algonquin Hotel attended by Joseph Papp, Helen Hayes, Frank Rich, Gloria Skurski, W. Stuart McDowell, and members of the Royal Shakespeare Company in mid October 1983. According to the New York Times, over one thousand actors, students, teachers and stage directors, from the ages of 15 to 87, signed up for 22 sessions taught by some of the leading actors from London's Royal Shakespeare Company. [2]

Riverside Shakespeare Company late-20th-century theatre company in New York

The Riverside Shakespeare Company of New York City was founded in 1977 as a professional (AEA) theatre company on the Upper West Side of New York City, by W. Stuart McDowell and Gloria Skurski. Focusing on Shakespeare plays and other classical repertoire, it operated through 1997.

New York City Largest city in the United States

The City of New York, usually called either New York City (NYC) or simply New York (NY), is the most populous city in the United States and thus also in the state of New York. With an estimated 2017 population of 8,622,698 distributed over a land area of about 302.6 square miles (784 km2), New York is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 20,320,876 people in its 2017 Metropolitan Statistical Area and 23,876,155 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural, financial, and media capital of the world, and exerts a significant impact upon commerce, entertainment, research, technology, education, politics, tourism, art, fashion, and sports. The city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.

Upper West Side Neighborhood of Manhattan in New York City

The Upper West Side, sometimes abbreviated UWS, is a neighborhood in the borough of Manhattan, New York City, bounded by Central Park and the Hudson River, and West 59th Street and West 110th Street.

At the launching of The Shakespeare Project, Marilyn Stasio of The New York Post, called it "the adventurous Shakespeare Project involving the five guests from the Royal Shakespeare Company...a unique venture." Stasio added, "Everybody at the opening night party, including such members of the theatrical community as Milo O'Shea, Barnard Hughes and Gloria Foster, seemed to want to a regular event of the unprecedented project." [3] In the evenings, the five actor also performed a "five-hander" version of Shakespeare The Merchant of Venice , Dylan Thomas' Under Milk Wood , and the New York premiere of D. H. Lawrence's The Tarnished Phoenix.

Marilyn Stasio is a New York City area author, writer and literary critic. She has been the "Crime Columnist" for The New York Times Book Review since about 1988, having written over 650 reviews as of January 2009. She says she reads "a few" crime books a year professionally and many more for pleasure. She also writes for Variety, The New York Post, New York magazine and others. She has served as a dramaturg at the Eugene O'Neill Theater Center.

Milo OShea actor from the United States

Milo Donal O'Shea was an Irish actor. He received two Tony Award for Best Actor in a Play nominations for his performances in Staircase (1968) and Mass Appeal (1982).

Barnard Hughes actor

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The week-long residency drew sell-out crowds at its two venues, the All Angels Episcopal Church at Lincoln Center, and The Shakespeare Center - the home of the Riverside Shakespeare Company, located in West Park Presbyterian Church at Amsterdam Avenue and West 86th Street in Manhattan. The Host Committee for The Shakespeare Project included Henry Guettel, Leonard Bernstein, Helen Hayes, Bernard Jacobs, John V. Lindsay, Joseph Papp and George Plimpton.

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Helen Hayes American actress

Helen Hayes MacArthur was an American actress whose career spanned 80 years. She eventually received the nickname "First Lady of American Theatre" and was one of 15 people who have won an Emmy, a Grammy, an Oscar, and a Tony Award. Hayes also received the Presidential Medal of Freedom, America's highest civilian honor, from President Ronald Reagan in 1986. In 1988, she was awarded the National Medal of Arts.

The first residency of its kind by actors from the Royal Shakespeare Company

According to The New York Times , until the launching of The Shakespeare Project in 1983, "the Royal Shakespeare Company's actors had never conducted their workshops in New York City and never been open to actors in addition to students." [2]

<i>The New York Times</i> Daily broadsheet newspaper based in New York City

The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won 125 Pulitzer Prizes, more than any other newspaper. The Times is ranked 17th in the world by circulation and 2nd in the U.S.

On the opening night of The Shakespeare Project, Christopher Ravenscroft of the Royal Shakespeare Company's production of Nicholas Nickleby was quoted by Marilyn Stasio of The New York Post, observing:

Riverside Shakespeare Company presents The Shakespeare Project with Christopher Ravenscroft, 1983. RIVERSIDE SHAKESPEARE PROJECT 3.jpg
Riverside Shakespeare Company presents The Shakespeare Project with Christopher Ravenscroft, 1983.

I am teaching the RSC approach to Shakespeare, which is essentially how to take him out of the classroom and make him live. But I would really like to tell the Americans that they already have the talent and the technique. All they need is the practice to take the horror out of Shakespeare. [4]

Christopher Ravenscroft

To this, John Kane, who created the role of Puck in Peter Brook's seminal production of A Midsummer Night's Dream, added:

There's one area of acting in which we can teach the Americans nothing, and that's the area of intuitive acting and psychological reality. What we can teach, though, is our own classically based tuition, our strict discipline and our external approach to verse. Articulation is not one of the strong points of American acting, and yet articulation is what makes the expression of emotion easier. [4]

John Kane

Edwin Richfield, whose roles at the Royal Shakespeare Company included Friar Lawrence in Romeo and Juliet said:

There should be no mystique...I keep saying - I say it so often in class - Shakespeare is just a very good playwright. In his lifetime, he never published a play. He just wrote them and did them. He never thought the plays had a future for professors to write books, saying, "The reason there's a third murderer is... [2]

Edwin Richfield

Heather Canning, who appeared in the Royal Shakespeare Company production of Marat/Sade on Broadway, noted:

It's good to remove the reverence, because Shakespeare is very frightening to Americans. I heard that when they did Othello on Broadway they put Christopher Plummer's name on the marquee, and James Earl Jones's name - everyone but Shakespeare. It was as if he might scare people away. [2]

Heather Canning

About The Shakespeare Project, Joseph Papp, head of the New York Shakespeare Festival said, "The Shakespeare Project provides a unique opportunity for New Yorkers to have exposure to actors from one of the leading Shakespeare ensembles, The Royal Shakespeare Company." On the promotional material for the project, Helen Hayes wrote: "On October 18–22, the Riverside Shakespeare Company will host The Shakespeare Project, when five actors from London's Royal Shakespeare Company will present workshops, seminars, and performances in an entertaining and educational program offered for the first time in this city. Join me there, October 18th!" [5]

As Samuel G. Freedman wrote in The New York Times on October 24, 1983:

The British actors came to New York, at a cost of $13,000, under the sponsorship of two American groups passionate about staging Shakespeare in the United States. One is the Riverside Shakespeare Company, an Off Broadway organization with a special interest in education, which acted as host to the English. The other is the Alliance for Creative Theater Education and Research, a joint American-English group that since 1975 has sent Shakespearean actors in American colleges to train actors in performing Shakespeare. [6]

Samuel G. Freedman

The Shakespeare Project was part of an educational program presented by The Riverside Shakespeare Company and the Alliance for Creative Theatre and Educational Research (ACTER) at the University of California at Santa Barbara. It was hosted by the Riverside School for Shakespeare, the year-round professional training program designed for actors, directors and teachers, under the direction of John Clingerman, working with actors and directors from The Riverside Shakespeare Company. The Shakespeare Project was conceived and produced by W. Stuart McDowell, Artistic Director, and Gloria Skurski, Executive Director of the Riverside Shakespeare Company.

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References

  1. "Sunny Winter," in The New York Shakespeare Society Bulletin, March 1983.
  2. 1 2 3 4 "Bringing Bard Down to Earth on West Side", by Samuel G. Freedman, The New York Times, October 24, 1983.
  3. "Riverside opens its Shakespeare Center", by Marily Stasio, The New York Post, October 22, 1983.
  4. 1 2 "Riverside Opens Its Shakespeare Center", by Marily Stasio, The New York Post, October 22, 1983.
  5. Promotional brochure for The Shakespeare Project by The Riverside Shakespeare Company, October, 1983.
  6. "Bringing the Bard Down to Earth on the West Side", by Samuel G. Freedman, The New York Times, October 24, 1983.